This book traces the evolution of Singapore's parks system, from colonial to present times. Further, it contextualizes the design and planning of parks in the general discourse on western and eastern traditions: early twentieth century western conceptions 'imported' during colonialism; modernism; postmodernism, and the contemporary ecological debate. Park system planning products respond to national policies and result in structural urban elements and a range of park types. Global (western ideology) and local issues have influenced park system planning and the physical design of individual parks over time. However, in Singapore the eastern literature has not addressed the development of parks and urban green spaces in terms of historical perspective. The publication reveals the interrelations between visual representations and changing political ideologies. Singapore's system of public parks is shown to represent an iconography created by the state. Its set of constructed narratives elucidates on the potential social, cultural and environmental roles of public parks. However, Singapore's park system presents a novel paradigm for expanding Asian cities, characterized by evolving urban imaging strategies. In framing Singapore's case study within the broader perspective of eastern applications of western planning and design practices, and constructions of nation in post-colonial countries, the manuscript establishes the contribution of the Singaporean model of design and planning of parks to the international debate.

The last 30 years have seen a surge in temporary gardens. The flexibility and new challenges invested in non-permanent landscapes has made them a creative and stimulating testing ground for professionals and impromptu designers. Raffaella Sini examines the historical evolution of the genre, exploring theory, narratives, and strategies informing 80 temporary gardens built in France, Germany, Spain, Portugal, Italy, the United Kingdom, Belgium, Switzerland, Sweden, New Zealand, Canada, Singapore, and the United States. Key topics include: * temporary gardens in 1970s avant-garde art and 1980s public art; * temporary gardens as opportunities to work with live processes, practice inclusion, and explore concepts of social justice and ecology; * temporary gardens to redefine the vocabulary of garden design; and * temporary gardens in tactical urbanism. The book comprehensively decodifies the full range of ephemeral gardens: uprooted, mobile, itinerant, movable, postmodern, installation, exhibited, conceptual, theme, pop-up, guerrilla, grassroots, meanwhile, interim, provisional, activist, community, and parklet. Beyond physical duration, time-focused design in gardens affects the entire process of conceiving, building, experiencing, and managing green spaces; using short-term formats, anyone can invent, trial, and experiment in a condensed experience of landscape. The temporary garden emerges as critical cultural ground for the discourse in landscape architecture, art, ephemeral urbanism, and in urban, landscape, and garden design. It is inspirational reading for designers and students alike.