Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.

What do we understand 'noise' to be? The term 'noise' no longer suggests only aesthetic judgement, as in acoustic or visual noise, and is now relevant to domains as varied as communication theory, physics and biology. This trans-disciplinary usage leads to confusion and complication, and reveals that the question of noise is a properly philosophical problem. Presenting an analysis of the rising interest in the notion of noise, this book investigates if there can be a coherent understanding of what it is, that can be effectively shared among the natural and human sciences, technology and the arts. Drawing the philosophical consequences of noise for the theory of knowledge, Malaspina undertakes a philosophical revaluation of Shannon and Weaver's theory of 'information entropy'; this forms the basis upon which to challenge the common idea that noise can be reduced to notions of error, disorder or disorganization. The wider consequences of this analysis relate the technological and scientific aspect of noise, with its cultural and psycho-social aspects. At the heart of Malaspina's argument is the contestation of the ground upon which we judge and distinguish noise from information and finally the exploration of its emancipatory potential.

In this bold and provocative work, French philosopher Alain Badiou proposes a startling reinterpretation of St. Paul. For Badiou, Paul is neither the venerable saint embalmed by Christian tradition, nor the venomous priest execrated by philosophers like Nietzsche: he is instead a profoundly original and still revolutionary thinker whose invention of Christianity weaves truth and subjectivity together in a way that continues to be relevant for us today. In this work, Badiou argues that Paul delineates a new figure of the subject: the bearer of a universal truth that simultaneously shatters the strictures of Judaic Law and the conventions of the Greek Logos. Badiou shows that the Pauline figure of the subject still harbors a genuinely revolutionary potential today: the subject is that which refuses to submit to the order of the world as we know it and struggles for a new one instead.

Quentin Meillassouxs remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of Continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, After Finitude Provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy.Meillassoux introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.The exceptional lucidity and the centrality of argument in Meillassoux;s writing should appeal to Analytic as well as Continental philosophers, while his critique of fideism will be of interest to anyone preoccupied by the relation between philosophy, theology and religion

Back in print after fifty years and with a new introduction by Ray Brassier, this often overlooked but prescient collection of Marcuse's lectures makes an impassioned plea for the overthrowing of capitalism. Analysing the work of Freud and Marx, and taking in topics like automation, work, postcapitalism, utopia, and technology, Psychoanalysis, Politics, and Utopia excavates the psychic roots of the current crisis of capitalist civilisation, and gives us a blueprint for the emancipation of humanity from the toils of capitalism. In a world reeling from the ongoing collapse of the neoliberal consensus, coupled with the accelerating pace of catastrophic climate change wrought by capitalism, Marcuse's radical insights in Psychoanalysis, Politics, and Utopia are as urgently relevant today as they were in 1970.

From the preface by Alain Badiou:

"It is no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy, understood here as the history of what it is to know ... This remarkable "critique of critique" is introduced here without embellishment, cutting straight to the heart of the matter in a particularly clear and logical manner. It allows the destiny of thought to be the absolute once more."

" ""This work is one of the most important to appear in continental philosophy in recent years and deserves a wide readership at the earliest possible date ... "Apres ""la finitude "is an important book of philosophy by an authnted emerging voices in continental thought. Quentin Meillassoux deserves our close attention in the years to come and his book deserves rapid translation and widespread discussion in the English-speaking world. There is nothing like it."

"--"Graham Harman in "Philosophy Today"
Quentin Meillassoux's remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, "After Finitude "provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy.
The exceptional lucidity and the centrality of argument in Meillassoux's writing should appeal to analytic as well as continental philosophers, while his critique of fideism will be of interest to anyone preoccupied by the relation between philosophy, theology and religion.
Meillassoux introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. "After Finitude "proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.

An argument that by amplifying alienation in performance, we can shift the emphasis from the sonic to the social.Works in sound studies continue to seek out sound "itself"--but, today, when the aesthetic can claim no autonomy and the agency of both artist and audience is socially constituted, why not explore the social mediation already present within our experience of the sonorous? In this work, artist, musician, performer, and theorist Mattin sets out an understanding of alienation as a constitutive part of subjectivity and as an enabling condition for exploring social dissonance--the discrepancy between our individual narcissism and our social capacity. Mattin's theoretical investigation is intertwined with documentation of a concrete experiment in the form of an instructional score (performed at documenta 14, 2017, in Athens and Kassel) which explores these conceptual connotations in practice, as players use members of the audience as instruments, who then hear themselves and reflect on their own conception and self-presentation. Social Dissonance claims that, by amplifying alienation in performance and participation in order to understand how we are constructed through various forms of mediation, we can shift the emphasis from the sonic to the social, and in doing so, discover for ourselves that social dissonance is the territory within which we already find ourselves, the condition we inhabit.

Polemics is a series of brilliant metapolitical reflections, demolishing established opinion and dominant propaganda, and reorienting our understanding of events from the Kosovo and Iraq wars to the Paris Commune and the Cultural Revolution. At once witty and profound, Badiou presents a series of radical philosophical engagements with politics, and questions what constitutes political truth.

