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Powerful and moving readings, stories and poems for Easter. The
accounts of scapegoating, of power and violence and hope found in
the gospels will always be current and significant. The story of
Jesus Christ and of those who surrounded him remains a defining
narrative of our time. Using artistic and theological licence,
Rachel Mann writes with the voices of the characters involved in
the biblical accounts of passion and resurrection. Unafraid to
explore the darkest aspects evoked by these events, she says: 'The
intention of both the more humorous and the visceral stories is to
play with abiding themes of death and new life in ways which - in
church contexts at least - break unusual ground. Some readers may
find some of the language crude and offensive. It is not my
intention to offend or outrage, but - to indicate that there are
places and experiences where blasphemy is prayer and prayer is
blasphemy.'
A Star-Filled Grace offers resources on beloved Advent and
Christmas themes for churches, ministers, study groups and
individuals at a time when there is a genuine interest in fresh
ways of telling the Christmas stories. In poetry, liturgy and
narrative, Rachel Mann questions the cosy and sentimental view of
the festive season and takes seriously the idea that God in Christ
is born as a vulnerable outsider who transforms the world in
radical ways. Intended to be usable in a wide range of liturgical
and study contexts, this book revisits biblical voices, characters
and stories with a sophistication and simplicity that speaks to
readers from a diversity of theological and spiritual perspectives.
Rachel Mann is an Anglican parish priest, broadcaster and writer.
She is resident poet and minor canon at Manchester Cathedral. Her
work is widely published, including two previous books, The Risen
Dust and Dazzling Darkness.
** Suitable for online learning and study ** A brilliant new Lent
Course for 2019, based on the hugely popular film The Greatest
Showman. The 2018 Golden Globe-nominated movie starring Hugh
Jackman, about the founder and stars of the Barnum & Bailey
Circus is ideal for Lenten study of Christian themes of hope,
redemption and new life. The five-week course offers discussion
points, biblical reflections and prayers based on short excerpts
from the film. The themes are: (1) ‘A Million Dreams’,
exploring what liberation and hope might look like for an
‘outsider’ in the world; (2) ‘Come Alive’, exploring how
the family of faith can bring hope and purpose; (3) ‘Rewrite the
stars’, asks what forms of resistance can be placed in the way of
salvation; (4) ‘Never Enough’, questions the temptations of
false fulfilment that can lead us to betrayal; (5) ‘The Greatest
Show’, shows how redemption is found when we discover ‘the
circus is our home’.
In the Bleak Midwinter explores the power of Advent and the joy of
Christmas through the poetry of Christina Rossetti. Best known for
her poems-turned-carols In the Bleak Midwinter and Love Came Down
at Christmas, Rossetti's rich and wondrous faith provides an
inspiring seasonal companion. For each day from Advent Sunday to
the Epiphany, Rachel Mann selects a poem and reflects on it,
drawing on Rossetti's many other writings including her devotional
journals and commentary on biblical narratives. At a time when
commercial pressures are at their most intense, this volume aims to
lead readers to an encounter with God's time and space, to find our
true identity beyond all that would limit and diminish our
humanity.
Reflections for Daily Prayer continues to be one of the most
popular and highly valued daily Bible reading companions.
Continuing its tradition of excellence, regular favourites and new
contributors offer insightful, informed and inspiring reflections
on the scripture readings of the day, based on the Common Worship
lectionary for Morning Prayer. Stephen Cottrell, the Archbishop of
York, is the guest contributor for Holy Week. New voices this year
include Gregory Cameron, the Bishop of St Asaph and author of the
popular An Advent Book of Days and An Easter Book of Days; Chine
MacDonald, author, broadcaster and Director of the religious think
tank Theos; and Emma Parker, Deputy Warden of Cranmer Hall, Durham.
For every day (excluding Sundays) of the 2023-24 church year, there
are full references and a quotation from the day’s set of
Scripture readings, concise and challenging commentary, and a
collect. Also included is a simple order for Morning and Night
Rrayer, and additional helps for nurturing a habit of regular daily
prayer.
