Double bill of adventure films. 'Percy Jackson and the Lightning Thief' (2010), based on the children's books by Rick Riordan, follows the adventures of 12-year-old New Yorker Percy Jackson (Logan Lerman). When Percy discovers that he is the descendant of a Greek god, he sets out on a cross-country adventure to settle an ongoing feud between the 'Big Three', Zeus (Sean Bean), Hades (Steve Coogan) and Poseidon (Kevin McKidd), and unravel a mystery more powerful than the gods themselves. 'Eragon' (2006), based on the best-selling novel by Christopher Paolini, follows the fortunes of an orphaned farm boy, Eragon (Edward Speleers), whose life is changed forever when a mystic stone chooses him for its keeper. When the stone turns out to be an egg from which a baby dragon is hatched, Eragon realises he has stumbled upon a legacy nearly as old as the Empire itself. With only an ancient sword and the advice of an old storyteller (Jeremy Irons) for guidance, Eragon and the fledgling dragon (voiced by Rachel Weisz) must navigate the dangerous terrain of an Empire ruled by a king whose evil knows no bounds.

Darren Aronofsky directs this elegaic time-travelling odyssey, in which Hugh Jackman and Rachel Weisz star in a series of storylines about a man's struggle to save the woman he loves. In one storyline, 16th-century Spanish conquistador Tomas Creo (Jackman) sets out to find the fabled Tree of Life in order to save his queen, Isabel (Weisz) from the Inquisition. In a modern-day storyline, Jackman is Tommy, a scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzie (Weisz). In a future timeline, Tom (Jackman) is a 26th-century astronaut travelling through deep space - and finally beginning to grasp the mysteries of life that have consumed him for so long.

Now What? is an innovative exploration of artworks and films that return to radical histories subject to erasure or otherwise lost or occluded over time. The moments returned to-the Cuban Revolution, Chile's 1973 coup d'etat, the ambiguous 1989 "revolution" in Romania, and the mayhem surrounding the Red Army Faction in 1970s West Germany-stand as historical watersheds, foundational and precipitate moments in the history of radical politics. Delving into these key historical moments by way of Tania Bruguera's 2009 performance Tatlin's Whisper in Havana, filmmaker Patricio Guzman's decades-long cycle of returns to Allende's Chile, Harun Farocki and Andrei Ujica's Videograms of a Revolution, Corneliu Porumboiu's 12:08 East of Bucharest, the film Germany in Autumn, and Gerhard Richter's October 18, 1977 suite of paintings, Rachel Weiss convincingly threads these works together through subtle and illuminating reflections on the complex dynamics involved in historical trauma and memory, addressing key questions about the meanings and uses of the past.

Now What? is an innovative exploration of artworks and films that return to radical histories subject to erasure or otherwise lost or occluded over time. The moments returned to-the Cuban Revolution, Chile's 1973 coup d'etat, the ambiguous 1989 "revolution" in Romania, and the mayhem surrounding the Red Army Faction in 1970s West Germany-stand as historical watersheds, foundational and precipitate moments in the history of radical politics. Delving into these key historical moments by way of Tania Bruguera's 2009 performance Tatlin's Whisper in Havana, filmmaker Patricio Guzman's decades-long cycle of returns to Allende's Chile, Harun Farocki and Andrei Ujica's Videograms of a Revolution, Corneliu Porumboiu's 12:08 East of Bucharest, the film Germany in Autumn, and Gerhard Richter's October 18, 1977 suite of paintings, Rachel Weiss convincingly threads these works together through subtle and illuminating reflections on the complex dynamics involved in historical trauma and memory, addressing key questions about the meanings and uses of the past.

