This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.

This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.

This book constitutes the refereed proceedings of the 11th International Conference on Interactive Digital Storytelling, ICIDS 2018, held in Dublin, Ireland, in December 2018. The 20 revised full papers and 16 short papers presented together with 17 posters, 11 demos, and 4 workshops were carefully reviewed and selected from 56, respectively 29, submissions. The papers are organized in the following topical sections: the future of the discipline; theory and analysis; practices and games; virtual reality; theater and performance; generative and assistive tools and techniques; development and analysis of authoring tools; and impact in culture and society.

This volume collects documentation of the 2017 International Conference on Interactive Digital Storytelling Art Exhibition and new scholarly texts from the artists involved. The work traces themes of Time & Tempo across Digital Poetics and Literature, Digital Heritage, and Urban Space and Politics.

Minds and Signs is a primer about cognitive linguistics designed for preteens who are curious about how the mind works and about American Sign Language.

Bianca Bernardo is one tough cookie. She also just happens to have a violent vendetta against men who hurt children. She calls herself the Emancipator, and she considers it her civic duty to liberate the youngest of society-those who cannot defend themselves-from lascivious losers. Her job is violent and messy, but she loves dealing out her brand of justice. Bianca is an unlikely hero who delights in her work without the bureaucratic constraints of the American legal system. The Garden of Retribution is the story of vigilante justice with a side of dark, vulgar humor. When villains prey on the young, do you long for them to suffer slow, torturous deaths? Well, so does Bianca, as she deals out her twisted version of due process.

Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.

Sometimes it feels good to be bad . . .
Dave Sanders is making up for a lifetime of sin. After leaving his reckless past behind, he now runs a respectable bar and grill. But keeping his wild side in check becomes nearly impossible when Kathy Mae Smith starts working for him. She's shy, modest, and sexy as hell. Slow, sweet seduction has never been his style, but then Dave has never wanted a woman like this before . . .
Thanks to her ex-husband, Kathy doesn't know if she can ever trust another man. And she certainly isn't about to jeopardize her job by jumping into bed with her hot new boss. Yet Dave is kind, caring, and his sizzling persistence is about to burn through the last of her defenses-until her past catches up with her. If she surrenders the truth to Mr. Perfect, will she lose him . . . or get a second shot at love?
Approx. 60,000 words.

Only love can heal his wounds . . .
Gunnery Sergeant Jake Sanders made it through the war in Afghanistan, but he's struggling to survive the peace at home. Still scarred by his experiences overseas, Jake now spends most of his time working out and tending to his brother's bar and grill. He's not looking for a girlfriend and avoids intimate relationships . . . until he meets the bar's gorgeous new manager.
Ex-ballerina Sophie Agnes couldn't take her eyes off Jake the moment she saw him-he was, after all, sleeping half-naked in her new office when she arrived on her first day of work. The chemistry between them is immediate, and soon it's not clear who is seducing whom. But Sophie fears that something is keeping Jake from opening his heart to her. And a man with dark secrets may not be the right man for her after all.
Approx. 60,000 words."

The Daredevils, an all-girl soccer team, wakes up on a magical island and is forced to play a game of soccer with a team of talking animals. Only if they win will they be allowed to go home. Will they win the game? Will they ever get home?