A re-examination of the George Circle in the cultural and political contexts of Wilhelmine, Weimar, and Nazi Germany. Stefan George (1868-1933) was one of the most important figures in modern German culture. His poetry, in its originality and impact, has been ranked with that of Goethe and Hoelderlin. Yet George's reach extended beyond the sphereof literature. In the early 1900s, he gathered around himself a circle of disciples who subscribed to his vision of comprehensive cultural-spiritual renewal and sought to turn it into reality. The ideas of the George Circle profoundly affected Germany's educated middle class, especially in the aftermath of the First World War, when their critique of bourgeois liberalism, materialism, and scholarship (Wissenschaft) as well as their call for new formsof leadership (Herrschaft) and a new Reich found wider resonance. The essays collected in the present volume critically re-examine these ideas, their contexts, and their influence. They provide new perspectives on the intersection of culture and politics in the works of the George Circle, not least its ambivalent relationship to National Socialism. Contributors: Adam Bisno, Richard Faber, Rudiger Goerner, Peter Hoffmann, Thomas Karlauf, Melissa S. Lane, Robert E. Lerner, David Midgley, Robert E. Norton, Ray Ockenden, Ute Oelmann, Martin A. Ruehl, Bertram Schefold. Melissa S. Lane is Professor of Politics at Princeton University. Martin A. Ruehl is Lecturerin German Thought and Fellow of Trinity Hall, University of Cambridge.

Jim Reed has taught German language and literature at the University of Oxford since 1961 and retires on 30 September 2004. This collection of essays in his honour consists of contributions from friends and pupils, and is principally concerned with Goethe, Heine, Nietzsche, Thomas Mann, and Brecht. The themes and approaches represented are those with which Reed himself has engaged in many of his own publications, beginning with Thomas Mann: The Uses of Tradition (1974) and The Classical Centre: Goethe and Weimar (1980), and which is summed up in the title given to his recent collection of essays -Humanpraxis Literatur-."