"Rachel King offers us the stories of families who understand the powerful reality that taking another life in the name of justice only perpetuates the tragedy. I encourage others to read these stories to better understand their journey from despair and anger to some level of peace and even forgiveness."--Sister Helen Prejean, CSJ, author of Dead Man Walking Could you forgive the murderer of your husband? Your mother? Your son? Families of murder victims are often ardent and very public supporters of the death penalty. But the people whose stories appear in this book have chosen instead to forgive their loved ones' murderers, and many have developed personal relationships with the killers and have even worked to save their lives. They have formed a nationwide group, Murder Victims' Families for Reconciliation (MVFR), to oppose the death penalty. MVFR members are often treated as either saints or lunatics, but the truth is that they are neither. They are ordinary people who have responded to an extraordinary and devastating tragedy with courage and faith, choosing reconciliation over retribution, healing over hatred. Believing that the death penalty is a form of social violence that only repeats and perpetuates the violence that claimed their loved ones' lives, they hold out the hope of redemption even for those who have committed the most hideous crimes. Weaving third-person narrative with wrenching first-hand accounts, King presents the stories of ten MVFR members. Each is a heartrending tale of grief, soul searching, and of the challenge to choose forgiveness instead of revenge. These stories, which King sets in the context of the national discussion over the death penalty debate and restorative versus retributive justice, will appeal not only to those who oppose the death penalty, but also to those who strive to understand how people can forgive the seemingly unforgivable. Rachel King is a legislative counsel for the American Civil Liberties Union's Washington national office where she lobbies on crime policy. She is currently working on a book about the families of death row inmates.

This book explores how objects, landscapes, and architecture were at the heart of how people imagined outlaws and disorder in colonial southern Africa. Drawing on evidence from several disciplines, it chronicles how cattle raiders were created, pursued, and controlled, and how modern scholarship strives to reconstruct pasts of disruption and deviance. Through a series of vignettes, Rachel King uses excavated material, rock art, archival texts, and object collections to explore different facets of how disorderly figures were shaped through impressions of places and material culture as much as actual transgression. Addressing themes from mobility to wilderness, historiography to violence, resistance to development, King details the world that raiders made over the last two centuries in southern Africa while also critiquing scholars' tools for describing this world. Offering inter-disciplinary perspectives on the past in Africa's southernmost mountains, this book grapples with concepts relevant to those interested in rule-breakers and rule-makers, both in Africa and the wider world.

Linked stories trace the vocational and emotional bargains made by workers at a Colorado sausage factory. It's almost a decade after the Great Recession, and in Colorado, St. Anthony Sausage has not recovered. Neither have its employees: a laid-off railway engineer, an exiled computer whiz, a young woman estranged from her infant daughter, an older man with cancer who lacks health care. As these low-wage workers interact under the supervision of the factory's owner and his quietly rebellious daughter, they come to understand that in America's postindustrial landscape, although they may help or comfort each other, they also have to do what's best for themselves. Over the course of these twelve interrelated stories, Rachel King gives life to diverse, complex, and authentic characters who are linked through the sausage factory and through their daily lives in a vividly rendered small town in Boulder County. The internal and external struggles ofBratwurst Haven's population are immediately and intimately relatable and resonant: these people seek answers within the world they inhabit while questioning what it means to want more from their lives.

This book explores how objects, landscapes, and architecture were at the heart of how people imagined outlaws and disorder in colonial southern Africa. Drawing on evidence from several disciplines, it chronicles how cattle raiders were created, pursued, and controlled, and how modern scholarship strives to reconstruct pasts of disruption and deviance. Through a series of vignettes, Rachel King uses excavated material, rock art, archival texts, and object collections to explore different facets of how disorderly figures were shaped through impressions of places and material culture as much as actual transgression. Addressing themes from mobility to wilderness, historiography to violence, resistance to development, King details the world that raiders made over the last two centuries in southern Africa while also critiquing scholars' tools for describing this world. Offering inter-disciplinary perspectives on the past in Africa's southernmost mountains, this book grapples with concepts relevant to those interested in rule-breakers and rule-makers, both in Africa and the wider world.

Sophie Edgar barely recognizes her husband, Thomas, an amateur naturalist, when he returns from the Amazon, where he had hoped to find his long-dreamed-of mythical butterfly, "Papilio sophia." The optimistic young Edwardian gentleman is gone, replaced by a weak, nearly mute shadow of the man she married. Unable to break through his heartbreaking silence, Sophie must glean what she can from his diaries and boxes of exquisite butterflies in order to discover what happened to Thomas in the lush and perilous jungles of Brazil. In the process, she learns as much about herself and her marriage as she does about the secrets harbored by a haunted soul.

A magnificent debut, written in rich and sensuous prose, Rachael King's "The Sound of Butterflies" is an unforgettable journey from the demure gentility of turn-of-the-twentieth-century England into the heart of darkness.

It is 1903 when Thomas Edgar says goodbye to his young wife Sophie and embarks on a journey to the Amazon, where he dreams of finding a mythical butterfly that will make both his name and his fortune. His dreams change, however, soon after his arrival in Brazil ...Months later, Thomas arrives home, thin, sick and, worst of all, unable -- or unwilling -- to speak. Frustrated by his silence, Sophie takes increasingly drastic measures to uncover the truth about what happened to her husband while he was away. But as she sorts through Thomas's diaries and boxes of exquisite butterflies, it becomes clear that the truth may not be easy to bear. 'The Sound of Butterflies fuses Edwardian gentility with obsession, murder and a glimpse of the giddy excess of the Brazilian rubber boom ...Told in prose as opulent as one of Thomas's specimens, it's a convincing debut' Observer

Amber: From Antiquity to Eternity is a history of human engagement with amber across three millennia. The book vividly describes our conceptions, stories, and political and scholarly disputes about amber, as well as issues of national and personal identity, religion, art, literature, music and science. Rachel King rewrites amber's history for the twenty-first century, tackling thorny ethical and moral questions regarding humanity's relationship with amber in the past, as well our connection with it today. With Earth facing unprecedented challenges, amber - the natural time capsule, and preserver of key information about the planet's evolutional history - promises to offer invaluable insights into what comes next.

Those who support capital punishment often claim that they do so because it provides justice and closure for the victims’ families. In Capital Consequences, attorney Rachel King reminds us that there are other families and other victims who must be considered in the debate over the death penalty. Combining a narrative voice with vivid, passionate, and painful accounts of the families of death row inmates, the book demonstrates that crimes that lead to death sentences also devastate the families of those convicted. These families, King argues, are the unseen victims of capital punishment. King challenges readers to question the morality of a punishment that victimizes families of the condemned and ripples out through future generations. Chapters tell the stories of families that have lost life savings supporting an accused loved one, endured intense public scrutiny, been subjected to harassment by the media, and are struggling to live with the inhumane treatment that their loved ones receive on death row.  The author also explores the unique nature of the grief that these families suffer. Because their pain tends to elicit less attention and empathy than that of the crime victims’ families, King shows how it becomes much more desperate and isolating. On a human level, this book is a powerful reminder that tragic events have tragic consequences that far outreach their immediate victims. At the same time, the accounts illustrate many of the flaws inherent in the judicial system—racial and economic bias, incompetent counsel, prosecutorial misconduct, the execution of juveniles, and wrongful convictions, some of which are only now being overturned because of recent advances in DNA technology. Regardless of which side of the death penalty issue you are on, this book will lead you to pause and consider that all acts—criminal and retributive—have broader human implications than we are sometimes willing to realize.