Why have women’s encounters with the natural world been largely airbrushed from history? Do women engage with landscape – be it writing, exploring, observing, studying, running, climbing or walking – differently to men? Rachel Hewitt traces the traditions dominated by men’s experiences, and the ways in which women’s immersion in nature diverges from the template we have inherited. In Her Nature will recover experiences and legacies often overshadowed, unnamed and potentially lost within a canon of nature writing and history. It will also celebrate an alternative tradition of women's endeavours that defy an unspoken cultural norm.

Map of a Nation tells the story of the creation of the Ordnance Survey map - the first complete, accurate, affordable map of the British Isles. The Ordnance Survey is a much beloved British institution, and Map of a Nation is, amazingly, the first popular history to tell the story of the map and the men who dreamt and delivered it. The Ordnance Survey's history is one of political revolutions, rebellions and regional unions that altered the shape and identity of the United Kingdom over the eighteenth and nineteenth centuries. It's also a deliciously readable account of one of the great untold British adventure stories, featuring intrepid individuals lugging brass theodolites up mountains to make the country visible to itself for the first time.

'Heartfelt, passionate, infuriating and often devastating, this book will inspire you to fight for your right to tread your own path' CAROLINE CRIADO PEREZ, author of Invisible Women When Rachel loses five family members in five months, grief magnifies other absences. Running across moors and mountains used to help her feel at home in her body and the world, but now she becomes painfully aware of her inability to run without being cat-called or followed by strange men, or to walk alone at night without fear. Her eyes are opened to injustices facing women in sport, from men who push her off paths during races, to male bias in competition regulations, kit and media coverage. The outdoors becomes a place of danger, sharpening her sense of the grief women experience - every day, everywhere - for lack of freedom. Rachel goes in search of a new family: the foremothers who blazed a trail at the dawn of outdoor sport. She discovers Lizzie Le Blond, a courageous Anglo-Irishwoman who scaled the Alps in woollen skirts, photographed fearless women climbing, skating and tobogganing at breakneck speeds, and founded the Ladies' Alpine Club, defying men who wanted the mountains to themselves. Yet after such groundbreaking progress in the late 1800s, a backlash drove women out of sports and public space. Are we now living through a similar reversal in women's rights or an era of unprecedented liberty? Telling Lizzie's story alongside her own, Rachel runs her way from bereavement to belonging, in a world that feels hostile to women. On the way she's inspired by the tenacious women, past and present, who insist that breaking boundaries outdoors is, and always has been, in her nature.

In the 1790s, Britain underwent what the politician Edmund Burke called 'the most important of all revolutions...a revolution in sentiments'. Inspired by the French Revolution, British radicals concocted new political worlds to enshrine healthier, more productive, human emotions and relationships. The Enlightenment's wildest hopes crested in the utopian projects of such optimists - including the young poet Samuel Taylor Coleridge, the philosophers William Godwin and Mary Wollstonecraft, the physician Thomas Beddoes and the first photographer Thomas Wedgwood - who sought to reform sex, education, commerce, politics and medicine by freeing desire from repressive constraints. But by the middle of the decade, the wind had changed. The French Revolution descended into bloody Terror and the British government quashed radical political activities. In the space of one decade, feverish optimism gave way to bleak disappointment, and changed the way we think about human need and longing. A Revolution of Feeling is a vivid and absorbing account of the dramatic end of the Enlightenment, the beginning of an emotional landscape preoccupied by guilt, sin, failure, resignation and repression, and the origins of our contemporary approach to feeling and desire. Above all, it is the story of the human cost of political change, of men and women consigned to the 'wrong side of history'. But although their revolutionary proposals collapsed, that failure resulted in its own cultural revolution - a revolution of feeling - the aftershocks of which are felt to the present day.