Literature and Theology is a volume in the Horizons in Theology series. It offers a highly engaging essay on the major concerns and questions regarding literature (fiction and poetry) as it intersects with theology past and present. Ralph Wood is a senior scholar in this field, one who is able to address in a clear and concise style the scope and contours of this question as it relates to theological inquiry and application. He opens the broader lines of discussion in suggestive, evocative, and programmatic ways by focusing on representative and core literary texts. Horizons in Theology serve as supplements and secondary required texts in colleges and seminaries, as well as the interested nonspecialist reader."

Testifies to the presence of God as both our post-earthly hope and our present-world existence. These thought-provoking sermons by Ralph Wood, a layman who has taught religion and literature for many years, seek to till new soil in the fertile field of Christian faith and life. They draw on a wide range of reading not only in Christian theology but also in both classical and contemporary literature and culture. And they also mine Wood's own professorial and personal experience in dealing with both the old and the young amid -the chances and changes of life.- Wood squarely engages the American -culture of death- by wrestling with such vexing questions as sexuality and marriage, war and peace, abortion, racial injustice, and abuse of the elderly. By grounding his homilies in specific times, places, and quandaries, Wood demonstrates that Christianity remains a vigorous set of doctrines and morals precisely as preaching and ethics give shape to our worship and living in the here and now. Focusing not so much on our -getting to heaven, - Wood's Preaching and Professing shows concretely how the gospel -gets heaven into us.-

Flannery O'Connor was only the second twentieth-century writer (after William Faulkner) to have her work collected for the Library of America, the definitive edition of American authors. Forty years after her death, O'Connor's fiction still retains its original power and pertinence. For those who know nothing of O'Connor and her work, this new study by Ralph C. Wood offers one of the finest introductions available. For those looking to deepen their appreciation of this literary icon, it breaks important new ground.

Unique to Wood's approach is his concern to show how O'Connor's stories, novels, and essays impinge on America's cultural and ecclesial condition. He uses O'Connor's work as a window onto its own regional and religious ethos. Indeed, he argues here that O'Connor's fiction has lasting, even universal, significance precisely because it is rooted in the confessional witness of her Roman Catholicism and in the Christ-haunted character of the American South.

According to Wood, it is this O'Connor -- the believer and the Southerner -- who helps us at once to confront the hardest cultural questions and to propose the profoundest religious answers to them. His book is thus far more than a critical analysis of O'Connor's writing; in fact, it is principally devoted to cultural and theological criticism by way of O'Connor's searing insights into our time and place.

These are some of the engaging moral and religious questions that Wood explores: the role of religious fundamentalism in American culture and in relation to both Protestant liberalism and Roman Catholicism; the practice of racial slavery and its continuing legacy in the literature and religion of the South; thedebate over Southern identity, especially whether it is a culture rooted in ancient or modern values; the place of preaching and the sacraments in secular society and dying Christendom; and the lure of nihilism in contemporary American culture.

Splendidly illuminating both O'Connor herself and the American mind, Wood's "Flannery O'Connor and the Christ-Haunted South" will inform and fascinate a wide range of readers, from lovers of literature to those seriously engaged with religious history, cultural analysis, or the American South.

In this book Ralph Wood calls for churches to offer a sustained and unapologetically Christian witness to a postmodern world. Wood carefully chronicles how the church is watching the complete destruction of post-Christian institutions and practices that once shaped human character toward fulfillment in goods larger than humanity's own self-interest - the chief of these being the worship and service of God. Wood contends that Christian existence can never be taken for granted, and so the church itself must seek to create a Christian culture that offers the world a drastic alternative to its own cultureless existence.

Readers have repeatedly called "The Lord of the Rings" the most important book of our age--absorbing all 1,500 of its pages with an almost fanatical interest and seeing the Peter Jackson movies in unprecedented numbers. Readers from ages 8 to 80 keep turning to Tolkien because here, in this magical kingdom, they are immersed in depth after depth of significance and meaning--perceiving the Hope that can be found amidst despair, the Charity that overcomes vengeance, and the Faith that springs from the strange power of weakness. "The Gospel According to Tolkien" examines biblical and Christian themes that are found in the works of J. R. R. Tolkien. Follow Ralph Wood as he takes us through the theological depths of Tolkien's literary legacy.

It has long been recognized that J. R. R. Tolkien's work is animated by a profound moral and religious vision. It is less clear that Tolkien's vision confronts the leading philosophical and literary concerns addressed by modern writers and thinkers. This book seeks to resolve such uncertainty. It places modern writers and modern quandaries in lively engagement with the broad range of Tolkien's work, while giving special attention to the textual particularities of his masterpiece, The Lord of the Rings. In ways at once provocative and original, the contributors deal with major modern artists and philosophers, including Miguel de Cervantes, Friedrich Nietzsche, Emmanuel Levinas, Iris Murdoch, and James Joyce. The essays in Tolkien among the Moderns also point forward to postmodernism by examining its implications for Tolkien's work. Looking backward, they show how Tolkien addresses two ancient questions: the problems of fate and freedom in a seemingly random universe, as well as Plato's objection that art can neither depict truth nor underwrite morality. The volume is premised on the firm conviction that Tolkien is not a writer who will be soon surpassed and forgotten-exactly because he has a permanent dwelling place "among the moderns."

This book illuminates the connectedness of Dostoevsky's literary art with his philosophical and psychological brilliance. Two Fyodor Dostoevsky conferences originating at the University of North Texas set the stage for this volume. Scholars contributed original papers focusing on how Dostoevsky's literary art and philosophical insights enrich one another. Fyodor Dostoevsky wrote and thought polyphonically. His polyphonic method is both his special literary technique and his distinctive way of probing theological, social, and philosophical depths. As Bakhtin and Terras suggest, all Dostoevsky's major literary inventions from the underground man to the vitriolic Grushenka are products of his ability to listen profoundly to his own characters. Like the genius author-redactor of 1 and 2 Samuel, he reports the heights and depths of human emotion and behavior, whether exploring the anatomy of dysfunctional families, making the heart soar with Zosima's vision of forgiveness, or giving Ivan Karamazov full rein to challenge theism. Dostoevsky's characters transform themselves into irregular verbs whose fierce independence emerges only because of their desperate and inescapable interdependence. His major characters are text, subtext, and context for each other. They play inside each other's head and answer in one way or another."