Gorgeous Collector's Edition. India, one of the great, ancient civilizations, spawned a fascinating canon of myths and legends. With multiple gods, and a riot of colour and character, this fantastic new book, Indian Myths & Legends, explores the themes and landscapes that created the tales, and reveals the boundless energy that brought us the Ramayana and the Mahabharata, retelling the stories of Krishna, Buddha and Shiva, and some of the many different versions of creation. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Discover the traditional stories and wisdom behind your favourite yoga poses in this stunningly illustrated book of Indian mythology for yogis of all levels. A beautifully written introduction to Indian mythology, join storyteller, scholar and teacher, Dr Raj Balkaran, and explore the unforgettable tales behind 50 key yoga poses, such as: Virabhadrasana II, the original warrior pose Tadasana, mountain pose Bhujangasana, cobra pose Garudasana, eagle pose Padmasana, lotus pose Virasana, hero pose Savasana, corpse pose Meet iconic Gods and Goddesses, from Ganesa, the elephant-headed god of wisdom, to Siva, Lord of Yogis, and Kali, goddess of mind, body, soul and death. Explore the rivalry between the sages Vasistha and Visvamitra, and their cosmic feud over a wish-fulfilling cow. Plunge into the depths of one of the richest myths in Hinduism: the battle between the demons and the gods who churn the cosmic oceans in search for the elixir of immortality. And learn how Siva got his blue throat! Learn, through the mythology of the poses, more about the roots of this ancient practice and how you can use their teachings to better appreciate and respect yoga's true origins. Enhance your practice by reading one story before or at the end of class, and incorporating the poses and their teaching into your life, as well as your yoga practice, and transform the way you view and practice this timeless art.

In analyzing the parallels between myths glorifying the Indian Great Goddess, Durga, and those glorifying the Sun, Surya, found in the Marka??eya Pura?a, this book argues for an ideological ecosystem at work in the Marka??eya Pura?a privileging worldly values, of which Indian kings, the Goddess (Devi), the Sun (Surya), Manu and Marka??eya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Marka??eya Pura?a houses the Devi Mahatmya glorifying the supremacy of the Indian Great Goddess, Durga, it also houses a Surya Mahatmya, glorifying the supremacy of the Sun, Surya, in much the same manner. This book argues that these mahatmyas were meaningfully and purposefully positioned in the Marka??eya Pura?a, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura-Sakta symbiosis found in these mirrored mahatmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between prav?tti (worldly) and niv?tti (other-worldy) dharmas. As the first narrative study of the Surya Mahatmya, along with the first study of the Marka??eya Pura?a (or any Pura?a), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.

The Sanskrit narrative text Devi Mahatmya, "The Greatness of The Goddess," extols the triumphs of an all-powerful Goddess, Durga, over universe-imperiling demons. These exploits are embedded in an intriguing frame narrative: a deposed king solicits the counsel of a forest-dwelling ascetic, who narrates the tripartite acts of Durga which comprise the main body of the text. It is a centrally important early text about the Great Goddess, which has significance to the broader field of Puranic Studies. This book analyzes the Devi Mahatmya and argues that its frame narrative cleverly engages a dichotomy at the heart of Hinduism: the opposing ideals of asceticism and kingship. These ideals comprise two strands of what is referred to herein as the dharmic double helix. It decodes the symbolism of encounters between forest hermits and exiled kings through the lens of the dharmic double helix, demonstrating the extent to which this common narrative trope masterfully encodes the ambivalence of brahmanic ideology. Engaging the tension between the moral necessity for nonviolence and the sociopolitical necessity for violence, the book deconstructs the ideological ambivalence throughout the Devi Mahatmya to demonstrate that its frame narrative invariably sheds light on its core content. Its very structure serves to emphasize a theme that prevails throughout the text, one inalienable to the rubric of the episodes themselves: sovereignty on both cosmic and mundane scales. The book sheds new light on the content of the Devi Mahatmya and contextualizes it within the framework of important debates within early Hinduism. It will be of interest to academics in the fields of Asian Religion, Hindu Studies, Goddess Studies, South Asian Studies, Narrative Studies and comparative literature.

In analyzing the parallels between myths glorifying the Indian Great Goddess, Durga, and those glorifying the Sun, Surya, found in the Markandeya Purana, this book argues for an ideological ecosystem at work in the Markandeya Purana privileging worldly values, of which Indian kings, the Goddess (Devi), the Sun (Surya), Manu and Markandeya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Markandeya Purana houses the Devi Mahatmya glorifying the supremacy of the Indian Great Goddess, Durga, it also houses a Surya Mahatmya, glorifying the supremacy of the Sun, Surya, in much the same manner. This book argues that these mahatmyas were meaningfully and purposefully positioned in the Markandeya Purana, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura-Sakta symbiosis found in these mirrored mahatmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between pravrtti (worldly) and nivrtti (other-worldy) dharmas. As the first narrative study of the Surya Mahatmya, along with the first study of the Markandeya Purana (or any Purana), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.