Combining postmodernism with technoscience, this work considers the viability of public works such as the superconducting supercollider in a postmodern age. Contending that technoscientific projects are contingent upon economic and political support, and not simply upon their scientific feasibility, Sassower illuminates the cultural context of postmodernism vis-a-vis an examination of postmodernism and the philosophy of late 20th-century technoscience. Drawing upon conflicts between Popperians, postmodernists and feminists, Sassower claims that "translation" between competing discourses about technoscience is necessary to avoid cultural collisions and foster fruitful exchange between divergent discourses; also that a discussion of reality, both natural and social, is the common ground for this debate. He emphasizes also the material, political and economic conditions which underlie technoscientific projects, and stresses the indespensible role imagination and art play in teaching the responsible development of technology in the next century.

Religion and Sports in American Culture explores the relationship between religion and modern sports in America. Whether found in the religious purpose of ancient Olympic Games, in curses believed to plague the Chicago Cubs, or in the figure of Tim Tebow, religion and sports have been and are still tightly intertwined. While there is widespread suspicion that sports are slowly encroaching on the territory historically occupied by religion, Scholes and Sassower assert that sports are not replacing religion and that neither is sports a religion. Instead, the authors look at the relationship between sports and religion in America from a post-secular perspective that looks at both discourses as a part of the same cultural web. In this way each institution is able to maintain its own integrity, legitimacy, and unique expression of cultural values as they relate to each other. Utilizing important themes that intersect both religion and sports, Scholes and Sassower illuminate the complex and often publicly contentious relationship between the two. Appropriate for both classroom use and for the interested non-specialist, Religion and Sports in American Culture brings pilgrimage, sacrifice, relics, and redemption together in an unexpected cultural continuity.

Debates over the role of government rage in the wake of America 's deepest financial crisis since the Depression. This book suggests new ways of appreciating the political, legal, and moral context that could bring about a more sound economic future. "Postcapitalism" analyzes the contemporary American predicament plaguing the economy: whether to leave the markets to their own devices or to allow government intervention. Instead of arguing for a capitalist or social democratic ideology, this book suggests that American pragmatism is indeed the choice we have made in the past century and that informs our current policies. This means that from the workplace to foreign aid, Americans are bound to cooperate with each other and collaborate rather than pursue their self-interest in competitive ways. Drawing on thinkers from Adam Smith to Keynes and Bernanke, Sassower shows how a new era of postideological capitalism can emerge in the wake of the current economic crisis.

Debates over the role of government rage in the wake of America 's deepest financial crisis since the Depression. This book suggests new ways of appreciating the political, legal, and moral context that could bring about a more sound economic future. "Postcapitalism" analyzes the contemporary American predicament plaguing the economy: whether to leave the markets to their own devices or to allow government intervention. Instead of arguing for a capitalist or social democratic ideology, this book suggests that American pragmatism is indeed the choice we have made in the past century and that informs our current policies. This means that from the workplace to foreign aid, Americans are bound to cooperate with each other and collaborate rather than pursue their self-interest in competitive ways. Drawing on thinkers from Adam Smith to Keynes and Bernanke, Sassower shows how a new era of postideological capitalism can emerge in the wake of the current economic crisis.

"Ethical Choices in Contemporary Medicine" jettisons the standard medical ethics models of "rights" language and shows how the bioethical problems that receive attention from the media and the public are related to and are explicable in terms of the epistemological foundations of science and medicine. These epistemological concerns include how medical knowledge is established (scientific validity), how medical protocols are administered (checks and balances), how medical certainty is evaluated (probability) and medical responsibility is framed (personal or collective), and how medical knowledge is transmitted (popular media versus professional journals) and how medical care is allocated (insurance policies and government subsides). The book examines the present predicaments of medicine within a broad cultural context and suggests that rational discourse and parochial ethical dialogue may be futile in the face of competing and incommensurable frameworks and agendas, attitudes and wishes. The authors show that, in the postmodern age, two interrelated issues surface when it comes to medicine. On the one hand, there is a strong critique of science and the privileges associated with the scientific discourse and, on the other, there is still a deep-seated quest for certainty in all medical matters.

