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British conceptual artist Jonathan Monk and Berlin haubrok
foundation are connected through a long-standing friendship and a
thriving relation, resulting in joint projects and exhibitions.
Monk’s printed matter—numerous publications, invitation cards,
gallery guides, posters, and editions—is an integral part of the
haubrok collection. Hence, Jonathan Monk: A Bit of Matter and a
Little Bit More, published in the wake of the haubrok foundation's
exhibition on the grounds of FAHRBEREITSCHAFT in
Berlin-Lichtenberg, is an ode to this friendship and to Monk's
conceptual approach of incorporating ephemera and artistic
artifacts into his practice. The publication provides an archival,
yet personal, overview of Monk's printed matter, complemented by a
commentary by publicist and art critic Raimar Stange.
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Painting Forever! 5 pb (Paperback)
Thomas Koehler, Rainer Metzger, Eva Sharrer, Anna-catharina Gebbers, Raimar Stange
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R914
R708
Discovery Miles 7 080
Save R206 (23%)
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Ships in 12 - 17 working days
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This four-part publication, bound into a single volume with binding
screws, catalogues a four-part exhibition at the Berlinische
Galerie, Deutsche Bank KunstHalle, KW Institute for Contemporary
Art and Neue Nationalgalerie in Berlin. It includes work by Martin
Eder, Anselm Reyle, Thomas Scheibitz, Franz Ackermann, Jeanne
Mammen and many others.
"Color in Flux" examines how artists have deployed free-flowing
color. The works of leading Abstract Expressionist and color-field
painters are combined with more contemporary works: among those
included are Ai Weiwei, John Baldessari, Willi Baumeister, Lynda
Benglis, Katharina Grosse, Kitty Kraus, Joseph Marioni, Bernhard
Martin, Paul McCarthy, Sigmar Polke, Jackson Pollock, Gerhard
Richter, Dieter Roth, Thomas Ruff and Oskar Schlemmer.
Croatian artist Jadranka Kosorcic's drawings fall somewhere between
the generic look of a wanted poster and the loving craft of an
amateur portrait. Likening the experience to a blind date, Kosorcic
(born 1972) finds her subjects through newspaper advertisements and
chance meetings. Not quite likenesses of specific individuals, her
works are immediate reproductions of the tension between artist and
unknown sitter.
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