for SATB (with divisions) and organ. Maurice Ravel's popular Pavane pour une infante defunte is here arranged for mixed voices and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Rupert Gough's arrangement sets the words of the 'Requiem aeternam' to the existing melody, and features a characterful and active organ part that underpins the sustained vocal lines. The piece has been recorded by The Choir of Royal Holloway on the album Messe da pacem.

In this sequel to the award-winning A Boy Is Not a Bird, a boy is exiled to Siberia during World War II. Based on a true story. Torn from his home in Eastern Europe, with his father imprisoned in a Siberian gulag, twelve-year-old Natt finds himself stranded with other deportees in a schoolyard in Novosibirsk. And he is about to discover that life can indeed get worse than the horrific two months he and his mother have spent being transported on a bug-infested livestock train. He needs to write to his best friend, Max, but he knows the Soviet police reads everyone's mail. So Natt decides to write in code, and his letters are a lifeline, even though he never knows whether Max will receive them. Every day becomes a question of survival, and where they might be shunted to next. When his mother is falsely arrested for stealing potatoes, Natt is truly on his own and must learn how to live the uncertain life of an exile. Practice being invisible as a ghost, change your name and identity if you have to, watch out for spies, and never draw the attention of the authorities. Even then, he will need luck on his side if he is ever going to be reunited with his family. Key Text Features author's note Illustrations map Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).

They say it takes 21 days to develop a habit. But we all know how hard it is to make through those first 21 days. "Taste for Truth" will help you get through those first few weeks when you'd like nothing better than to give up.

"Taste for Truth" offers 30 days of Bible study and hands-on renewing of the mind help. You'll be taking off the lies that make you overeat and putting on the truth that will make you actually "want" to eat with control.

"Taste for Truth" is a companion Bible study to "I Deserve a Donut (And Other Lies That Make You Eat)."

Composed in 1914, Ravel's sole work for the classical ensemble of piano, violin and cello was first heard in Paris at the Salle Gaveau on January 28, 1915, with Alfredo Casella on the piano, Gabriel Willaume on violin and Louis Feuillard on cello. The work was quickly recognized as a worthy addition to an already wealthy repertoire and remains popular today. The score reproduced here was first issued in 1915 by Durand. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Pierre Boulez conducts the Vienna Philharmonic Orchestra and pianist Daniel Barenboim in this opening concert from the Salzburg Festival of 2008. Featured works include Ravel's 'Valses nobles et sentimentales', Bartok's 'Concerto for Piano and Orchestra No.1' and Stravinsky's 'Firebird Suite'.

The plays in this anthology have been selected to reflect the wide spectrum of ethnic communities in this country, and to illuminate the often painful world their members inhabit as outsiders to mainstream Canadian life. The plays explore cultural values, dual loyalties, and problems of adjustment.

Path with No Moccasins, by Shirley Cheechoo: A young Cree girl endures life at a residential school, and later heals herself. The play raises issues of identity, discrimination, and self-destruction, but ends positively. (1 character; four scenes)

The Tale of a Mask, by Terry Watada: Immigration to Toronto leaves a Japanese wife cut off from society, while her husband works at a low-paying job, and her son defies authority at home and at school. (5 characters; twenty-one scenes)

Dance Like a Butterfly, by Aviva Ravel: Tillie, a Jewish octogenarian, reveals vivid memories of her past, and looks forward to the fulfilling days ahead, in a journey that leads us to re-examine our conceptions of old age. (6 characters; thirteen scenes)

No Man's Land, by Rahul Varma: They left East India for a better life for their daughter, but Qaiser and Jeena are cheated and exploited by employers and landlords; they sacrifice everything, including Jeena's health. (8 characters; twenty-two scenes)

Going Down the River, by Kevin Longfield: Racial tension underlies the discussions of a black principal, a young white teacher, and the black mother of a problem son. The principal's father acts as her conscience. (4 characters; one act)

Supplementary information for each play includes a glossary, biography of the playwright, and details of the first production. In addition, the playwright and editor provide some brief questions for each play, which can be used in class or discussion groups to stimulate debate and deeper understanding of the themes.