The new Cuban art grew up in the supercharged and conflicting currents of revolution, sometimes tracking to its optimism and at others scalded by it. But even more than that it was an art with extraordinary relation and relevance to the life of the country across social, domestic, cultural, and psychological registers: aggressive, protean, and perennially restless within an extraordinary conviction about the possibilities of art.-from the Introduction In 1981, Volumen Uno, an exhibition at a Havana gallery, inaugurated a new chapter in the rich history of Cuban art. Featuring an eclectic mix of works by eleven young artists filtered through a variety of styles-informalism, Pop, minimalism, conceptualism, performance, graffiti, and povera-the art was a sharp break with the past in both form and content. More of a phenomenon than a formal movement, the new Cuban art was both a reaction to the sovietization of Cuban culture in the 1970s and the dynamic entry of a generation of artists born around the Revolution and formed by its orthodoxies and its poetic idealism. In this spectacularly illustrated volume, Rachel Weiss offers the definitive critical history of the new Cuban art, exploring its remarkable artistic accomplishments and its role as catalyst for, and site of, public debate. Weiss draws on two decades of engagement with Cuban art and on the statements of the artists themselves to read individual artworks against the complex relationships between artists, their local and global audiences, and the Cuban state. Tracing the shift from the optimism of the early 1980s to the cultural cynicism that paralleled the near-collapse of Cuban society in the 1990s, To and from Utopia in the New Cuban Art identifies a renewed idealism among the artists about the potential role of culture in Cuban society.

Set directly after the events in Captain America: Civil War, Natasha Romanoff - aka Black Widow - confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises.

Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.

Horror starring Keanu Reeves as John Constantine, a man who was born with a gift he didn't want - the ability to clearly recognise the half-breed angels and demons that walk the earth in human skin. Constantine was driven to take his own life to escape the tormenting clarity of his vision, but he failed. Resuscitated against his will, he found himself cast back into the land of the living. Now, marked as an attempted suicide with a temporary lease on life, he patrols the earthly border between heaven and hell, hoping in vain to earn his way to salvation by sending the devil's foot soldiers back to the depths. But Constantine is no saint. Disillusioned by the world around him and at odds with the one beyond, he's a hard-drinking, hard-living bitter hero who scorns the very idea of heroism. When a desperate but skeptical police detective (Rachel Weisz) enlists his help in solving the mysterious death of her beloved twin sister (also played by Weisz), their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

Yorgos Lanthimos co-writes and directs this surreal sci-fi comedy drama starring Colin Farrell. Set in a dystopian future where failure to find a partner is unacceptable, recently widowed David (Farrell) is given just 45 days to find a replacement partner. In line with the rules of The City, singletons are taken to The Hotel where they are forced to find a mate and those that fail to pair up are transformed into an animal of their choosing and sent into the surrounding woods. Although David appears less desperate than some of his fellow guests to forge a new relationship, he tries his best to create a union with a fellow cold-hearted resident (Angeliki Papoulia). But after his latest attempt at a relationship fails, David flees The Hotel and into the wilderness where he falls in love with a Loner (Rachel Weisz) despite the militant group's ban on romantic interactions.

Born to a prominent family in Havana but exiled to the United States as a girl, Ana Mendieta (1948-1985) is regarded as one of the most significant artists of the postwar era. During her too-brief career, she produced a distinctive body of work that includes drawings, installations, performances, photographs, and sculptures. Less well known is her remarkable and prolific production of films. This richly illustrated catalogue presents a series of sequential color stills from each of twenty-one original Super 8 films that have been newly preserved and digitized in high definition for the 2015 exhibition, combined with related photographs, and reference still images from all of the artist's 104 filmworks; together these illustrations sample the full range of the artist's film practice from 1971 to 1981. The book includes Mendieta's first published comprehensive filmography resulting from three years of collaborative research conducted by the Estate of Ana Mendieta Collection and the University of Minnesota as well as original essays by John Perreault, Michael Rush, Rachel Weiss, Lynn Lukkas, Raquel Cecilia Mendieta, and Laura Wertheim Joseph. The first book-length treatment of Mendieta's moving-image practice, Covered in Time and History aims to locate her films centrally within her larger oeuvre and at the forefront of the multidisciplinary shifts that characterized visual arts practice during the 1970s. Published in association with the Katherine E. Nash Gallery at the University of Minnesota. Exhibition dates: University of California, Berkeley Art Museum & Pacific Film Archive (BAMPFA): November 9, 2016-February 12, 2017 NSU Art Museum Fort Lauderdate: February 28-July 3, 2016 Katherine E. Nash Gallery, University of Minnesota: September 15-December 12, 2015

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture.

This volume gathers Camnitzer's most thought-provoking essays--"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.

This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary arthe is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond. The volume explores Becketts formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernisms theoretical presuppositions congruent with trends like Minimalism and Conceptual Art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Becketts work. Perceiving Becketts ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Becketts remains, as it were, contemporary artists find endless inspiration.

