During a period of twenty years--from his start as a young writer for H. L. Mencken's classic pulp magazine The Black Mask in the early 1930s, through the publication of his novels The Big Sleep and Farewell, My Lovely, to his career as a Hollywood screenwriter in the 1940s--Raymond Chandler kept a series of private notebooks.Drawn from those journals, The Notebooks of Raymond Chandler offers an intimate view of the writer at work, revealing early ideas, descriptions, and anecdotes that would later be used in The Long Goodbye, The Blue Dahlia, and other classics.Filled with both public and private writings, The Notebooks of Raymond Chandler includes "Marlowesque" particulars such as pickpocket lingo, San Quentin jailhouse slang, a "Note on the Tommygun," and musings on "Craps." Here, too, are surprising, lesser known essays on Hollywood, the mystery story, British and American writing, and a wicked parody of Hemingway. This sampler--by turns whimsical, provocative, irreverent, and fascinating--also contains a list of possible story titles; "Chandlerisms;" and his short work "English Summer: A Gothic Romance," which the writer viewed as a turning point in his career.

Raymond Chandler created the fast talking, trouble seeking Californian private eye Philip Marlowe for his first great novel The Big Sleep in 1939. Marlowe's entanglement with the Sternwood family - and an attendant cast of colourful underworld figures - is the background to a story reflecting all the tarnished glitter of the great American Dream. The hard-boiled detective's iconic image burns just as brightly in Farewell My Lovely, on the trail of a missing nightclub crooner.

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'I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.' Los Angeles Private Investigator Philip Marlowe is hired by wheelchair-bound General Sternwood to discover who is blackmailing him. A broken, weary old man, Sternwood just wants Marlowe to make the problem go away. However, with Sternwood's two wild, devil-may-care daughters prowling LA's seedy backstreets, Marlowe's got his work cut out. And that's before he stumbles over the first corpse. The Big Sleep is Raymond Chandler's first novel featuring laconic PI Philip Marlowe. 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess Discover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

Creator of the famous Philip Marlowe, Raymond Chandler elevated the American hard-boiled detective genre to an art form. Chandler's last four novels, published here in one volume, offer ample opportunity to savor the unique and utterly compelling fictional world that made his works modern classics.

THE LADY IN THE LAKE moves Marlowe out of his usual habitat of city streets and into the mountains outside of Los Angeles in his strange search for a missing woman. THE LITTLE SISTER takes Marlowe to Hollywood, where he tries to find a sweet young thing's missing brother, uncovering on the way a little blackmail, a lot of drugs, and more than enough murder. In THE LONG GOODBYE, a case involving a war-scarred drunk and his nymphomaniac wife has Marlowe constantly on the move: a psychotic gangster's on his trail, he's in trouble with the cops, and more and more corpses keep turning up. PLAYBACK features a well-endowed redhead who leads Marlowe to the California coast to solve a tale of big money and, of course, murder.

Throughout these masterpieces, Marlowe's wry humor and existential sense of his job prove yet again why he has become one of the most recognized and imitated characters in fiction.

The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades.

When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as Black Mask before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories—in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe—Chandler also turned his hand to fantasy and even a gothic romance. This rich treasury of 25 stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape.

When a dying millionaire hires Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

"Chandler [writes] like a slumming angel and invest[s] the sun-blinded streets of Los Angelos with a romantic presence."
--Ross Macdonald

Elegantly designed and packaged in a mix of full color and black and white comics, this trio of stories by Raymond Chandler that have been adapted to the popular graphic novel format.

These two classic novels featuring private eye Philip Marlowe made Raymond Chandler's name synonymous with America's hard-boiled school of crime fiction.  The Big Sleep was an instant success when first published in 1939.  It centers around a paralyzed California millionaire with two psychopathic daughters; he involves Marlowe in a case of blackmail that turns into murder.

Farewell My Lovely, which Chandler regarded as his finest work, came out the following year.  It has Marlowe dealing with the Los Angeles gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
"Chandler writes like a slumming angel and invests the sun-blinded streets of Los Angeles with a romantic presence," said Ross Macdonald.  And George V. Higgins wrote:  "Chandler is fun to read.  He's as bleak as tundra, and his dirtbag characters far outnumber his stellar citizens, but Philip Marlowe is a laconic tour guide through a zoo of truly interesting animals."

Hard-boiled detective fiction at its best: Raymond Chandler's best loved novel, The Big Sleep, published as a Penguin Essential for the first time. 'I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.' Los Angeles PI Philip Marlowe is hired by wheelchair-bound General Sternwood to discover who is indulging in some petty blackmail. A weary, old man, Sternwood just wants the problem to go away. But Marlowe finds he has his work cut out just keeping Sternwood's wild, devil-may-care daughters out of trouble as they prowl LA's dirtiest and darkest streets. And pretty soon, he's up to his neck in hoodlums and corpses . . .

Marlowe befriends a down on his luck war veteran with the scars to prove it. Then he finds out that Terry Lennox has a very wealthy nymphomaniac wife, who he's divorced and re-married and who ends up dead. and now Lennox is on the lam and the cops and a crazy gangster are after Marlowe.

