Powerful and moving readings, stories and poems for Easter. The accounts of scapegoating, of power and violence and hope found in the gospels will always be current and significant. The story of Jesus Christ and of those who surrounded him remains a defining narrative of our time. Using artistic and theological licence, Rachel Mann writes with the voices of the characters involved in the biblical accounts of passion and resurrection. Unafraid to explore the darkest aspects evoked by these events, she says: 'The intention of both the more humorous and the visceral stories is to play with abiding themes of death and new life in ways which - in church contexts at least - break unusual ground. Some readers may find some of the language crude and offensive. It is not my intention to offend or outrage, but - to indicate that there are places and experiences where blasphemy is prayer and prayer is blasphemy.'

A Star-Filled Grace offers resources on beloved Advent and Christmas themes for churches, ministers, study groups and individuals at a time when there is a genuine interest in fresh ways of telling the Christmas stories. In poetry, liturgy and narrative, Rachel Mann questions the cosy and sentimental view of the festive season and takes seriously the idea that God in Christ is born as a vulnerable outsider who transforms the world in radical ways. Intended to be usable in a wide range of liturgical and study contexts, this book revisits biblical voices, characters and stories with a sophistication and simplicity that speaks to readers from a diversity of theological and spiritual perspectives. Rachel Mann is an Anglican parish priest, broadcaster and writer. She is resident poet and minor canon at Manchester Cathedral. Her work is widely published, including two previous books, The Risen Dust and Dazzling Darkness.

** Suitable for online learning and study ** A brilliant new Lent Course for 2019, based on the hugely popular film The Greatest Showman. The 2018 Golden Globe-nominated movie starring Hugh Jackman, about the founder and stars of the Barnum & Bailey Circus is ideal for Lenten study of Christian themes of hope, redemption and new life. The five-week course offers discussion points, biblical reflections and prayers based on short excerpts from the film. The themes are: (1) ‘A Million Dreams’, exploring what liberation and hope might look like for an ‘outsider’ in the world; (2) ‘Come Alive’, exploring how the family of faith can bring hope and purpose; (3) ‘Rewrite the stars’, asks what forms of resistance can be placed in the way of salvation; (4) ‘Never Enough’, questions the temptations of false fulfilment that can lead us to betrayal; (5) ‘The Greatest Show’, shows how redemption is found when we discover ‘the circus is our home’.

In her second collection, Mann wrestles with the questions and possibilities raised when trans identity, faith, and the limits of myth and language intersect and are tested. Eleanor Among the Saints is a study in the queer joy found in counter-factuals and fantasy, shaped through the prism of the disputed story of Eleanor Rykener, a medieval trans woman, seamstress, and sex worker.

In the Bleak Midwinter explores the power of Advent and the joy of Christmas through the poetry of Christina Rossetti. Best known for her poems-turned-carols In the Bleak Midwinter and Love Came Down at Christmas, Rossetti's rich and wondrous faith provides an inspiring seasonal companion. For each day from Advent Sunday to the Epiphany, Rachel Mann selects a poem and reflects on it, drawing on Rossetti's many other writings including her devotional journals and commentary on biblical narratives. At a time when commercial pressures are at their most intense, this volume aims to lead readers to an encounter with God's time and space, to find our true identity beyond all that would limit and diminish our humanity.

Priest, poet and broadcaster Rachel Mann believes the world is charged with a divine spark. She explains how in our encounters with what she terms ‘the spectres of God’, one can become at peace with limitation, precariousness, lack of certainty, and one’s fragility and fractures - and at the same time find in divine fragility the hope of the world. Drawing on her own experiences, in three short chapters (on the body, on love, and on time) Mann explores how God invites us, repeatedly, to live in a rich three-dimensional mystery that subverts the depressing flat-earth of modern life.

Beginning with a 'Street Nativity Play' that didn't end as planned, and finishing with an open-ended conversation in the midst of the COVID-19 pandemic, "Being Interrupted" locates an institutionally-anxious Church of England within the wider contexts of divisions of race and class in 'the ruins of empire', alongside ongoing gender inequalities, the marginalization of children, and catastrophic ecological breakdown. In the midst of this bleak picture, Al Barrett and Ruth Harley open a door to a creative disruption of the status quo, 'from the outside, in': the in-breaking of the wild reality of the 'Kin-dom' of God. Through careful and unsettling readings in Mark's gospel, alongside stories from a multicultural outer estate in east Birmingham, they paint a vivid picture of an 'alternative economy' for the Church's life and mission, which begins with transformative encounters with neighbours and strangers at the edges of our churches, our neighbourhoods and our imaginations, and offers new possibilities for repentance and resurrection.

'About the months leading up to Evie's death, indeed, about the aftermath, I made a solemn vow to keep silent, and I like to think I take promises seriously. Despite what happened to Evie, I still think of those months I spent in the company of her and Richard, Ivo, Charlie and Piers as fondly as I remember anything. That we swore an oath to silence is not, necessarily, a sign of guilt. You should remember that we are the kind of people who take oaths seriously and we had more things binding us together than mere promises.' ~ Littlemore College is in a picturesque village just outside Oxford. Its calm surroundings have seen generations of aspirant priests pray and train. As far as the outside world is concerned, human passions are restrained by devotion to a higher calling. But this is the 1990s and women are training for the priesthood for the very first time. Passions are running high and at Littlemore College's enclosed and febrile heart, a small group of brilliant young ordinands, the favoured students of the charismatic and controversial Medievalist, Professor Albertus Loewe, are asking themselves some very dangerous questions. When Catherine Bolton arrives with her freshly-minted doctorate on Chaucer and the Church, Dr Loewe and his secretive group of students represent an irresistible challenge to her and her new friend Evie Kirkland. But just as Evie is not quite the friend she seems to be, so too the medieval passions of Dr Loewe's group are more far reaching and intense than she could ever have imagined.

