From Renoir to Monet to Gauguin – French Impressionism was not only appreciated by Western collectors at the beginning of the 20th century – it also found an early following in Japan. In 2022, on the occasion of its 100th anniversary, the Museum Folkwang will show its outstanding post-impressionist collection founded by Karl Ernst Osthaus (1874–1921). The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865–1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalog features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces. Featuring paintings, drawings and sculptures by Paul Cézanne, Paul Gauguin, Édouard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. Accompanied by a short story by Japanese bestselling author Sayaka Murata.

The early decades of the 20th century were marked by artistic, economic, and social transformation in Canada and around the world. Starting in Toronto, a group of young modern artists, including Tom Thomson, Lawren S. Harris, or Emily Carr in British Columbia, desired to create a new painting vocabulary for the young nation coming into its own cultural identity. They turned away from city life and explored Canada's landscape, painting sublime vistas, monumental rivers, ancient forests around the great lakes, the mighty Rocky Mountains, and the arctic tundra, determined to break away from European stylistic traditions Together, their paintings imagined a mythical Canada, expansive and rugged, that added to their country's growing sense of national pride. Featuring paintings, sketches, photographs, film stills, and documentary material, this catalogue examines the language of Canadian modernism. It also includes essays and interviews that offer contemporary indigenous perspectives on the impact of industry on nature, issues surrounding national identity, and modern Canadian landscape painting. This generously illustrated book critically reviews Canada's modernism in art history.