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Showing 1 - 4 of 4 matches in All Departments
'Powerful and searing' Sunday Times Shortlisted for the Kate O'Brien Award 'I was frightened of him in a way - of his grief, his loneliness - for he looked like the loneliest person on earth just then . . . the type of boy who wondered about things, as I did, who broke his heart wondering about things . . .' In 1990s-small-town Ireland, amid the sweaty school discos and first fumblings of adolescence, fifteen-year-old Lani Devine falls in love with Leon Brady, whose mother is buried in the cemetery next to Lani's house. Lani is haunted by the stories of thirty-five orphaned girls, buried in an unmarked grave near Leon's mother. As the love story unfolds, and then unravels, it becomes clear that Leon too is haunted - by a brutal family tragedy that has left scars much more than skin-deep. He Is Mine and I Have No Other is a captivating, eerie and atmospheric novel about the obsessive power of first love, about the claustrophobia a tight-knit family and community can cause, and about buried secrets and the havoc they wreak.
'My heart broke a little bit for Lani and Leon. He Is Mine and I Have No Other vividly calls up the atmosphere of small-town life. Eerie, tender and wonderful' Sophie Mackintosh, author of The Water Cure Shortlisted for the Kate O'Brien Award In 1990s small-town Ireland, fifteen-year-old Lani Devine falls in love with Leon Brady, whose mother is buried in the cemetery next to Lani's house. Quiet and strange, Leon is haunted by a brutal family tragedy that has left scars much more than skin-deep. As Lani falls deeper and deeper in love with him, old wounds begin to reopen and start to change the shape of their lives forever.
"An interesting and distinctive read . . . yet another barometer of the current health of the Irish short story."--Evening Herald The short story is one of Ireland's national treasures, and within these pages are some of its finest practitioners--from such established names as Julia O'Faolain, Claire Keegan, and Christine Dwyer Hickey to the exciting new voices of Judy Kravis, Eithne McGuinness, and Cherry Smyth. The stories are bold, unsentimental, often very funny, and always deeply affecting.
Relating the innovative ways in which assistants and collaborators can become an integral part of a course of music therapy, this book explores how the involvement of a diverse range of individuals, such as family members, learning support assistants, caregivers and medical staff, can contribute to successful sessions. Illustrated by clinical examples, the book will help music therapists and students to make the most of opportunities to collaborate with individuals other than the client who may be present during therapy sessions. The book also takes into account the challenges that can arise in music therapy collaboration, and explores the relationships that can develop between music therapists, clients and collaborators.
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