Animated adventure featuring the voice of Freddie Prinze Jr. When Pi (Prinze Jr), an ordinary fish from Boston, arrives at the exotic reef to live with his Aunt Pearl (Fran Descher), he is immediately attracted to Cordelia (Evan Rachel Wood), the fish of his dreams. There's just one problem - Troy (Donal Logue), the meanest shark in the ocean, who not only patrols the reef keeping its community in fear of becoming his next meal, but also has his eye on Cordelia and wants her for himself. Pi must join up with his new group of friends and try and outwit Troy and his henchmen, save the reef and win Cordelia.

All ten episodes from the first season of the HBO sci-fi drama based on the 1973 film, written and directed by Michael Crichton. The show takes place in the futuristic and technologically advanced Western theme park 'Westworld' where androids known as hosts cater to their guests' every desire. Its creator Dr.

Robert Ford (Anthony Hopkins) has designed an expansive experience where wealthy customers pay to immerse themselves in the Wild West with his artificially intelligent beings on hand to indulge their fantasies. One such customer (Ed Harris) enters the park in search of a maze and like so many of his fellow clients attacks two of the robots, Teddy and Dolores (James Marsden and Evan Rachel Wood), shortly after his arrival. Dolores' subsequent strange behaviour leads Dr.

Ford to investigate her programming which appears normal, but it seems she is not the only host displaying changes in their behaviour... The episodes are: 'The Original', 'Chestnut', 'The Stray', 'Dissonance Theory', 'Contrapasso', 'The Adversary', 'Trompe L'Oeil', 'Trace Decay', 'The Well-Tempered Clavier' and 'The Bicameral Mind'.

Surreal romantic comedy starring Shia LaBeouf and Evan Rachel Wood. In accordance with his mother's dying wishes, Charlie (LaBeouf) travels to the Romanian capital of Bucharest. While on the plane one of his fellow passengers asks him to track down his daughter and return a package to her and having no other plans for his arrival, Charlie agrees to do so. But when he does succeed in finding the girl (Wood), an unexpected romance begins to blossom between the pair and with her already married to a violent Romanian crime boss (Mads Mikkelsen), it won't be easy for the young lovers to continue...

Reefs are an extraordinary natural phenomenon. Visible from outer space, coral reefs are the largest biologically constructed features known; in close proximity their spectacular beauty and abundance of life is dazzling. This text documents those biological innovations which have moulded the evolution of reef ecosystems and given rise to the highly complex reef communities found today. The appearance of clonality, the acquisition of photosymbiosis and the radiation of predator groups are all discussed in depth. Data from the fossil record documents the evolutionary development of reef ecosystems. This interdisciplinary approach has the aim of providing an analytical text which will be of value not only to advanced undergraduates and postgraduate courses, but also to researchers in ancient reef ecology.

All 28 episodes from the first three seasons of the HBO sci-fi drama based on the 1973 film, written and directed by Michael Crichton. The show takes place in the futuristic and technologically advanced Western theme park 'Westworld' where androids known as hosts cater to their guests' every desire. Its creator Dr.

Robert Ford (Anthony Hopkins) has designed an expansive experience where wealthy customers pay to immerse themselves in the Wild West, with his artificially intelligent beings on hand to indulge their fantasies. One such customer (Ed Harris) enters the park in search of a maze and like so many of his fellow clients attacks two of the robots, Teddy and Dolores (James Marsden and Evan Rachel Wood), shortly after his arrival. Dolores' subsequent strange behaviour leads Dr.

Ford to investigate her programming, which appears normal, but it seems she is not the only host displaying changes in their behaviour... Season 1 episodes are: 'The Original', 'Chestnut', 'The Stray', 'Dissonance Theory', 'Contrapasso', 'The Adversary', 'Trompe L'Oeil', 'Trace Decay', 'The Well-Tempered Clavier' and 'The Bicameral Mind'. Season 2 episodes are: 'Journey Into Night', 'Reunion', 'Virtù e Fortuna', 'The Riddle of the Sphinx', 'Akane no Mai', 'Phase Space', 'Les Écorchés', 'Kiksuya', 'Vanishing Point' and 'The Passenger'.

Season 3 episodes are: 'Parce Domine', 'The Winter Line', 'The Absence of Field', 'The Mother of Exiles', 'Genre', 'Decoherence', 'Passed Pawn' and 'Crisis Theory'.

