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This title was first published in 2003. Drawing on literary, art
historical and historical studies, this essay collection explores
the complex encounter between culture and politics within
Surrealism. The Surrealist movement was one of the first cultural
movements to question explicitly the relation between culture and
politics, and its attempt to fuse social and cultural revolution
has been a critical factor in shaping our sense of modernity. This
anthology addresses not only the contested ground between culture
and politics within Surrealism itself, and within the subsequent
historical accounts of the movement, but also the broader
implications of this encounter on our own sense of modernity. Its
goal is to delineate the role of radical politics in shaping the
historical trajectory of Surrealism.
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