'About the months leading up to Evie's death, indeed, about the
aftermath, I made a solemn vow to keep silent, and I like to think
I take promises seriously. Despite what happened to Evie, I still
think of those months I spent in the company of her and Richard,
Ivo, Charlie and Piers as fondly as I remember anything. That we
swore an oath to silence is not, necessarily, a sign of guilt. You
should remember that we are the kind of people who take oaths
seriously and we had more things binding us together than mere
promises.' ~ Littlemore College is in a picturesque village just
outside Oxford. Its calm surroundings have seen generations of
aspirant priests pray and train. As far as the outside world is
concerned, human passions are restrained by devotion to a higher
calling. But this is the 1990s and women are training for the
priesthood for the very first time. Passions are running high and
at Littlemore College's enclosed and febrile heart, a small group
of brilliant young ordinands, the favoured students of the
charismatic and controversial Medievalist, Professor Albertus
Loewe, are asking themselves some very dangerous questions. When
Catherine Bolton arrives with her freshly-minted doctorate on
Chaucer and the Church, Dr Loewe and his secretive group of
students represent an irresistible challenge to her and her new
friend Evie Kirkland. But just as Evie is not quite the friend she
seems to be, so too the medieval passions of Dr Loewe's group are
more far reaching and intense than she could ever have imagined.
A Kingdom of Love is a lyrical interrogation of the place of the
sacred and profane in a demythologised world from poet and Anglican
parish priest, Rachel Mann.
Nowhere is distance so near-at-hand as in Enlightenment culture.
Whether in the telescopic surveys of early astronomers, the
panoramas of painters, the diaries of travelers, the prospects of
landscape architects, or the tales of novelists, distance is never
far in the background of the works and deeds of
long-eighteenth-century artists, authors, and adventurers.
Hemispheres and Stratospheres draws that background into the
foreground. Recognizing distance as a central concern of the
Enlightenment, this volume offers eight essays on distance in art
and literature; on cultural transmission and exchange over
distance; and on distance as a topic in science, a theme in
literature, and a central issue in modern research methods. Through
studies of landscape gardens, architecture, imaginary voyages,
transcontinental philosophical exchange, and cosmological poetry,
Hemispheres and Stratospheres unfurls the early history of a
distance culture that influences our own era of global information
exchange, long-haul flights, colossal skyscrapers, and space
tourism.
Nowhere is distance so near-at-hand as in Enlightenment culture.
Whether in the telescopic surveys of early astronomers, the
panoramas of painters, the diaries of travelers, the prospects of
landscape architects, or the tales of novelists, distance is never
far in the background of the works and deeds of
long-eighteenth-century artists, authors, and adventurers.
Hemispheres and Stratospheres draws that background into the
foreground. Recognizing distance as a central concern of the
Enlightenment, this volume offers eight essays on distance in art
and literature; on cultural transmission and exchange over
distance; and on distance as a topic in science, a theme in
literature, and a central issue in modern research methods. Through
studies of landscape gardens, architecture, imaginary voyages,
transcontinental philosophical exchange, and cosmological poetry,
Hemispheres and Stratospheres unfurls the early history of a
distance culture that influences our own era of global information
exchange, long-haul flights, colossal skyscrapers, and space
tourism.
Since C.H. Sisson's ground-breaking Selected Poems (Carcanet,
1984), Christina Rossetti's readership has burgeoned. Almost a
century ago Ford Madox Ford claimed her as 'the most valuable poet
that the Victorian age produced', and - as Valentine Cunningham
recently declared - she now sits at top table with Tennyson,
Browning, Hopkins and Barrett Browning. Feminist and queer scholars
have since laid claim to Rossetti; but her Anglo-Catholic faith was
never incidental to the power of even her most secular poems and is
at the heart of her imaginative work. As an Anglican priest and
poet, Rachel Mann in her selection appreciates Rossetti's ambition
while attending, too, to recent scholarship that focuses on the
religious, feminist and fantastical elements in her work.
