The age-old battle of good and evil actually revolves around the battlefield of humankind. Each faction influences people to their resolve. However, between these two great combatants is a third entity: the Arrangers. Neither evil nor holy, their duty is to pick up the pieces by giving rewards for the good and evil done by man.

Evil retribution is given in the form of twists of fate, commonly called karma. The person who seems to have evaded justice becomes the victim of an uncanny accident. This is the job of the Arrangers.

The Arrangers are in need of one last member of their group, and they have chosen Tom Evans. Tom is in need of a simple and stable life that he has never known. He has always been on the move. Finally this small town is his chance at rest. But the Arrangers have chosen this to be his chance at immortality. It is his choice.

From The Inside is a thorough revised and expanded re-working of Hayward's previous books, Tin Pan Alley: The Rise of Elton John and From Tin Pan Alley to the Yellow Brick Road. From The Inside is not just an ordinary biography. It is effectively an oral history using interviews conducted over a fifteen-year period with just about every musician, producer, sound engineer, manager and key figure that worked with Reg Dwight, before and when he was Elton John, both in Britain and America, up to 1979. It is their story, From the Inside; how they contributed to the success of Sir Elton during that time, and how they played an unwitting part in his rise to fame. It is a collection of stories from the music makers, managers, executives and musicians that makes this book possible. They are the people who were there, observing what was going on and, in some cases, in close proximity to Sir Elton. It really is the story of those who still see him as an acquaintance or as a friend. It is the first time some of them have spoken out about their years working and sharing Sir Elton's life. Sadly, some of those contributors have passed now but their words and contributions live on in this book.

Activating the Art Museum: Designing Experiences for the Health Professions, the first book on this subject, offers an argument for collaboration between educators in art museums and healthcare professionals. Through descriptions of teaching practices, the authors bring us into the galleries along with participants to demonstrate the value of art museums in supporting humanism in healthcare for the benefit of both practitioners and their patients. It includes advice on selecting meaningful and provocative works of art; models of responsive workshop design; compelling descriptions of gallery experiences; references to supporting medical literature; and the voices of medical students, physicians, and other health professionals. Chapters address key topics including tolerating ambiguity; empathy; interprofessional teamwork; confronting bias; the power of story; caring for the spirit; wellbeing and mindfulness. This inspiring and practical resource, written by three respected museum educators, is grounded in their experience with multiple individual and institutional partnerships and in designing hundreds of gallery experiences for healthcare trainees and practitioners. This book will be valuable to educators, leaders, and policy-makers in museums and health care. These readers, as well as general audiences with an interest in art and health will be inspired by the potential of art museums to activate our empathetic imaginations and remind us of our shared humanity.

The age-old battle of good and evil actually revolves around the battlefield of humankind. Each faction influences people to their resolve. However, between these two great combatants is a third entity: the Arrangers. Neither evil nor holy, their duty is to pick up the pieces by giving rewards for the good and evil done by man.

Evil retribution is given in the form of twists of fate, commonly called karma. The person who seems to have evaded justice becomes the victim of an uncanny accident. This is the job of the Arrangers.

The Arrangers are in need of one last member of their group, and they have chosen Tom Evans. Tom is in need of a simple and stable life that he has never known. He has always been on the move. Finally this small town is his chance at rest. But the Arrangers have chosen this to be his chance at immortality. It is his choice.

BRING EM BACK ALIVE SID (Charles Sidney Williams, Sr.) is a historical biography of the pioneer homesteader, rancher, horseman, and sheriff. Sid s life spanned almost the entire post Civil War-pre World War II time period, but his story here is concerned primarily with the law enforcement problems of northwest Nebraska during the prohibition and depression eras. Law enforcement of northwest Nebraska during this time reveals the cultural aspects and the trials and tribulations of the people who homesteaded and established homes, farms, and ranches. Drought and low commodity prices resulted in many foreclosures and hardships. Some land owners attempted to ameliorate their poor conditions by the illegal manufacture of stills and the production of moonshine liquor. A few saw an opportunity to make a great deal of money. The poor economic times finally ended with the advent of World War II.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

A collection of Spencer Tracy and Katharine Hepburn films. 'Woman of the Year' (1942) was the film which united the couple both off screen and on. A high powered political columnist (Hepburn) falls for a lowly sportswriter (Tracy) working on the same paper, even though they are poles aparts socially and intellectually. However, their relationship takes a turn for the worse after they marry, with her unable to adapt to the role of housewife, and him driven to drink by her intransigence. Hepburn won an Oscar for her role. In 'Keeper of the Flame' (1942) a widely-revered politician dies when his car runs off a bridge. Seasoned hack Steve O'Malley (Tracy) begins researching a biography on the man, and, through the revelations of his widow Christine (Hepburn), uncovers a number of dark secrets about him. In 'Adam's Rib' (1949) Tracy and Hepburn team up as a married couple finding themselves on opposite sides of a court case. Whilst in 'Pat and Mike' (1952) Pat Pemberton (Hepburn) is a PE teacher at a southern Californian college, who is persuaded by shady sports promoter Mike Conovan (Tracy) to become a professional athlete. As she flourishes in a number of disciplines, the couple begin to fall in love - although there are plenty of hurdles in the way of their eventual happiness.

Eliza Carthy's solo debut followed a collaboration with Nancy Kerr and an album with her band, The Kings Of Calicutt. The latter remained on the shelf until after the 1996 release of HEAT LIGHT & SOUND. All the featured tunes are English, something that doubtless pleased her parents Martin Carthy and Norma Waterson, as both were champions of the genre at a time when it was overshadowed by Celtic music. This delightful set, which is entirely traditional save for one tentative original, includes a jaunty tale of deception, "Cold, Wet & Rainy Night", and a fine version of "10,000 Miles" appended by a morris jig. Other highlights are remarkably assured deliveries of two of the great Child ballads, "Sheath & Knife" and "Clark Saunders", the latter sung unaccompanied.