Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

It was the early springtime, and my history tells me the year was 1832, although now that seems so far away I almost hesitate to write the date. It appears surprising that through the haze of all those intervening years-intensely active years with me-I should now be able to recall so clearly the scene of that far-off morning of my youth, and depict in memory each minor detail. Yet, as you read on, and realize yourself the stirring events resulting from that idle moment, you may be able to comprehend the deep impression left upon my mind, which no cycle of time could ever erase. I was barely twenty then, a strong, almost headstrong boy, and the far wilderness was still very new to me, although for two years past I had held army commission and been assigned to duty in frontier forts. Yet never previously had I been stationed at quite so isolated an outpost of civilization as was this combination of rock and log defense erected at the southern extremity of Rock Island, fairly marooned amid the sweep of the great river, with Indian-haunted land stretching for leagues on every side.

It was not an uncommon tragedy of the West. If slightest chronicle of it survive, it must be discovered among the musty and nearly forgotten records of the Eighteenth Regiment of Infantry, yet it is extremely probable that even there the details were never written down. Sufficient if, following certain names on that long regimental roll, there should be duly entered those cabalistic symbols signifying to the initiated, "Killed in action." After all, that tells the story. In those old-time Indian days of continuous foray and skirmish such brief returns, concise and unheroic, were commonplace enough. Yet the tale is worth telling now, when such days are past and gone. There were sixteen of them when, like so many hunted rabbits, they were first securely trapped among the frowning rocks, and forced relentlessly backward from off the narrow trail until the precipitous canyon walls finally halted their disorganized flight, and from sheer necessity compelled a rally in hopeless battle. Sixteen, -ten infantry-men from old Fort Bethune, under command of Syd.

There were nine altogether in the party registering. This number included the manager, who, both on and off the stage, quite successfully impersonated the villain-a rather heavy-jawed, middle-aged fellow, of foreign appearance, with coarse, gruff voice; three representatives of the gentler sex; a child of eight, exact species unknown, wrapped up like a mummy; and four males. Beyond doubt the most notable member of the troupe was the comedian "star," Mr. T. Macready Lane, whose well-known cognomen must even now awaken happy histrionic memories throughout the western circuit. The long night's ride from their previous stand, involving as it did two changes of trains, had proven exceedingly wearisome; and the young woman in the rather natty blue toque, the collar of her long gray coat turned up in partial concealment of her face, was so utterly fatigued that she refused to wait for a belated breakfast, and insisted upon being at once directed to her room. There was a substantial bolt decorating the inside of the door, but, rendered careless by sheer exhaustion of both mind and body, she forgot everything except her desire for immediate rest, dropped her wraps upon the only chair visible, and flung herself, fully dressed, upon the bed. Her cheek had barely pressed the hard pillow before she was sleeping like a tired child.

Randall Parrish (1858-1923) was an American author of dime novels, including Wolves of the Sea, and My Lady of the North.

Randall Parrish (1858-1923) wrote American historical novels such as "My Lady of the North" and "A Sword of the Old Frontier."