DOES WHAT YOU SEE CHANGE WHO YOU ARE? Kayleigh is broke. Out of options, she takes a job as a content moderator, reviewing horrors and hate online and deciding which posts needs to be removed. Kayleigh is good at her job, and in her colleagues she finds a group of friends, even a new girlfriend. For the first time in her life, the future seems bright . . . But soon the job begins to shift Kayleigh’s world in alarming ways. In the glare of the screen, how long can Kayleigh hold on to her humanity? We Had To Remove This Post is translated from the Dutch by Emma Rault. ‘A superbly poised, psychologically astute and subtle novel of mental unravelling’ - Ian McEwan, author of Atonement ‘This novel gives us an acid glimpse into a new form of labor existing today . . . Fascinating and disturbing’ - Ling Ma, author of Severance

'A glimpse of the foetid underbelly of the internet' - The Times 'Taut as a thriller, sharp as a slug of ice-cold vodka' - Irish Times To be a content moderator is to see humanity at its worst - but Kayleigh needs money. That's why she takes a job working for a social media platform whose name she isn't allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed. It's gruelling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform's ever-changing moderating guidelines. Yet Kayleigh is good at her job, and in her colleagues she finds a group of friends, even a new girlfriend - and for the first time in her life, Kayleigh's future seems bright. But soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators own morals bend and flex under the weight of what they see? We Had To Remove This Post by Hanna Bervoets is a chilling, powerful and gripping story about who or what determines our world view. Examining the toxic world of content moderation, the novel forces us to ask: what is right? What is real? What is normal? And who gets to decide? Translated from the original Dutch by Emma Rault. 'A superbly poised, psychologically astute and subtle' - Ian McEwan, author of Atonement 'Fast paced and thrilling, violent and nightmarish' - Kristen Arnett, author of Mostly Dead Things 'An acid glimpse into a new form of labor existing today' - Ling Ma, author of Severance

Gurvan, a clone soldier of the Terran Coalition, was designed to participate in an age-old space conflict...the origins of which have been long forgotten. Deep in space sits The Materedu, where the soldiers of the Terran Coalition are cloned from the best who came before them, and trained under an artificial sun to fight in the endless conflict with a fearsome foe. Among them, average combat pilot Gurvan dreams of surviving the seven years each Coalition fighter must serve, so that he may retire to the distant peace of Earth. But when Gurvan crosses paths with an opposing soldier, he begins to wonder if he knows his enemy… or even his allies. Explore the distant stars in this rare translation and adaptation of legendary French science-fiction writer P.-J. Hérault’s Gurvan, in English for the first time!

The first book-length feminist analysis of Eileen Gray's work, Eileen Gray and the Design of Sapphic Modernity: Staying In argues that Gray's unusual architecture and design - as well as its history of abuse and neglect - emerged from her involvement with cultures of sapphic modernism. Bringing together a range of theoretical and historical sources, from architecture and design, communication and media, to gender and sexuality studies, Jasmine Rault shows that Gray shared with many of her female contemporaries a commitment to designing spaces for sexually dissident modernity. This volume examines Gray's early lacquer work and Romaine Brooks' earliest nude paintings; Gray's first built house, E.1027, in relation to Radclyffe Hall and her novel The Well of Loneliness; and Gray's private house, Tempe A Pailla, with Djuna Barnes' Nightwood. While both female sexual dissidence and modernist architecture were reduced to rigid identities through mass media, women such as Gray, Brooks, Hall and Barnes resisted the clarity of such identities with opaque, non-communicative aesthetics. Rault demonstrates that by defying the modern imperative to publicity, clarity and identity, Gray helped design a sapphic modernity that cultivated the dynamism of uncertain bodies and unfixed pleasures, which depended on staying in rather than coming out.

