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How do cultural institutions and art practices respond to
long-standing states of national and international emergency? It is
with these questions in mind that Khalil Rabah's artistic practice
investigates the future of visual arts production under such
conditions. Exploring the relationships between historically
sanctioned and experimental exhibition settings, fictional and
documentative narratives, and the histories of displacement, his
methods not only propose but produce speculative institutions. As
the artist's first major monograph, Falling Forward / Works
(1997-2025) presents a comprehensive selection of exhibition
materials, previously unseen archival documents, and detailed
background notes on how Rabah's methods relate to broader themes in
his work. The volume also introduces new critical writing from
curators, authors, and researchers on the interrelated subjects of
anticipatory aesthetics, subterfuge and fugitive acts, mimicry and
performativity, knowledge production, archival technologies and,
crucially, the politics of humor.
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