The Bourne Identity
Rescued with two bullets in his back, Jason Bourne has completely lost his memory. Soon, it becomes very clear that he has to find out his identity to save his life. Hunted by his killers and racing against time, Bourne soon discovers he too has a definite instinct to kill... With its clever international plot, non-stop action, white-knuckle car chase through Paris and terrific stunts and fight sequences, The Bourne Identity will leave you breathless!

The Bourne Supremacy
Suffering from amnesia, Bourne has left his violent past behind and is living a normal life with girlfriend Marie. But his plans for a peaceful life are crushed when he narrowly escapes an assassination attempt. Now hunted by an unknown enemy, Bourne proves to be neither an easy target nor a person whose skill, determination and resilience can be underestimated.

The Bourne Ultimatum
Bourne is still trying to uncover his true identity and how it all ties in to the mysterious CIA program known as Treadstone. This time he's gonna need all the help he can get, but can he trust CIA operatives Nickey Parsons and Pamela Landy? And now he also has to dodge an assassin who is determined to finish what others couldn't. CIA Deputy Director Noah Vosen has been put in charge of apprehending Bourne, but his motives are deadly. Motives which a man with secrets will do anything to protect. They left him for dead, they killed his girlfriend, they stole his identity...the time has come for Jason Bourne to deliver his ULTIMATUM!

The Bourne Legacy
On the verge of having their conspiracy exposed, members of the government's intelligence community will stop at nothing to erase all evidence of their top secret programs - even the agents involved. Aaron Cross must use his genetically-engineered skills to survive the ultimate game of cat-and-mouse and finish what Jason Bourne started.

Jason Bourne
Matt Damon returns to his most iconic role, which finds the CIA’s most lethal former operative drawn out of the shadows for one last mission to clear his name and exact revenge on those who've taken everything from him.

Crime comedy caper starring Adrien Brody, Mark Ruffalo and Rachel Weisz. Brothers Stephen Bloom (Ruffalo) and Bloom Bloom (Brody) have been professional con artists since childhood, and have honed the art of swindling fortunes to perfection. When they meet beautiful but lonely New Jersey heiress Penelope (Weisz), they determine to pull off one last spectacular heist through an elaborate scheme that takes them all around the world. But as Stephen's elaborate web of deception pulls ever tighter, Bloom begins to wonder exactly who is conning who.

After a rough break-up, Elizabeth sets out on a journey across America, leaving behind a life of memories, a dream and a soulful new friend a cafe owner, all while in search of something to mend her broken heart.

Waitressing her way through the country, Elizabeth befriends others whose yearnings are greater than hers, including a troubled cop and his estranged wife and a down-on-her luck gambler with a score to settle.

Through these individuals, Elizabeth witnesses the true depths of loneliness and emptiness, and begins to understand that her own journey is part of a greater exploration within herself.

Just beneath the streets of modern-day Los Angeles lies a world of demons... and angels.

Globetrotting misfit and renegade occultist John Constantine, a man who has literally been to hell and back, enters this world to help a skeptical policewoman investigate the mysterious suicide of her twin sister in the critically-acclaimed Constantine.

It's 1942 and the German and Russian armies are embroiled in one of the most momentous battles of WWII, the Battle of Stalingrad. Defeat at Stalingrad could hand Germany victory in Europe and Stalin has sent Kruschev to personally oversee the city's defence.

In another corner of the city Danilov, a political officer, encounters Vassili Zaitsev, a simple soldier from the Urals who possesses an extraordinary skill, he is a first-class shot with an iron will. Danilov realises that Zaitsev could be moulded into exactly what Kruschev needs in order to boost troop morale.

So Zaitsev joins a sniper unit and his dangerous missions are chronicled and embellished upon by Danilov and before long a hero is born. But while Zaitsev's glory rejuvenates others, Danilov becomes jealous of the man he created when they both fall in love with Tania, a courageous comrade fighting in the ranks alongside them.

Eager to break the Russians' newfound resistance, the Germans draft in Major Konig, their own celebrated sniper. As the battle wages on, these two lethal sharpshooters engage in their own personal deadly duel, stalking each other amongst the rubble of the symbolic city of Stalingrad.