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"Harvard has played a curiously central role in the American
cultural imagination, a role that is fraught with ambiguity. In no
part of our society is this more the case than in black America.
This important book brings together for the first time two hundred
years of reflection on the curious relation of black culture to
Harvard, and Harvard's complex relation to black people. A
fascinating collection, extraordinarily well-researched, an
essential text for all who are interested in the history of
African-Americans in higher education." The history of blacks at Harvard mirrors, for better or for worse, the history of blacks in the United States. Harvard, too, has been indelibly scarred by slavery, exclusion, segregation, and other forms of racist oppression. At the same time, the nation's oldest university has also, at various times, stimulated, supported, or allowed itself to be influenced by the various reform movements that have dramatically changed the nature of race relations across the nation. The story of blacks at Harvard is thus inspiring but painful, instructive but ambiguous--a paradoxical episode in the most vexing controversy of American life: the "race question." The first and only book on its subject, "Blacks at Harvard" is distinguished by the rich variety of its sources. Included in this documentary history are scholarly overviews, poems, short stories, speeches, well-known memoirs by the famous, previously unpublished memoirs by the lesser known, newspaper accounts, letters, official papers of the university, and transcripts of debates. Among Harvard's black alumni and alumnae are such illustrious figures as W.E.B. Du Bois, MonroeTrotter, and Alain Locke; Countee Cullen and Sterling Brown both received graduate degrees. The editors have collected here writings as diverse as those of Booker T. Washington, William Hastie, Malcolm X, and Muriel Snowden to convey the complex ways in which Harvard has affected the thinking of African Americans and the ways, in turn, in which African Americans have influenced the traditions of Harvard and Radcliffe. Notable among the contributors are significant figures in African American letters: Phyllis Wheatley, William Melvin Kelley, Marita Bonner, James Alan McPherson and Andrea Lee. Equally prominent in the book are some of the nation's leading historians: Carter Woodson, Rayford Logan, John Hope Franklin, and Nathan I. Huggins. A vital sourcebook, Blacks at Harvard is certain to nourish scholarly inquiry into the social and intellectual history of African Americans at elite national institutions and serves as a telling metaphor of this nation's past.
"Harvard has played a curiously central role in the American
cultural imagination, a role that is fraught with ambiguity. In no
part of our society is this more the case than in black America.
This important book brings together for the first time two hundred
years of reflection on the curious relation of black culture to
Harvard, and Harvard's complex relation to black people. A
fascinating collection, extraordinarily well-researched, an
essential text for all who are interested in the history of
African-Americans in higher education." The history of blacks at Harvard mirrors, for better or for worse, the history of blacks in the United States. Harvard, too, has been indelibly scarred by slavery, exclusion, segregation, and other forms of racist oppression. At the same time, the nation's oldest university has also, at various times, stimulated, supported, or allowed itself to be influenced by the various reform movements that have dramatically changed the nature of race relations across the nation. The story of blacks at Harvard is thus inspiring but painful, instructive but ambiguous--a paradoxical episode in the most vexing controversy of American life: the "race question." The first and only book on its subject, "Blacks at Harvard" is distinguished by the rich variety of its sources. Included in this documentary history are scholarly overviews, poems, short stories, speeches, well-known memoirs by the famous, previously unpublished memoirs by the lesser known, newspaper accounts, letters, official papers of the university, and transcripts of debates. Among Harvard's black alumni and alumnae are such illustrious figures as W.E.B. Du Bois, MonroeTrotter, and Alain Locke; Countee Cullen and Sterling Brown both received graduate degrees. The editors have collected here writings as diverse as those of Booker T. Washington, William Hastie, Malcolm X, and Muriel Snowden to convey the complex ways in which Harvard has affected the thinking of African Americans and the ways, in turn, in which African Americans have influenced the traditions of Harvard and Radcliffe. Notable among the contributors are significant figures in African American letters: Phyllis Wheatley, William Melvin Kelley, Marita Bonner, James Alan McPherson and Andrea Lee. Equally prominent in the book are some of the nation's leading historians: Carter Woodson, Rayford Logan, John Hope Franklin, and Nathan I. Huggins. A vital sourcebook, Blacks at Harvard is certain to nourish scholarly inquiry into the social and intellectual history of African Americans at elite national institutions and serves as a telling metaphor of this nation's past.
Here is the superb second edition of the annual anthology devoted
to the best nonfiction writing by African American
authors--provocative works from an unprecedented and unforgettable
year when truth was stranger (and more inspiring) than fiction.
Winner of the 1998 Robert F. Kennedy Book Award Grand Prize
In this incisive and unflinching study, Randall Kennedy, author of "Nigger: The Strange Career of a Troublesome Word, "tackles another stigma of America's racial discourse: "selling out." He explains the origins of the concept and shows how fear of this label has haunted prominent members of the black community--including, most recently, Colin Powell, Condoleezza Rice, and Barack Obama. Sellout also contains a rigorously fair case study of America's quintessential racial "sellout"--Supreme Court Justice Clarence Thomas. In the book's final section, Kennedy recounts how he himself has dealt with accusations of being a sellout after meeting fierce criticism at Harvard upon the publication of his book, "Nigger."
The 1921 Tulsa Race Riot was the country's bloodiest civil disturbance of the century. Leaving perhaps 150 dead, 30 city blocks burned to the ground, and more than a thousand families homeless, the riot represented an unprecedented breakdown of the rule of law. It reduced the prosperous black community of Greenwood, Oklahoma, to rubble. In Reconstructing the Dreamland, Alfred Brophy draws on his own extensive research into contemporary accounts and court documents to chronicle this devastating riot, showing how and why the rule of law quickly eroded. Brophy offers a gut-wrenching portrait of mob violence and racism run amok, both on the night of the riot and the morning after, when a coordinated sunrise attack, accompanied by airplanes, stormed through Greenwood, torching and looting the community. Equally important, he shows how the city government and police not only permitted the looting, shootings, and burning of Greenwood, but actively participated in it. The police department, fearing that Greenwood was erupting into a "negro uprising" (which Brophy shows was not the case), deputized white citizens haphazardly, gave out guns and badges with little background check, or sent men to hardware stores to arm themselves. Likewise, the Tulsa-based units of the National Guard acted unconstitutionally, arresting every black resident they could find, leaving Greenwood property vulnerable to the white mob, special deputies, and police that followed behind and burned it. Brophy's revelations and stark narrative of the events of 1921 bring to life an incidence of racial violence that until recently lay mostly forgotten. Reconstructing the Dreamland concludes with a discussion of reparations for victims of the riot. That case has implications for other reparations movements, including reparations for slavery.
Renowned for his insightful, common-sense critiques of racial
politics, Randall Kennedy gives us a shrewd and penetrating
analysis of the complex relationship between the first black
president and his African-American constituency.
From the author of Nigger: The Strange Career of a Troublesome Word and Race, Crime, and the Law—a tour de force about the controversial issue of personal interracial intimacy as it exists within ever-changing American social mores and within the rule of law.
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