"Ethical Choices in Contemporary Medicine" jettisons the standard medical ethics models of "rights" language and shows how the bioethical problems that receive attention from the media and the public are related to and are explicable in terms of the epistemological foundations of science and medicine. These epistemological concerns include how medical knowledge is established (scientific validity), how medical protocols are administered (checks and balances), how medical certainty is evaluated (probability) and medical responsibility is framed (personal or collective), and how medical knowledge is transmitted (popular media versus professional journals) and how medical care is allocated (insurance policies and government subsides). The book examines the present predicaments of medicine within a broad cultural context and suggests that rational discourse and parochial ethical dialogue may be futile in the face of competing and incommensurable frameworks and agendas, attitudes and wishes. The authors show that, in the postmodern age, two interrelated issues surface when it comes to medicine. On the one hand, there is a strong critique of science and the privileges associated with the scientific discourse and, on the other, there is still a deep-seated quest for certainty in all medical matters.

The work of Karl Popper has had extraordinary influence across the fields of scientific and social thought. Widely regarded as one of the greatest philosophers of science of the twentieth century, he was also a highly influential social and political philosopher, a proponent and defender of the "open society". "Popper's Legacy" examines Popper in the round, analysing in particular his moral and psychological insights. Once Popper's scientific legacy is couched in political and moral terms, it becomes apparent that his concern for individual autonomy does not come at the expense of institutional guidelines and social conventions. Instead, these guidelines turn out to be essential sanctions for individual freedom. Popper envisions the conduct of the scientific community as paralleling the conduct of any democratically established community. Critical rationality guides the words and actions of all participants and leadership can be replaced without violence. In presenting a critical overview, "Popper's Legacy" reveals the debt many intellectual movements - such as Marxism, feminism, and postmodernism - still owe to Popper.

The work of Karl Popper has had extraordinary influence across the fields of scientific and social thought. Widely regarded as one of the greatest philosophers of science of the twentieth century, he was also a highly influential social and political philosopher, a proponent and defender of the "open society". "Popper's Legacy" examines Popper in the round, analysing in particular his moral and psychological insights. Once Popper's scientific legacy is couched in political and moral terms, it becomes apparent that his concern for individual autonomy does not come at the expense of institutional guidelines and social conventions. Instead, these guidelines turn out to be essential sanctions for individual freedom. Popper envisions the conduct of the scientific community as paralleling the conduct of any democratically established community. Critical rationality guides the words and actions of all participants and leadership can be replaced without violence. In presenting a critical overview, "Popper's Legacy" reveals the debt many intellectual movements - such as Marxism, feminism, and postmodernism - still owe to Popper.

As a student and disciple of Karl Popper and longtime managing editor of Philosophy of the Social Sciences, Ian C. Jarvie extended the notion of Critical Rationalism to be useful in anthropology, aesthetics, film studies, and various social sciences. In this Festschrift, contributors from a range of interests and disciplines engage with the Popperian legacy and Jarvie's scholarly and editorial work in Critical Rationalism to contextualize it in the broader, contemporary intellectual landscape. These original essays not only honor Jarvie's legacy, but expand it to cross the philosophical divide between analytic and continental schools of thought. In so doing, the authors bring the state-of-the-art achievements of Critical Rationalism to the forefront of current academic debates.

Raphael Sassower examines the concept of hypocrisy for its strategic potential as a means of personal protection and social cohesion. Given the contemporary context of post-truth, the examination of degrees or kinds of hypocrisy moves from the Greek etymology of masks worn on the theater stage to the Hebrew etymology of the color adjustment of chameleons to their environment. Canonical presuppositions about the uniformity of the mind and the relation between intention and behavior that warrant the charge of hypocrisy are critically reconsidered in order to appreciate both inherent inconsistencies in personal conduct and the different contexts where the hypocrisy appears. Sassower considers the limits of analytic moral and political discourses that at times overlook the conditions under which putative hypocritical behavior is existentially required and where compromises yield positive results. When used among friends, the charge of hypocrisy is a useful tool with which to build trust and communities.

