In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with scholars from various fields undertaking research in these areas. The first publications that emerged in the field of gender studies came out of disciplines such as philosophy, history, and literature, while early works in the area of humor studies initially concentrated on language, linguistics, and psychology. Since then, both fields have flourished, but largely independently. This book draws together and focuses the work of scholars from diverse disciplines on intersections of gender and humor, giving voice to approaches in disciplines such as film, television, literature, linguistics, translation studies, and popular culture.

Dark Horizons presents new essays on the "dystopian turn" of late twentieth-century science fiction. Leading scholars discuss major dystopian traditions including cyberpunk and feminist utopian/dystopian narratives as seen in works such as Octavia Butler's novel Xenogenesis and the film Fight Club.
These essays draw out the ways in which contemporary science fiction literature and film has served as a prophetic vehicle for writers with ethical and political concerns.

Dark Horizons presents new essays on the "dystopian turn" of late twentieth-century science fiction. Leading scholars discuss major dystopian traditions including cyberpunk and feminist utopian/dystopian narratives as seen in works such as Octavia Butler's novel Xenogenesis and the film Fight Club.
These essays draw out the ways in which contemporary science fiction literature and film has served as a prophetic vehicle for writers with ethical and political concerns.

In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with scholars from various fields undertaking research in these areas. The first publications that emerged in the field of gender studies came out of disciplines such as philosophy, history, and literature, while early works in the area of humor studies initially concentrated on language, linguistics, and psychology. Since then, both fields have flourished, but largely independently. This book draws together and focuses the work of scholars from diverse disciplines on intersections of gender and humor, giving voice to approaches in disciplines such as film, television, literature, linguistics, translation studies, and popular culture.

Almost 20 years after the publication of Future Females: A Critical Anthology, feminist science fiction pioneer Marleen S. Barr, together with a talented crew of the field's established and emerging theorists, reveal new critical insights in Future Females, the Next Generation. This groundbreaking collection includes contributors from across the globe who find effective venues for imagining feminist thought experiments. A multinational perspective runs through this innovative volume, focusing on the latest dynamic trends in feminist science fiction. These include such issues as race, gender, cyberfeminism, the media, and new writers in the field. Future Females, the Next Generation, which establishes the generational continuity characterizing a vibrant area of feminist literary and cultural inquiry, boldly goes where no feminist science fiction critical anthology has gone before.

In 2014, when Lucy Sargisson was promoted to professor in the School of Politics and International Relations, at the University of Nottingham, she became the first and, so far, only, professor of utopian studies. This choice symbolized the centrality of utopianism to her life, thought, and educational practice. In three books, each in their own way groundbreaking, a fourth book co-authored by one of us, and in important articles, her work falls into four primary areas: political theory, feminism, environmentalism, and intentional communities, with much of her work intersecting two, three, or even all four. And in all her work, she brings the lens of utopianism to bear on the subject and, in doing so, illuminates both utopianism and the subject at hand. The volume honors Sargisson's contributions to the field of utopian studies, with contributions by Ibtisam Ahmed, Raffaella Baccolini, David M. Bell, Suryamayi Clarence-Smith, Chris Coates, Elena Colombo, Davina Cooper, Rhiannon Firth, Ruth Levitas, Sarah Lohmann, Almudena Machado-Jimenez, Dunja M. Mohr, Tom Moylan, Robyn Muir, Jose Reis, Lyman Tower Sargent, Lucy Sargisson, Simon Spiegel, Maria Varsam, and Laura Winter.

Informed by feminist, Marxist, ethnographic, and post-structuralist frameworks, Utopia Method Vision makes a unique contribution to international debates in cultural, literary, sociological, and political studies of utopian theory, texts, and practices. The collection addresses the ways in which the contributors approach their study of the objects and practices of utopianism (understood as social anticipations and visions produced through texts and social experiments) and of how, in turn, those objects and practices have shaped their intellectual work in general and their research perspectives in particular. In so doing, the contributors develop a larger, self-critical look at the limits and potential of the entire paradigm by which utopianism is known, studied, critiqued, created, and received.