A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.

Over the past two decades, Ray Jackendoff has persistently tackled difficult issues in the theory of mind and related theories of cognitive processing. Chief among his contributions is a formal theory that elaborates the nature of language and its relationship to a broad set of other domains.

Languages of the Mind provides convenient access to Jackendoff's work over the past five years on the nature of mental representations in a variety of cognitive domains, in the context of a detailed theory of the level of conceptual structure developed in his earlier books "Semantics and Cognition" and "Consciousness and the Computational Mind." The first two chapters summarize the theory of levels of mental representation ("languages of the mind") and their relationships to each other and show how conceptual structure can be approached along lines familiar from syntactic and phonological theory. From this background, subsequent chapters develop issues in word learning (and its pertinence to the Piaget-Chomsky debate) and the relation of conceptual structure to the understanding of physical space.

Further chapters apply the theory to domains outside of traditional cognitive science. They include an approach to social and cultural cognition modeled on first principles of linguistic theory, the beginnings of a formal description of psychodynamic phenomena, and a discussion of musical parsing and its relation to musical affect that bears on current disputes in linguistic parsing. The final chapter takes up a long-standing conflict between philosophical and psychological approaches to the study of mind, arguing that mental representations should be regarded purely in terms of the combinatorial organization of brain states, and that the philosophical insistence on the intentionality of mental states should be abandoned.

Ray Jackendoff is Professor of Linguistics at Brandeis University.

Semantic Structures is a large-scale study of conceptual structure and its lexical and syntactic expression in English that builds on the system of Conceptual Semantics described in Ray Jackendoff's earlier books Semantics and Cognition and Consciousness and the Computational Mind.Jackendoff summarizes the relevant arguments in his two previous books, setting out the basic parameters for the formalization of meaning, and comparing his mentalistic approach with Fodor's Language of Thought hypothesis. He then takes up the Problem of Meaning, extending the range of semantic fields encompassed by the Conceptual Semantics formalism, and the Problem of Correspondence, formalizing the relation between semantic and syntactic structure. Both of these problems must be fully addressed in order to develop a general theory of language that is concerned with syntax and semantics and their points of connection.Few books on lexical semantics present such a comprehensive analysis of such a wide range of phenomena from a unified perspective. Besides discussing the conceptual structures of hundreds of words and constructions, Jackendoff extends and deepens the theory to come to grips with such crucial issues as Θ-roles and Θ-marking; arguments, modifiers, and adjuncts; binding and control; and the thematic linking hierarchy.Ray Jackendoff is Chairman of the Program in Linguistics and Cognitive Science at Brandeis University.

This book emphasizes the role of semantics as a bridge between the theory of language and the theories of other cognitive capacities such as visual perception and motor control. It develops the position that the study of semantics of natural language is the study of the structure of thought, and that grammatical structure offers a much more important source of evidence for the theory of cognition than is often supposed by linguists, philosophers, psychologists, or computer scientists. Ray Jackendoff is Professor of Linguistics and Chairman of the Linguistics and Cognitive Science Program at Brandeis University. His most recent book, coauthored with Fred Lerdahl, is "A Generative Theory of Tonal Music" (MIT Press paperback). "Semantics and Cognition" is included in the series, Current Studies in Linguistics.