This volume explores some of the key features of popular politics and resistance before and after 1994. It explores continuities and changes in the forms of struggle and ideologies involved, as well as the significance of post-apartheid grassroots politics. Is this a new form of politics or does it stand as a direct descendent of the insurrectionary impulses of the late apartheid era? The scale of popular protest in the 2000s does not rival that of the 1970s and 1980s, but posing questions about continuity and change before and after 1994, as some of these papers do, in itself raises key issues concerning the nature of power and poverty in the country. Contributors suggest that expressions of popular politics are deeply set within South African political culture and still have the capacity to influence political outcomes. Some chapters address pre-1994 conflicts and movements, some post-1994, and some straddle the two periods. The introduction by William Beinart links the papers together, places them in context of recent literature on popular politics and "history from below," and summarises their main findings, supporting the argument that popular politics outside of the party system remains significant in South Africa and have helped to influence national politics. The roots of this collection lie in post-graduate student research conducted at the University of Oxford in the early twenty-first century.

Broadcasting the pandemic tells the story of a South African television show, Beat It! Created during the aspirational years of the political transition in which the broadcast media were poised to democratize the airwaves, Beat It! was first screened on public television in 1999 and developed into one of the most powerful health education initiatives in contemporary history. Broadcasting the pandemic traces the show's evolution, exploring how Beat It! used the medium of television to inform its viewers about HIV at a time of increasingly rapid infection rates, but in which government education and treatment campaigns were largely absent. Broadcasting the pandemic pioneers a new methodology in scholarship about South Africa - using a television programme to explore the history of AIDS activism and policy. It provides a contemporary history of television in South Africa, and of its role in the most influential social movement to have emerged from the democratic transition: the HIV activist movement. Its content will interest readers from a wide array of disciplines, including African studies, journalism, public health, sociology, cultural studies and the history of medicine.