The architectural crit, review or jury is a cornerstone of architectural education around the world. The defence of ideas, drawings, and models in an open format before staff and peers is intended to be a foreground for healthy creative debate, but many students view it as hostile confrontation - an ego trip for staff and humiliation for them. This accessible and immensely enjoyable book guides students through this academic minefield. This fully updated edition includes advice and suggestions for tutors on how to model a crit around a broad range of learning styles, as well as a new section aimed at students with learning disabilities, to ensure that the process is constructive and beneficial for all architecture and design scholars. Packed with practical tips from tutors, students and professionals, this reassuringly honest book will prepare students to build more creative relationships with clients and users across the industry. Also in the Seriously Useful Guides series: * Practical Experience * The Dissertation * The Portfolio

The architectural crit, review or jury is a cornerstone of architectural education around the world. The defence of ideas, drawings, and models in an open format before staff and peers is intended to be a foreground for healthy creative debate, but many students view it as hostile confrontation - an ego trip for staff and humiliation for them. This accessible and immensely enjoyable book guides students through this academic minefield. This fully updated edition includes advice and suggestions for tutors on how to model a crit around a broad range of learning styles, as well as a new section aimed at students with learning disabilities, to ensure that the process is constructive and beneficial for all architecture and design scholars. Packed with practical tips from tutors, students and professionals, this reassuringly honest book will prepare students to build more creative relationships with clients and users across the industry. Also in the Seriously Useful Guides series: * Practical Experience * The Dissertation * The Portfolio

Transgression suggests operating beyond accepted norms and radically reinterpreting practice by pushing at the boundaries of both what architecture is, and what it could or even should be. The current economic crisis and accompanying political/social unrest has exacerbated the difficulty into which architecture has long been sliding: challenged by other professions and a culture of conservatism, architecture is in danger of losing its prized status as one of the pre-eminent visual arts. Transgression opens up new possibilities for practice. It highlights the positive impact that working on the architectural periphery can make on the mainstream, as transgressive practices have the potential to reinvent and reposition the architectural profession: whether they are subverting notions of progress; questioning roles and mechanisms of production; aligning with political activism; pioneering urban interventions; advocating informal or incomplete development; actively destabilising environments or breaking barriers of taste. In this new dispersed and expanded field of operation, the balance of architectural endeavour is shifted from object to process, from service to speculation, and from formal to informal in a way that provides both critical and political impetus to proactively affect change. Contributors: Can Altay, Edward Denison and Guangyu Ren, Kim Dovey, Chris Jenks, David Littlefield, Silvia Loeffler, Alistair Parvin, Louis Rice, Patrik Schumacher and Robin Wilson Featured architects: atelier d’architecture autogérée, Lina Bo Bardi, Construire/La Machine, EXYZT, Didier Faustino/Bureau des Mésarchitectures, Lacaton & Vassal, N55, Catie Newell/*Alibi Studio, Wang Shu, Superflex and Bernard Tschumi