The Vagus Nerve in Therapeutic Practice is a comprehensive guide that empowers holistic healers and complementary medicine practitioners with practical, science-based techniques to improve vagal performance and restore mind-body health. This excellent resource has been tailored for professionals to give them a solid understanding of vagus nerve regulation and provides accessible strategies to help their clients.

This book is a 1990 account of the ways in which young Aborigines were at a disadvantage before laws and legislation had been introduced, intended to improve their position. Aboriginal Youth and the Criminal Justice System focuses on South Australia, where detailed statistics are available, in a sophisticated analysis of the exact nature of the discrimination experienced by young Aborigines. Fay Gale, Rebecca Bailey-Harris and Joy Wundersitz examine the criminal justice system in operation; from the initial intervention by a police officer, through the process of screening and assessment to the final outcome - which all too often is a criminal record. The research clearly shows that at every point where discretion was exercised within this system, Aboriginal youths received the harsher option. Thus disadvantage is heaped on disadvantage until young Aboriginals were imprisoned at 23 times the rate of other young Australians. Even for those who escaped detention, participation in the criminal justice system was often such an ordeal that it became a form of punishment in itself. Discretion, though preferable to inflexible rules could operate against a group whose lifestyle and values differed from mainstream society.

Staging the Old Faith is the first book length study to examine Caroline theatre as a space where the concerns of the English Roman Catholic community are staged. Rebecca Bailey juxtaposes a detailed analysis of Queen Henrietta Maria's ground-breaking performances which showcased to an elite audience her role as defender of English Catholics, against an exploration of how this community responded to such a startling vision, in particular through the politically charged texts of James Shirley and William Davenant. This engagement on the stage with the anxieties and hopes of the English Catholic community (properly contextualised within the wider and increasingly fragmented religious landscape in the years leading to civil war) opens up Caroline commercial theatre as a site which energetically discussed the explosive religio-political topics of the cultural moment. -- .