A new portrait of Betty Friedan, the author and activist acclaimed as the mother of second-wave feminism   “A lucid portrait of Friedan as a bold yet flawed advocate for women’s equality.�—Publishers Weekly   The feminist writer and activist Betty Friedan (1921–2006), pathbreaking author of The Feminine Mystique, was powerful and polarizing. In this biography, the first in more than twenty years, Rachel Shteir draws on Friedan’s papers and on interviews with family, colleagues, and friends to create a nuanced portrait.   Friedan, born Bettye Naomi Goldstein, chafed at society’s restrictions from a young age. As a journalist she covered racism, sexism, labor, class inequality, and anti-Semitism. As a wife and mother, she struggled to balance her work and homemaking. Her malaise as a housewife and her research into the feelings of other women resulted in The Feminine Mystique (1963), which made her a celebrity.   Using her influence, Friedan cofounded the National Organization for Women, the National Women’s Political Caucus, and the National Association to Repeal Abortion Laws. She fought for the Equal Rights Amendment, universal childcare, and workplace protections for mothers, but she disagreed with the women’s liberation movement over “sexual politics.� Her volatility and public conflicts fractured key relationships.   Shteir considers how Friedan’s Judaism was essential to her feminism, presenting a new Friedan for a new era.

Rachel Shteir's "The Steal "is the first serious study of shoplifting, looking to history to reveal the roots of our modern dilemma. Dismissed by academia and the mainstream media and largely misunderstood, shoplifting has become the territory of moralists, mischievous teenagers, tabloid television, and self-help gurus. But shoplifting incurs remarkable real-life costs for retailers and consumers. The "crime tax"--the amount every American family loses to shoplifting-related price inflation--is more than $400 a year. Shoplifting cost American retailers $11.7 billion in 2009. The theft of one $5.00 item from Whole Foods can require sales of hundreds of dollars to break even."The Steal "begins when shoplifting entered the modern record as urbanization and consumerism made London into Europe's busiest mercantile capital. Crossing the channel to nineteenth-century Paris, Shteir tracks the rise of the department store and the pathologizing of shoplifting as kleptomania. In 1960s America, shoplifting becomes asymbol of resistance when the publication of Abbie Hoffman's "Steal This Book "popularizes shoplifting as an antiestablishment act. Some contemporary analysts see our current epidemic as a response to a culture of hyper-consumerism; others questionwhether its upticks can be tied to economic downturns at all. Few provide convincing theories about why it goes up or down.Just as experts can't agree on why people shoplift, they can't agree on how to stop it. Shoplifting has been punished by death, discouraged by shame tactics, and protected against by high-tech surveillance. Shoplifters have been treated by psychoanalysis, medicated with pharmaceuticals, and enforced by law to attend rehabilitationgroups. While a few individuals have abandoned their sticky-fingered habits, shoplifting shows no signs of slowing.In "The Steal, "Shteir guides us through a remarkable tour of all things shoplifting--we visit the Woodbury Commons Outlet Mall, where boosters run rampant, watch the surveillance footage from Winona Ryder's famed shopping trip, and learn the history of antitheft technology. A groundbreaking study, "The Steal "shows us that shoplifting inits many guises--crime, disease, protest--is best understood as a reflection of our society, ourselves.

A revealing portrait of Gypsy Rose Lee, the "Striptease Intellectual" of 1930s burlesque A true icon of America at a turning point in its history, Gypsy Rose Lee was the first-and the only-stripper to become a household name, write novels, and win the adulation of intellectuals, bankers, socialites, and ordinary Americans. Her outrageous blend of funny-smart sex symbol with the aura of high culture-she boasted that she liked to read Great Books and listen to classical music while taking off her clothes on-stage-inspired a musical, memoirs, a portrait by Max Ernst, and a species of rose. Gypsy is the first book about Gypsy Rose Lee's life, fame, and place in America not written by a family member, and it reveals her deep impact on the social and cultural transformations taking shape during her life. Rachel Shteir, author of the prize-winning Striptease, gives us Gypsy's story from her arrival in New York in 1931 to her sojourns in Hollywood, her friendships and rivalries with writers and artists, the Sondheim musical, family memoirs that retold her history in divergent ways, and a television biopic currently in the making. With verve, audacity, and native guile, Gypsy Rose Lee moved striptease from the margins of American life to Broadway, Hollywood, and Main Street. Gypsy tells how she did it, and why.

Striptease recreates the combustible mixture of license, independence, and sexual curiosity that allowed strippers to thrive for nearly a century. Rachel Shteir brings to life striptease's Golden Age, the years between the Jazz Age and the Sexual Revolution, when strippers performed around the country, in burlesque theatres, nightclubs, vaudeville houses, carnivals, fairs, and even in glorious palaces on the Great White Way. Taking us behind the scenes, Shteir introduces us to a diverse cast of characters that collided on the burlesque stage, from tight-laced political reformers and flamboyant impresarios, to drag queens, shimmy girls, cootch dancers, tit serenaders, and even girls next door, lured into the profession by big-city aspirations. Throughout the book, readers will find essential profiles of famed performers, including Gypsy Rose Lee, 'the Literary Stripper'; Lili St. Cyr, the 1950s mistress of exotic striptease; and Blaze Starr, the 'human heat wave'. who literally set the stage on fire. striptease is an insightful and entertaining portrait of an art form at once reviled and embraced by the American public. Blending careful research and vivid narration, Rachel Shteir captures striptease's combination of sham and seduction while illuminating its surprisingly persistent hold on the American imagination.