'Everything was quiet and sunny and calm. No cause for excitement whatever. It's only Marlowe, finding another body. He does it rather well by now. Murder-a-day Marlowe, they call him . . .' Private Investigator Philip Marlowe is hired to find a missing woman. Derace Kingsley's wife ran away to Mexico to get a divorce and marry a hunk named Chris Lavery. Or so the note she left her husband says. Trouble is, when Philip Marlowe asks Lavery about it he denies everything. But when Marlowe next encounters Lavery, he's denying nothing - on account of the two bullet holes in his heart. Now Marlowe's on the trail of a killer, who leads him out of smoggy Los Angeles all the way to a murky mountain lake . . . The Lady in the Lake is Raymond Chandler's fourth novel featuring laconic PI Philip Marlowe. 'Chandler's best novels carry the crime story to levels of artistry that have rarely been matched' Daily Mail 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess

From the creased pages of 1930s pulp magazines Black Mask and Dime Detective come eight of Raymond Chandler's finest short stories: KILLER IN THE RAIN, THE MAN WHO LIKED DOGS, THE CURTAIN, TRY THE GIRL, MANDARIN'S JADE, BAY CITY BLUES, THE LADY IN THE LAKE and NO CRIME IN THE MOUNTAINS Set against a Southern Californian backdrop, the stories are rich with suspense, violence and tragedy, and each comes laced with booze, bullets and a detective with an eye for a damsel in distress and an even keener eye for justice . . . Readers will also recognize episodes, characters and flashbacks from the Marlowe novels that made Chandler the undisputed master of his genre. 'Anything he writes about grips the mind from the first sentence. It is a spare, finished performance: full of life and character: as tense as a tiger, springing into action' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess

Playback is Raymond Chandler's gripping last full-length novel featuring laconic PI Philip Marlowe. 'Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul Auster Los Angeles PI Philip Marlowe is mixing business with pleasure - he's getting paid to follow a lovely mysterious redhead called Eleanor King. And wherever Miss King goes, trouble is sure to follow. But she's easy on the eye and Marlowe's happy to do as he's told. But one dead body later and what started out as a lazy afternoon's snooping soon becomes a deadly cocktail of blackmail, lies, mistaken identity - and murder . . . 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess

'I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room' Cynical Los Angeles Private Investigator Philip Marlowe always falls for a sob story. Eight years ago Moose Malloy and cute little redhead Velma were getting married - until Malloy was framed for armed robbery. Now he's out and he wants Velma back. Marlowe meets Malloy one hot day in Hollywood and, out of the generosity of his jaded heart, agrees to help. Dragged from one smoky bar to another, Marlowe's search for Velma turns up plenty of gangsters with a nasty habit of shooting first and talking later. And soon what started as a search for a missing person becomes a matter of life and death . . . Farewell, My Lovely is Raymond Chandler's second novel featuring laconic PI Philip Marlowe. 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess Discover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

Raymond Chandler created the fast talking, trouble seeking Californian private eye Philip Marlowe for his first great novel The Big Sleep in 1939. Marlowe's entanglement with the Sternwood family - and an attendant cast of colourful underworld figures - is the background to a story reflecting all the tarnished glitter of the great American Dream. The detective's iconic image burns just as brightly in Farewell My Lovely, on the trail of a missing nightclub crooner. And the inimitable Marlowe is able to prove that trouble really is his business in Raymond Chandler's brilliant epitaph, The Long Goodbye.

Philip Marlowe, the original hard-boiled private eye, returns to walk the mean streets of the American underworld again in these three classic novels. In The Lady in the Lake a business tycoon sets Marlowe on the hunt for some very important lost property - a flighty young wife, who proves murder to find. A wealthy widow sends the wisecracking detective on another trail in The High Window, this time to find a jinxed gold Doubloon. The Little Sister is Chandler's late, great story of a seemingly prim young woman who proves that trouble can come in the most innocent of guises, and who has Marlowe hooked on one of his most beguiling cases.

'I need a man good-looking enough to pick up a dame who has a sense of class, but he's got to be tough enough to swap punches with a power shovel.' In the first of the four cases in Trouble is My Business, Los Angeles PI Philip Marlowe is offered a job that leaves a bad taste in the mouth: smearing a girl who's 'got her hooks into a rich man's pup'. Before too long Marlowe's up to his neck in corpses and cops and he's taken pity on the girl. There's nothing like making trouble out of your business . . . The four novellas collected here are quintessential Raymond Chandler: slick, crystal-clear writing that pins the reader to the seat and won't let go until the last page is turned. 'Age does not wither Chandler's prose' Literary Review 'Chandler's prose flies off the pages like a burst from a Tommy gun. Chandler was perhaps the finest exponent of the fledgling genre now known as pulp fiction' Scottish Field 'One of the greatest crime writers, who set the standards others still try to attain' Sunday Times 'Nobody can write like Chandler on his home turf, not even Faulkner . . . An original . . . A great artist' Boston Review 'Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since' Paul Auster Discover the newest addition to the inimitable Philip Marlowe series - Only to Sleep by Lawrence Osborne - out 6 September 2018 in hardback and ebook from Hogarth.

Marlowe is hired by an influential lawyer he's never herd of to tail a gorgeous redhead, but decides he prefers to help out the redhead. She's been acquitted of her alcoholic husband's murder, but her father-in-law prefers not to take the court's word for it.

"Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence:" -- Ross Macdonald

On every level -- writing, direction, acting -- "Double Indemnity" (1944) is a triumph and stands as one of the greatest achievements in Billy Wilder's career. Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, "Double Indemnity" is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie.
This facsimile edition of "Double Indemnity" contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.