Each year, the Holy Week and Easter double issue of the Church
Times offers a wealth of seasonal reading and resources for worship
and preaching. This volume, like its companion Christmas
collection, draws together outstanding features from the past
twenty years. It includes: * Meditations on the Stations of the
Cross by the poet David Scott; * A short story set in Gethsemane by
David Hart; * Timothy Radcliffe on the alternative to conflict
symbolised by the Last Supper; * Sam Wells on Pilate and what he -
and we - could do differently; * Richard Harries on the art of Good
Friday; * Peter Stanford on Judas; * Michael Perham on why Easter
celebrations should start in the dark; * Stephen Cleobury on the
carols of Easter; * Mark Oakley on the poetry of the cross; * Paula
Gooder on why the resurrection is central to faith; * Reflections
on the season's lectionary readings, and much besides. In life
Jesus had 'nowhere to lay his head' and in death was laid in a
borrowed tomb. Mindful of this, all royalties from this book will
go to the Church Homeless Trust.
Priest, poet and broadcaster Rachel Mann believes the world is
charged with a divine spark. She explains how in our encounters
with what she terms ‘the spectres of God’, one can become at
peace with limitation, precariousness, lack of certainty, and
one’s fragility and fractures - and at the same time find in
divine fragility the hope of the world. Drawing on her own
experiences, in three short chapters (on the body, on love, and on
time) Mann explores how God invites us, repeatedly, to live in a
rich three-dimensional mystery that subverts the depressing
flat-earth of modern life.
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Deathly Quiet (Paperback)
Jessica Ryan; Edited by Rachel Mann; Cover design or artwork by Quartz Creative Co
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R484
Discovery Miles 4 840
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Ships in 10 - 15 working days
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Love's Mysteries reflects powerfully on our fundamental limitations
as creatures of flesh and bone, and what our experiences of grief,
loss and fragility tell us about God and his astonishing choice to
inhabit human flesh. Rachel Mann explores what happens when our
bodies are under pressure, living under conditions of trauma,
violence, pain or distress, suggesting that the precariousness of
life might be where we most authentically encounter God. Her
argument combines theological reflection with stories of communal
and personal loss, from large-scale events such as terrorist
attacks and the coronavirus pandemic to personal accounts of
accompanying a dying person. Throughout, she explores how the
universal experience of fragility and grief can help us understand
our own lives and our relationships with God and with others.
'About the months leading up to Evie's death, indeed, about the
aftermath, I made a solemn vow to keep silent, and I like to think
I take promises seriously. Despite what happened to Evie, I still
think of those months I spent in the company of her and Richard,
Ivo, Charlie and Piers as fondly as I remember anything. That we
swore an oath to silence is not, necessarily, a sign of guilt. You
should remember that we are the kind of people who take oaths
seriously and we had more things binding us together than mere
promises.' ~ Littlemore College is in a picturesque village just
outside Oxford. Its calm surroundings have seen generations of
aspirant priests pray and train. As far as the outside world is
concerned, human passions are restrained by devotion to a higher
calling. But this is the 1990s and women are training for the
priesthood for the very first time. Passions are running high and
at Littlemore College's enclosed and febrile heart, a small group
of brilliant young ordinands, the favoured students of the
charismatic and controversial Medievalist, Professor Albertus
Loewe, are asking themselves some very dangerous questions. When
Catherine Bolton arrives with her freshly-minted doctorate on
Chaucer and the Church, Dr Loewe and his secretive group of
students represent an irresistible challenge to her and her new
friend Evie Kirkland. But just as Evie is not quite the friend she
seems to be, so too the medieval passions of Dr Loewe's group are
more far reaching and intense than she could ever have imagined.
In her second collection, Mann wrestles with the questions and
possibilities raised when trans identity, faith, and the limits of
myth and language intersect and are tested. Eleanor Among the
Saints is a study in the queer joy found in counter-factuals and
fantasy, shaped through the prism of the disputed story of Eleanor
Rykener, a medieval trans woman, seamstress, and sex worker.
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