Religion and Sports in American Culture explores the relationship between religion and modern sports in America. Whether found in the religious purpose of ancient Olympic Games, in curses believed to plague the Chicago Cubs, or in the figure of Tim Tebow, religion and sports have been and are still tightly intertwined. While there is widespread suspicion that sports are slowly encroaching on the territory historically occupied by religion, Scholes and Sassower assert that sports are not replacing religion and that neither is sports a religion. Instead, the authors look at the relationship between sports and religion in America from a post-secular perspective that looks at both discourses as a part of the same cultural web. In this way each institution is able to maintain its own integrity, legitimacy, and unique expression of cultural values as they relate to each other. Utilizing important themes that intersect both religion and sports, Scholes and Sassower illuminate the complex and often publicly contentious relationship between the two. Appropriate for both classroom use and for the interested non-specialist, Religion and Sports in American Culture brings pilgrimage, sacrifice, relics, and redemption together in an unexpected cultural continuity.

Raphael Sassower examines the concept of hypocrisy for its strategic potential as a means of personal protection and social cohesion. Given the contemporary context of post-truth, the examination of degrees or kinds of hypocrisy moves from the Greek etymology of masks worn on the theater stage to the Hebrew etymology of the color adjustment of chameleons to their environment. Canonical presuppositions about the uniformity of the mind and the relation between intention and behavior that warrant the charge of hypocrisy are critically reconsidered in order to appreciate both inherent inconsistencies in personal conduct and the different contexts where the hypocrisy appears. Sassower considers the limits of analytic moral and political discourses that at times overlook the conditions under which putative hypocritical behavior is existentially required and where compromises yield positive results. When used among friends, the charge of hypocrisy is a useful tool with which to build trust and communities.

As a student and disciple of Karl Popper and longtime managing editor of Philosophy of the Social Sciences, Ian C. Jarvie extended the notion of Critical Rationalism to be useful in anthropology, aesthetics, film studies, and various social sciences. In this Festschrift, contributors from a range of interests and disciplines engage with the Popperian legacy and Jarvie's scholarly and editorial work in Critical Rationalism to contextualize it in the broader, contemporary intellectual landscape. These original essays not only honor Jarvie's legacy, but expand it to cross the philosophical divide between analytic and continental schools of thought. In so doing, the authors bring the state-of-the-art achievements of Critical Rationalism to the forefront of current academic debates.

Solo: Postmodern Explorations provides a postmodern approach to technoscience and economics. Sassower pulls together postmodern motifs and attitudes with his own experience to provide a unique perspective on political history and economics. Solo raises the question of whether it is possible to be an objective observer and what that means for scholarship, especially when it concerns making assessments of other cultures in the developing world. Sassower questions the usefulness of applying external economic measurements on the economic development of these countries.

What is at stake in compromising the Enlightenment ideals of a liberal education with new educational policies engendered by a neo-liberalized, global marketplace? Richly grounding his arguments in the social philosophy of European and American intellectuals, Raphael Sassower explores Western culture's long-standing ambivalence toward 'the life of the mind.' He shows how and why this historical legacy contributes to today's confusion over goals and values in contemporary education. He sheds new light on many of today's controversies, showing why the demands of technology and a global economy increase society's need for 'educational sanctuaries' of liberal education, intellectual 'play' and social consciousness that may better serve the diverse and often conflicting needs of a changing world.

Since the eighteenth century, artists--especially so-called avant-garde artists--have played a conflicting role in society. Part of the reason for their complex position, argue Raphael Sassower and Louis Cicotello, is the survival of the culture of idolatry in the modern age. In the twentieth century, artists can criticize the worship of material things or they can produce the things themselves. They can paint the scenes of worship of the golden calf--as the German expressionist Emil Nolde did in "Dance Around the Golden Calf" (1910), in which garish exaggerations reflect a condemnation of materialistic culture--or they can be the ones fabricating the idol for a fee.

Part radical critics, part celebrity servants of bourgeois tastes, avant-garde artists such as Marcel Duchamp, Rene Magritte, Andy Warhol, the Christos, and Keith Haring have captured the twentieth-century imagination and inspired the artistic community to reconsider its social, political, and cultural roles. Charting the uneasy middle ground occupied by these artists and their work, Sassower and Cicotello argue that their success has as much to do with their complicity with capitalist forces as it does with their defiance of them. Indeed, the major theme of The Golden Avant-Garde is the inability of any cultural subgroup to withstand the overwhelming power of capitalism, commercialism, and science and technology.

