Game-changing wisdom from pioneering coach and Nike executive George Raveling, coauthored by bestselling author Ryan Holiday - with a foreword by basketball legend Michael Jordan

George Raveling knows all about beating the odds. A living legend, he has been a game-changing basketball coach, stood at the side of Martin Luther King Jr, mentored Michael Jordan and shaped the world of sports as a Director at Nike. But his life began in the shadow of segregation, death and mental illness.

Here, he teams up with bestselling author Ryan Holiday to share the lessons drawn from his extraordinary life and career. This is not a memoir, but a blueprint for anyone who wants to overcome obstacles and achieve success on their own terms. You'll find strategies for discovering purpose, insights on how to keep evolving and growing, advice for building meaningful connections, and tactics to compound daily victories into your greatest achievements. From finding a mentor to building a legacy, this book provides tools to not just navigate life, but to live it with intention and impact. And it all starts with the question: what are you made for?

for SATB (with divisions) and organ. Maurice Ravel's popular Pavane pour une infante defunte is here arranged for mixed voices and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Rupert Gough's arrangement sets the words of the 'Requiem aeternam' to the existing melody, and features a characterful and active organ part that underpins the sustained vocal lines. The piece has been recorded by The Choir of Royal Holloway on the album Messe da pacem.

This major 20th-century Neoclassical work is Ravel's last work for piano solo. A tombeau is a lament, and each of the six movements is intended as a musical epitaph to friends lost in the war. The difficulty found here, especially in the "Toccata," is understood when one learns that Ravel studied Liszt's transcendental etudes in preparations for writing the suite. The meticulously researched stylistic information and clear, accurate text of this performing edition will prove to be invaluable to the advanced pianist.

Ravel composed the original piano version of this piece in 1899 after resuming his studies at the Paris Conservatory. It was published the next year and became an overnight success. Despite some self-criticism of his youthful work for being "poor in form," Ravel thought well enough of it to prepare an orchestral version in late 1910, which was given its premiere under the baton of Henry Wood at the Manchester Gentlemen's Concerts on 27 February 1911. This newly-engraved critical edition will be appreciated by Ravel fans, students, and conductors everywhere.

In this sequel to the award-winning A Boy Is Not a Bird, a boy is exiled to Siberia during World War II. Based on a true story. Torn from his home in Eastern Europe, with his father imprisoned in a Siberian gulag, twelve-year-old Natt finds himself stranded with other deportees in a schoolyard in Novosibirsk. And he is about to discover that life can indeed get worse than the horrific two months he and his mother have spent being transported on a bug-infested livestock train. He needs to write to his best friend, Max, but he knows the Soviet police reads everyone's mail. So Natt decides to write in code, and his letters are a lifeline, even though he never knows whether Max will receive them. Every day becomes a question of survival, and where they might be shunted to next. When his mother is falsely arrested for stealing potatoes, Natt is truly on his own and must learn how to live the uncertain life of an exile. Practice being invisible as a ghost, change your name and identity if you have to, watch out for spies, and never draw the attention of the authorities. Even then, he will need luck on his side if he is ever going to be reunited with his family. Key Text Features author's note Illustrations map Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).

The plays in this anthology have been selected to reflect the wide spectrum of ethnic communities in this country, and to illuminate the often painful world their members inhabit as outsiders to mainstream Canadian life. The plays explore cultural values, dual loyalties, and problems of adjustment.

Path with No Moccasins, by Shirley Cheechoo: A young Cree girl endures life at a residential school, and later heals herself. The play raises issues of identity, discrimination, and self-destruction, but ends positively. (1 character; four scenes)

The Tale of a Mask, by Terry Watada: Immigration to Toronto leaves a Japanese wife cut off from society, while her husband works at a low-paying job, and her son defies authority at home and at school. (5 characters; twenty-one scenes)

Dance Like a Butterfly, by Aviva Ravel: Tillie, a Jewish octogenarian, reveals vivid memories of her past, and looks forward to the fulfilling days ahead, in a journey that leads us to re-examine our conceptions of old age. (6 characters; thirteen scenes)

No Man's Land, by Rahul Varma: They left East India for a better life for their daughter, but Qaiser and Jeena are cheated and exploited by employers and landlords; they sacrifice everything, including Jeena's health. (8 characters; twenty-two scenes)

Going Down the River, by Kevin Longfield: Racial tension underlies the discussions of a black principal, a young white teacher, and the black mother of a problem son. The principal's father acts as her conscience. (4 characters; one act)

Supplementary information for each play includes a glossary, biography of the playwright, and details of the first production. In addition, the playwright and editor provide some brief questions for each play, which can be used in class or discussion groups to stimulate debate and deeper understanding of the themes.