The first published work to explore the new philosophy of speculative realism through a fresh reappropriation of the philosophical tradition and an openness to its outside. The first published work to explore the new philosophical field of speculative realism, the second volume of Collapse features a selection of speculative essays by some of the foremost young philosophers at work today, together with new work from artists and filmmakers, and searching interviews with leading scientists. Comprising subjects from probability theory to theology, from quantum theory to neuroscience, from astrophysics to necrology, it involves them in unforeseen and productive syntheses. Against the tide of institutional balkanisation and specialisation, this volume testifies to a defiant reanimation of the most radical philosophical problematics-the status of the scientific object, metaphysics and its "end," the prospects for a revival of speculative realism, the possibility of phenomenology, transcendence and the divine, the nature of causation, the necessity of contingency-both through a fresh reappropriation of the philosophical tradition and through an openness to its outside. The breadth of philosophical thought in this volume is matched by the surprising and revealing thematic connections that emerge between the philosophers and scientists who have contributed.

Introductory collection of writings by a creative and subversive thinker, ranging from the origins of "non-philosophy" to its evolution into what Laruelle now calls "non-standard philosophy." The question "What is non-philosophy?" must be replaced by the question about what it can and cannot do. To ask what it can do is already to acknowledge that its capacities are not unlimited. This question is partly Spinozist: no-one knows what a body can do. It is partly Kantian: circumscribe philosophy's illusory power, the power of reason or the faculties, and do not extend its sufficiency in the shape of by way of another philosophy. It is also partly Marxist: how much of philosophy can be transformed through practice, how much of it can be withdrawn from its "ideological" use? And finally, it is also partly Wittgensteinian: how can one limit philosophical language through its proper use? This introductory collection of writings by creative and subversive thinker Francois Laruelle opens with an introduction based upon an in-depth interview that traces the abiding concerns of his prolific output. The eleven newly translated essays that follow, dating from 1985 to the present, range from the origins of "non-philosophy" to its evolution into what Laruelle now calls "non-standard philosophy." Two appendices present a number of Laruelle's experimental texts, which have not previously appeared in English translation, and a transcript of an early intervention and discussion on his "transvaluation" of Kant's transcendental method.

Alain Badiou is arguably the most original and influential philosopher working in France today. Working against the tide of postmodern orthodoxy, Badiou revitalizes philosophy's perennial attempt to provide a systematic theory of truth. Theoretical Writings presents, in Badiou's own words, 'the theoretical core of [his] Philosophy'. Beginning with the controversial assertion that ontology is mathematics, the chapters step the reader through his key concepts of being, subject and truth via startling re-readings of canonical figures including Spinoza, Kant and Hegel and engagements with poetry, psychoanalysis and radical politics. Theoretical Writings is an indispensable introduction to one of the great thinkers of our time.

A remarkably clear explication of the tenets of Object-Oriented Philosophy and an acute critique of the movement's ramifications for philosophy today. How does the patience and rigour of philosophical explanation fare when confronted with an irrepressible desire to commune with the object and to escape the subjective perplexities of reference, meaning, and sense? Moving beyond the hype and the inflated claims made for "Object-Oriented" thought, Peter Wolfendale considers its emergence in the light of the intertwined legacies of twentieth-century analytic and Continental traditions. Both a remarkably clear explication of the tenets of OOP and an acute critique of the movement's ramifications for philosophy today, Object-Oriented Philosophy is a major engagement with one of the most prevalent trends in recent philosophy.

What do we understand 'noise' to be? The term 'noise' no longer suggests only aesthetic judgement, as in acoustic or visual noise, and is now relevant to domains as varied as communication theory, physics and biology. This trans-disciplinary usage leads to confusion and complication, and reveals that the question of noise is a properly philosophical problem. Presenting an analysis of the rising interest in the notion of noise, this book investigates if there can be a coherent understanding of what it is, that can be effectively shared among the natural and human sciences, technology and the arts. Drawing the philosophical consequences of noise for the theory of knowledge, Malaspina undertakes a philosophical revaluation of Shannon and Weaver's theory of 'information entropy'; this forms the basis upon which to challenge the common idea that noise can be reduced to notions of error, disorder or disorganization. The wider consequences of this analysis relate the technological and scientific aspect of noise, with its cultural and psycho-social aspects. At the heart of Malaspina's argument is the contestation of the ground upon which we judge and distinguish noise from information and finally the exploration of its emancipatory potential.

A dizzying trip through the mind(s) of the provocative and influential thinker Nick Land. During the 1990s British philosopher Nick Land's unique work, variously described as "rabid nihilism," "mad black deleuzianism," and "cybergothic," developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of "continental philosophy" -a route that was implacably blocked by the academy. However, Land's work has continued to exert an influence, both through the British "speculative realist" philosophers who studied with him, and through the many cultural producers-writers, artists, musicians, filmmakers-who have been invigorated by his uncompromising and abrasive philosophical vision. Beginning with Land's early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume collects together the papers, talks and articles of the mid-90s-long the subject of rumour and vague legend (including some work which has never previously appeared in print)-in which Land developed his futuristic theory-fiction of cybercapitalism gone amok; and ends with his enigmatic later writings in which Ballardian fictions, poetics, cryptography, anthropology, grammatology and the occult are smeared into unrecognisable hybrids. Fanged Noumena gives a dizzying perspective on the entire trajectory of this provocative and influential thinker's work, and has introduced his unique voice to a new generation of readers.

Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.

Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.