Reflections for Daily Prayer continues to be one of the most popular and highly valued daily Bible reading companions. Continuing its tradition of excellence, regular favourites and new contributors offer insightful, informed and inspiring reflections on the scripture readings of the day, based on the Common Worship lectionary for Morning Prayer. Stephen Cottrell, the Archbishop of York, is the guest contributor for Holy Week. New voices this year include Gregory Cameron, the Bishop of St Asaph and author of the popular An Advent Book of Days and An Easter Book of Days; Chine MacDonald, author, broadcaster and Director of the religious think tank Theos; and Emma Parker, Deputy Warden of Cranmer Hall, Durham. For every day (excluding Sundays) of the 2023-24 church year, there are full references and a quotation from the day’s set of Scripture readings, concise and challenging commentary, and a collect. Also included is a simple order for Morning and Night Rrayer, and additional helps for nurturing a habit of regular daily prayer.

A Kingdom of Love is a lyrical interrogation of the place of the sacred and profane in a demythologised world from poet and Anglican parish priest, Rachel Mann.

Since C.H. Sisson's ground-breaking Selected Poems (Carcanet, 1984), Christina Rossetti's readership has burgeoned. Almost a century ago Ford Madox Ford claimed her as 'the most valuable poet that the Victorian age produced', and - as Valentine Cunningham recently declared - she now sits at top table with Tennyson, Browning, Hopkins and Barrett Browning. Feminist and queer scholars have since laid claim to Rossetti; but her Anglo-Catholic faith was never incidental to the power of even her most secular poems and is at the heart of her imaginative work. As an Anglican priest and poet, Rachel Mann in her selection appreciates Rossetti's ambition while attending, too, to recent scholarship that focuses on the religious, feminist and fantastical elements in her work.

Each year, the Holy Week and Easter double issue of the Church Times offers a wealth of seasonal reading and resources for worship and preaching. This volume, like its companion Christmas collection, draws together outstanding features from the past twenty years. It includes: * Meditations on the Stations of the Cross by the poet David Scott; * A short story set in Gethsemane by David Hart; * Timothy Radcliffe on the alternative to conflict symbolised by the Last Supper; * Sam Wells on Pilate and what he - and we - could do differently; * Richard Harries on the art of Good Friday; * Peter Stanford on Judas; * Michael Perham on why Easter celebrations should start in the dark; * Stephen Cleobury on the carols of Easter; * Mark Oakley on the poetry of the cross; * Paula Gooder on why the resurrection is central to faith; * Reflections on the season's lectionary readings, and much besides. In life Jesus had 'nowhere to lay his head' and in death was laid in a borrowed tomb. Mindful of this, all royalties from this book will go to the Church Homeless Trust.

'About the months leading up to Evie's death, indeed, about the aftermath, I made a solemn vow to keep silent, and I like to think I take promises seriously. Despite what happened to Evie, I still think of those months I spent in the company of her and Richard, Ivo, Charlie and Piers as fondly as I remember anything. That we swore an oath to silence is not, necessarily, a sign of guilt. You should remember that we are the kind of people who take oaths seriously and we had more things binding us together than mere promises.' ~ Littlemore College is in a picturesque village just outside Oxford. Its calm surroundings have seen generations of aspirant priests pray and train. As far as the outside world is concerned, human passions are restrained by devotion to a higher calling. But this is the 1990s and women are training for the priesthood for the very first time. Passions are running high and at Littlemore College's enclosed and febrile heart, a small group of brilliant young ordinands, the favoured students of the charismatic and controversial Medievalist, Professor Albertus Loewe, are asking themselves some very dangerous questions. When Catherine Bolton arrives with her freshly-minted doctorate on Chaucer and the Church, Dr Loewe and his secretive group of students represent an irresistible challenge to her and her new friend Evie Kirkland. But just as Evie is not quite the friend she seems to be, so too the medieval passions of Dr Loewe's group are more far reaching and intense than she could ever have imagined.

Love's Mysteries reflects powerfully on our fundamental limitations as creatures of flesh and bone, and what our experiences of grief, loss and fragility tell us about God and his astonishing choice to inhabit human flesh. Rachel Mann explores what happens when our bodies are under pressure, living under conditions of trauma, violence, pain or distress, suggesting that the precariousness of life might be where we most authentically encounter God. Her argument combines theological reflection with stories of communal and personal loss, from large-scale events such as terrorist attacks and the coronavirus pandemic to personal accounts of accompanying a dying person. Throughout, she explores how the universal experience of fragility and grief can help us understand our own lives and our relationships with God and with others.

Nowhere is distance so near-at-hand as in Enlightenment culture. Whether in the telescopic surveys of early astronomers, the panoramas of painters, the diaries of travelers, the prospects of landscape architects, or the tales of novelists, distance is never far in the background of the works and deeds of long-eighteenth-century artists, authors, and adventurers. Hemispheres and Stratospheres draws that background into the foreground. Recognizing distance as a central concern of the Enlightenment, this volume offers eight essays on distance in art and literature; on cultural transmission and exchange over distance; and on distance as a topic in science, a theme in literature, and a central issue in modern research methods. Through studies of landscape gardens, architecture, imaginary voyages, transcontinental philosophical exchange, and cosmological poetry, Hemispheres and Stratospheres unfurls the early history of a distance culture that influences our own era of global information exchange, long-haul flights, colossal skyscrapers, and space tourism.