The first book-length feminist analysis of Eileen Gray's work, Eileen Gray and the Design of Sapphic Modernity: Staying In argues that Gray's unusual architecture and design - as well as its history of abuse and neglect - emerged from her involvement with cultures of sapphic modernism. Bringing together a range of theoretical and historical sources, from architecture and design, communication and media, to gender and sexuality studies, Jasmine Rault shows that Gray shared with many of her female contemporaries a commitment to designing spaces for sexually dissident modernity. This volume examines Gray's early lacquer work and Romaine Brooks' earliest nude paintings; Gray's first built house, E.1027, in relation to Radclyffe Hall and her novel The Well of Loneliness; and Gray's private house, Tempe A Pailla, with Djuna Barnes' Nightwood. While both female sexual dissidence and modernist architecture were reduced to rigid identities through mass media, women such as Gray, Brooks, Hall and Barnes resisted the clarity of such identities with opaque, non-communicative aesthetics. Rault demonstrates that by defying the modern imperative to publicity, clarity and identity, Gray helped design a sapphic modernity that cultivated the dynamism of uncertain bodies and unfixed pleasures, which depended on staying in rather than coming out.

'A glimpse of the foetid underbelly of the internet' - The Times 'Taut as a thriller, sharp as a slug of ice-cold vodka' - Irish Times To be a content moderator is to see humanity at its worst - but Kayleigh needs money. That's why she takes a job working for a social media platform whose name she isn't allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed. It's gruelling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform's ever-changing moderating guidelines. Yet Kayleigh is good at her job, and in her colleagues she finds a group of friends, even a new girlfriend - and for the first time in her life, Kayleigh's future seems bright. But soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators own morals bend and flex under the weight of what they see? We Had To Remove This Post by Hanna Bervoets is a chilling, powerful and gripping story about who or what determines our world view. Examining the toxic world of content moderation, the novel forces us to ask: what is right? What is real? What is normal? And who gets to decide? Translated from the original Dutch by Emma Rault. 'A superbly poised, psychologically astute and subtle' - Ian McEwan, author of Atonement 'Fast paced and thrilling, violent and nightmarish' - Kristen Arnett, author of Mostly Dead Things 'An acid glimpse into a new form of labor existing today' - Ling Ma, author of Severance

Tycho Zeling is drifting through his life. Everything in it - school, friends, girls, plans for the future - just kind of ... happens. Like a movie he presses play on, but doesn't direct. So Tycho decides to break away from everything. He flies to America to spend his summer as a counselor at a summer camp, for international kids. It is there that Oliver walks in, another counselor, from Norway. And it is there that Tycho feels his life stop, and begin again, finally, as his. The Days of Bluegrass Love was originally published in the Netherlands in 1999. It was a groundbreaking book and has since become a beloved classic throughout Europe, but has never been translated into English. Here, for the first time, it is masterfully presented to American readers - a tender, intense, unforgettable story of first love.

Typography confronts us everywhere: in books and newspapers, on road signs, product packaging and political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson's for the London Underground, have become iconic. Others, like comic sans, are loathed. Each one has its own place in history. The ABC of Typography traces 3,500 years of type, from Sumerian pictographs, through Roman calligraphy, to Gutenberg, the Bauhaus and beyond. Brimming with insight and anecdote, this witty and well-informed graphic guide explores the historical, technological and cultural shifts that have defined the look of the words we read, as well as introducing the artists who have marked typography's long history.

An Inside Account of One Company's Remarkable Transformation
Take a fascinating, decade-long journey to witness the remarkable transformation of a mediocre company into a team-based top competitor. Your guides are a trio of participant/observers, all key players in achieving this systemic change of classic proportion.
--Jerome M. Rosow, president, Work in America Institute, Inc.
Anyone in a leadership position today, union or management, should read this book. It tells the important story of how labor/management partnerships can make a difference and provide workable solutions to complex problems presented by today's global economy.
--Boyd Young, international president, United Paperworkers International Union
A Cinderella story of perseverance and triumph, What Works is an instructive guide to achieving success through cooperation, teamwork, and courage. It tells the tale of how Champion International--one of America's oldest and largest industrial paper companies--transformed itself from an underachieving, tradition-bound organization into a thriving Wall Street winner over the course of eleven years. In answering the question of how a company can change successfully over time while remaining both humane and profitable, this brisk, brutally honest, insiders' account offers a number of hard-won lessons and practical tools to managers and visionaries faced with the same daunting challenges.

A simple 5 step guide to creating a professional looking TV or YouTube studio in your house or office in under 1 hour. Learn the lighting, sound and film techniques the professionals use to make everything and everyone look fabulous No film skill needed, just 60 minutes of your time, some household objects and this book.