While some artists are paid by governments and institutions to construct national and religious monuments that express and honor society's most valuable principles and goals, the same society has fabricated a romantic myth of artists as revolutionary heroes who defy the authorities and pay dearly for their passion and vision. The Golden Avant-Garde is a unique collaboration between a philosopher and an artist, who bring their different perspectives to bear on how the avant-garde navigates the cultural, financial, and technological challenges presented by this postmodern dilemma. Often, Sassower and Cicotello conclude, avant-garde artists have become adept at manipulating the same forces that they seek to exaggerate and articulate in their work.

Since the eighteenth century, artists--especially so-called avant-garde artists--have played a conflicting role in society. Part of the reason for their complex position, argue Raphael Sassower and Louis Cicotello, is the survival of the culture of idolatry in the modern age. In the twentieth century, artists can criticize the worship of material things or they can produce the things themselves. They can paint the scenes of worship of the golden calf--as the German expressionist Emil Nolde did in "Dance Around the Golden Calf" (1910), in which garish exaggerations reflect a condemnation of materialistic culture--or they can be the ones fabricating the idol for a fee.

Part radical critics, part celebrity servants of bourgeois tastes, avant-garde artists such as Marcel Duchamp, Rene Magritte, Andy Warhol, the Christos, and Keith Haring have captured the twentieth-century imagination and inspired the artistic community to reconsider its social, political, and cultural roles. Charting the uneasy middle ground occupied by these artists and their work, Sassower and Cicotello argue that their success has as much to do with their complicity with capitalist forces as it does with their defiance of them. Indeed, the major theme of The Golden Avant-Garde is the inability of any cultural subgroup to withstand the overwhelming power of capitalism, commercialism, and science and technology.

While some artists are paid by governments and institutions to construct national and religious monuments that express and honor society's most valuable principles and goals, the same society has fabricated a romantic myth of artists as revolutionary heroes who defy the authorities and pay dearly for their passion and vision. The Golden Avant-Garde is a unique collaboration between a philosopher and an artist, who bring their different perspectives to bear on how the avant-garde navigates the cultural, financial, and technological challenges presented by this postmodern dilemma. Often, Sassower and Cicotello conclude, avant-garde artists have become adept at manipulating the same forces that they seek to exaggerate and articulate in their work.

Envisioning a different mode of economic relations requires a rethinking of the classical frames of references we commonly take for granted. The implicit assumptions that we carry into critical debates are the stumbling blocks for finding useful solutions to age-old economic problems. And these impediments constrict our political imagination. This book asks what are these frames of references? How many of them are worthy of retaining, while others might be discarded? And what new framings should be adopted in order to bring about a less crisis-prone and morally acceptable mode of human interaction? Each chapter interrogates a different frame of reference, including culturally-embedded concepts of human nature, scarcity and abundance, markets, and the human condition. Examining their historical anchoring and the ways in which they have become confining for the realities of the postmodern world in which we currently live, it is shown that they have become so familiar that they are assumed rather than critically examined in most discussions of political economy.

To what extent is neoliberalism undermining democracy and distorting the values of science? Can and should science be treated as an exemplar for a more dialogic democracy? Are universities and public intellectuals able to develop a more dialogically engaged public? What role should there be for 'experts' in a more dialogic democracy? Does information and communications technology present a potential to enhance democracy or increase the control and manipulation of knowledge and the public by corporations? This timely volume explores these pressing questions, in a dialogue based on developing and applying the recovery of the 'critical Popper', which highlights his contemporary relevance to the critique of neoliberal political economy in the age of technocapitalism. This book will be discussed in an online roundtable on the Social Epistemology Review and Reply Collective. Information about the SERRC can be found here: https://social-epistemology.com/

To what extent is neoliberalism undermining democracy and distorting the values of science? Can and should science be treated as an exemplar for a more dialogic democracy? Are universities and public intellectuals able to develop a more dialogically engaged public? What role should there be for 'experts' in a more dialogic democracy? Does information and communications technology present a potential to enhance democracy or increase the control and manipulation of knowledge and the public by corporations? This timely volume explores these pressing questions, in a dialogue based on developing and applying the recovery of the 'critical Popper', which highlights his contemporary relevance to the critique of neoliberal political economy in the age of technocapitalism. This book will be discussed in an online roundable on the Social Epistemology Review and Reply Collective. Information about the SERRC can be found here: https://social-epistemology.com/

Solo: Postmodern Explorations provides a postmodern approach to technoscience and economics. Sassower pulls together postmodern motifs and attitudes with his own experience to provide a unique perspective on political history and economics. Solo raises the question of whether it is possible to be an objective observer and what that means for scholarship, especially when it concerns making assesments of other cultures in the developing world. Sassower questions the usefullness of applying external economic measurements on the economic development of these countries.

