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A surprising and revealing look at how today's elite view their own
wealth and place in society From TV's "real housewives" to The Wolf
of Wall Street, our popular culture portrays the wealthy as
materialistic and entitled. But what do we really know about those
who live on "easy street"? In this penetrating book, Rachel Sherman
draws on rare in-depth interviews that she conducted with fifty
affluent New Yorkers--including hedge fund financiers and corporate
lawyers, professors and artists, and stay-at-home mothers--to
examine their lifestyle choices and their understanding of
privilege. Sherman upends images of wealthy people as invested only
in accruing and displaying social advantages for themselves and
their children. Instead, these liberal elites, who believe in
diversity and meritocracy, feel conflicted about their position in
a highly unequal society. They wish to be "normal," describing
their consumption as reasonable and basic and comparing themselves
to those who have more than they do rather than those with less.
These New Yorkers also want to see themselves as hard workers who
give back and raise children with good values, and they avoid
talking about money. Although their experiences differ depending on
a range of factors, including whether their wealth was earned or
inherited, these elites generally depict themselves as productive
and prudent, and therefore morally worthy, while the undeserving
rich are lazy, ostentatious, and snobbish. Sherman argues that this
ethical distinction between "good" and "bad" wealthy people
characterizes American culture more broadly, and that it
perpetuates rather than challenges economic inequality. As the
distance between rich and poor widens, Uneasy Street not only
explores the real lives of those at the top but also sheds light on
how extreme inequality comes to seem ordinary and acceptable to the
rest of us.
A surprising and revealing look at how today's elite view their
wealth and place in society From TV's "real housewives" to The Wolf
of Wall Street, our popular culture portrays the wealthy as
materialistic and entitled. But what do we really know about those
who live on "easy street"? In this penetrating book, Rachel Sherman
draws on rare in-depth interviews that she conducted with fifty
affluent New Yorkers-from hedge fund financiers and artists to
stay-at-home mothers-to examine their lifestyle choices and
understanding of privilege. Sherman upends images of wealthy people
as invested only in accruing social advantages for themselves and
their children. Instead, these liberal elites, who believe in
diversity and meritocracy, feel conflicted about their position in
a highly unequal society. As the distance between rich and poor
widens, Uneasy Street not only explores the lives of those at the
top but also sheds light on how extreme inequality comes to seem
ordinary and acceptable to the rest of us.
"Sherman's insightful ethnography sheds light on the interactional
dimension of symbolic boundaries and class relations as they are
lived by luxury hotel clients and the workers who serve them. We
learn how both groups perform class through emotion work and deepen
our understanding of the role played by "niceness" in constituting
equality and reversing hierarchies. As such, "Class Acts" is a
signal contribution to a growing literature on the place of the
self concept in class boundaries. It will gain a significant place
in a body of work that broadens our understanding of class by
moving beyond structural determinants and taking into consideration
the performative, emotional, cognitive, and expressive dimensions
of inequality."--Michele Lamont, author of "The Dignity of Working
Men: Morality and the Boundaries of Race, Class, and Immigration"
"Eye-opening, amusing, and appalling, Rachel Sherman's "Class Acts
"explains how class inequality is normalized in the refined
atmosphere of luxury hotels. This beautifully observed and
engagingly written ethnography describes what kinds of deference
and personal recognition money can buy. Moreover, it shows how
workers who provide luxury service avoid seeing themselves as
subordinate and how those whose whims are catered to are made
comfortable with their privilege. "Class Acts" is a sobering and
timely account of the legitimation of extreme inequality in a
culture that prizes egalitarianism."--Robin Leidner, University of
Pennsylvania
"Rachel Sherman provides a penetrating and engrossing study of
workers and guests in luxury hotels. Do workers resent the guests?
Do guests disdain the workers? Sherman argues neither is true-and
explainswhy."--Julia Wrigley, author of "Other People's Children"
This Is A New Release Of The Original 1894 Edition.
1894. With Portraits. Introduction: Soon after beginning the work
of arranging my father's papers for publication, I found a series
of letters which awoke my deepest interest. They covered a period
extending from 1837 to 1891, and proved to be the complete
correspondence between my father and his brother John during those
more than fifty years. These letters, exchanged by two brothers of
such eminence, and many of them written during the most stirring
events of our country's history, seem to me unique. They form a
collection, complete in itself; they are of great historical value,
and the expressions of opinion which they obtain are so freely
given as to furnish an excellent idea of the relations that existed
between my father and his brother. Realizing all this, I have
decided to publish the correspondence by itself; and in so doing,
my chief desire has been to let the letters speak for themselves,
and to put them such form that they may be easily understood.
1894. With Portraits. Introduction: Soon after beginning the work
of arranging my father's papers for publication, I found a series
of letters which awoke my deepest interest. They covered a period
extending from 1837 to 1891, and proved to be the complete
correspondence between my father and his brother John during those
more than fifty years. These letters, exchanged by two brothers of
such eminence, and many of them written during the most stirring
events of our country's history, seem to me unique. They form a
collection, complete in itself; they are of great historical value,
and the expressions of opinion which they obtain are so freely
given as to furnish an excellent idea of the relations that existed
between my father and his brother. Realizing all this, I have
decided to publish the correspondence by itself; and in so doing,
my chief desire has been to let the letters speak for themselves,
and to put them such form that they may be easily understood.
1894. With Portraits. Introduction: Soon after beginning the work
of arranging my father's papers for publication, I found a series
of letters which awoke my deepest interest. They covered a period
extending from 1837 to 1891, and proved to be the complete
correspondence between my father and his brother John during those
more than fifty years. These letters, exchanged by two brothers of
such eminence, and many of them written during the most stirring
events of our country's history, seem to me unique. They form a
collection, complete in itself; they are of great historical value,
and the expressions of opinion which they obtain are so freely
given as to furnish an excellent idea of the relations that existed
between my father and his brother. Realizing all this, I have
decided to publish the correspondence by itself; and in so doing,
my chief desire has been to let the letters speak for themselves,
and to put them such form that they may be easily understood.
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