Mina (Anna Maria Mazzini, born Lombardy, 1940) is an Italian popular music icon who throughout her sixty-year-long career has come to represent a range of diverse meanings. She is one of the best-loved popular music stars in Italy and abroad, with a large fan base across Europe, Asia, and South America. Her career began in the late 1950s and reached its peak in the 1960s and 1970s. Despite having retired from public appearances at the end of the 1970s, Mina remains popular and successful today, and continues to release new albums that consistently debut in the number one spot of the Italian charts. As an Italian popular music star, she is exemplary of the way in which stardom is constructed by different media and has come to represent different local and global identities, values, ideologies, and ways of behaving. This is because whilst Mina is first and foremost a popular music star, she has also been a film star and a television personality during different phases of her career. She has advertised successful Italian brands on television, and she has been a magazine writer and agony aunt. Her star persona is the product of her work in many different areas, as well as of the promotional materials and commentaries that are produced in response to her work. This book explores these different 'mediums' that Mina has been involved in and which have shaped her career and significance. It traces the process by which she has come to embody a diverse range of meanings that reveal something of the values and ideals at work within contemporary Italian society. Rachel Haworth is a researcher of Italian popular music and culture of the twentieth century, and Senior Lecturer in Italian at the University of Hull, UK. The primary market for this book is students and academics in the following subject areas: Italian Studies; Popular Music Studies; Stardom and Celebrity Studies; Media Studies; Cultural History. Also scholars and researchers working on music divas. The book is suitable for use on courses and modules at all undergraduate and postgraduate levels, which deal with Italian cultural studies, Italy's post-war history, and the role of women in Italy, as well as the wider study of popular music and the construction of stardom and celebrity. The secondary audience for this book will be fans of Mina around the world, accessibly written, this will appeal to fans in Italy who are able to read in English.

The similarities between the chanson franAaise and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Leo Ferre, Fabrizio De Andre and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson franAaise and the canzone d'autore.

The similarities between the chanson franAaise and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Leo Ferre, Fabrizio De Andre and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson franAaise and the canzone d'autore.