In this book, the authors explore images of war and their effect on society. The authors keep in mind that the experience of being at war is much different from the experience of viewing a war image. Thus it is our responsibility to engage war images critically and personally, because lives are at stake and the future of world peace lies in the balance. The iconic image of any war and its ideological underpinning must be more fully appreciated. This book suggests that consumers of war images must simultaneously pay attention to the details of any given image (and thereby uncover its ideology), while exploring other, alternative images related to the same war, in order to consider other perspectives. The effectiveness of the visual language is such that it demands a careful and critical analysis, such as the one that offered here. The emphasis on the pragmatic reading of images has more to do with the power of images to convey, most commonly, a single idea or value, rather than to engage the observer with an inconsistent or contradictory set of ideas and values. This is where pastiche and collage come into play as compositional strategies through which many images are juxtaposed against each other so as to break the uniformity of an artwork, poster, or photograph. The aesthetic experience, however intense, is not a war experience, and the one could never substitute the other. The visual landscape itself is open to ideological manipulation-selection, framing, focus-so that we end up having to deal with theories and ideas even when we refuse to deal with them at first, for they end up determining and informing what images find their way into our cultural memory.

In this book, the authors explore images of war and their effect on society. The authors keep in mind that the experience of being at war is much different from the experience of viewing a war image. Thus it is our responsibility to engage war images critically and personally, because lives are at stake and the future of world peace lies in the balance. The iconic image of any war and its ideological underpinning must be more fully appreciated. This book suggests that consumers of war images must simultaneously pay attention to the details of any given image (and thereby uncover its ideology), while exploring other, alternative images related to the same war, in order to consider other perspectives. The effectiveness of the visual language is such that it demands a careful and critical analysis, such as the one that offered here. The emphasis on the pragmatic reading of images has more to do with the power of images to convey, most commonly, a single idea or value, rather than to engage the observer with an inconsistent or contradictory set of ideas and values. This is where pastiche and collage come into play as compositional strategies through which many images are juxtaposed against each other so as to break the uniformity of an artwork, poster, or photograph. The aesthetic experience, however intense, is not a war experience, and the one could never substitute the other. The visual landscape itself is open to ideological manipulation-selection, framing, focus-so that we end up having to deal with theories and ideas even when we refuse to deal with them at first, for they end up determining and informing what images find their way into our cultural memory.

In order to better understand the conditions of the twenty-first century Raphael Sassower and Louis Cicotello revisit the twentieth century in Political Blind Spots: Reading the Ideology of Images. Sassower and Cicotello revisit some of the most significant periods in art and politics in the twentieth century paying close attention to the relationship between aesthetics and politics.

Contemporary society is rife with instability. Our active and invasive study of genetics has given life to one of the great specters of biological science: the clone. The scarcity of natural energy sources has led to an increased manipulation of atomic or nuclear energy and regressive environmental policies, resulting in a greater sense of danger for everyone. The promises of economic globalization have, in some cases, been delivered, but in many other ways globalization has created even greater gaps in social and economic life. Despite the expansion of our productive and technological capabilities, our workdays grow longer, not shorter. We find ourselves in exile from our families, our friends, and from other meaningful forms of social connection. And as "freedom" is bandied about in the popular press and media as the preeminent global social value, it actually seems that the reigning contemporary ethos of our time is stress and anxiety. While Raphael Sassower's previous work has focused extensively on science and technology, this book is significantly different. It is an urgent commentary in the tradition of Herbert Marcuse's One Dimensional Man or even Sigmund Freud's Civilization and Its Discontents; a culmination of many years of research and thought carefully arranged into an extended essay on our contemporary social, cultural, and existential orientation in the modern world. This book is written for advanced graduate students, informed and concerned citizenry, and especially the young student who, in the face of mounting anxiety, must be able to make critical choices towards an uncertain future.