Consumer Sexualities explores women's experiences of shopping in 'sex shops' and using sexual commodities in their everyday lives. This enlightening volume shows how women take up sexual consumer 'technologies of the self' to work upon and understand themselves as confident and active sexual agents in postfeminist neoliberal culture. In guiding the reader through the historical emergence of sexual commodities 'for women' in feminism and postfeminism, Wood points to the normalisation and regulation of sexual practices and identities in and through consumption. Indeed, women's accounts show the work involved in constructing the 'right' - knowledgeable, tasteful, and confident - orientation to sexual consumption and, by extension, in becoming an intelligibly 'good' sexual person. At the same time, the author draws upon de Certeau to show how the ordinary contexts in which sexual commodities are used can lead to unpredictable moments of adaptation, discomfort, playfulness, and resistance. A rich analysis of women's everyday strategies of 'making do' with the kinds of femininity and female sexuality that sex shop culture represents, Consumer Sexualities will appeal to scholars of sociology, cultural studies and gender studies with interests in gender, sexuality, sex, and consumption.

With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persia, Miiro in Kushan Bactria, and Mithras in the Roman Empire to one another? Over the course of the volume, specialists in the material culture of these diverse regions explore appearances of the name Mithra from six distinct locations in antiquity. In a subversion of the usual historical process, the authors begin not from an assessment of texts, but by placing images of Mithra at the heart of their analysis. Careful consideration of each example's own context, situating it in the broader scheme of religious traditions and on-going cultural interactions, is key to this discussion. Such an approach opens up a host of potential comparisons and interpretations that are often side-lined in historical accounts. What Images of Mithra offers is a fresh approach to the ways in which gods were labelled and depicted in the ancient world. Through an emphasis on material culture, a more nuanced understanding of the processes of religious formation is proposed in what is but the first part of the Visual Conversations series.

Consumer Sexualities explores women's experiences of shopping in 'sex shops' and using sexual commodities in their everyday lives. This enlightening volume shows how women take up sexual consumer 'technologies of the self' to work upon and understand themselves as confident and active sexual agents in postfeminist neoliberal culture. In guiding the reader through the historical emergence of sexual commodities 'for women' in feminism and postfeminism, Wood points to the normalisation and regulation of sexual practices and identities in and through consumption. Indeed, women's accounts show the work involved in constructing the 'right' - knowledgeable, tasteful, and confident - orientation to sexual consumption and, by extension, in becoming an intelligibly 'good' sexual person. At the same time, the author draws upon de Certeau to show how the ordinary contexts in which sexual commodities are used can lead to unpredictable moments of adaptation, discomfort, playfulness, and resistance. A rich analysis of women's everyday strategies of 'making do' with the kinds of femininity and female sexuality that sex shop culture represents, Consumer Sexualities will appeal to scholars of sociology, cultural studies and gender studies with interests in gender, sexuality, sex, and consumption.

Surreal romantic comedy starring Shia LaBeouf and Evan Rachel Wood. In accordance with his mother's dying wishes, Charlie (LaBeouf) travels to the Romanian capital of Bucharest. While on the plane one of his fellow passengers asks him to track down his daughter and return a package to her and having no other plans for his arrival, Charlie agrees to do so. But when he does succeed in finding the girl (Wood), an unexpected romance begins to blossom between the pair and with her already married to a violent Romanian crime boss (Mads Mikkelsen), it won't be easy for the young lovers to continue...

This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people and objects in religious contexts across the ancient world. These shifts in behaviour and formalising of iconographies are visible in art associated with numerous religious traditions including, but not limited to, Buddhism, Christianity, Hinduism, Islam, Judaism, Zoroastrianism, religions of the Roman Empire, and paganism in northern Europe. Studies of these religions and their material culture, however, have been shaped by Eurocentric and post-Reformation Christian frameworks that prioritised Scripture and minimised the capacity of images and objects to hold religious content. Despite recent steps to incorporate objects, much academic discourse, especially in comparative religion, remains stubbornly textual. This volume therefore seeks to explore the ramifications of placing objects first and foremost in the comparative study of religions in late antiquity, and to consider the potential for interdisciplinary conversation to reinvigorate the field.