A reissue of this inspiring and heartbreaking memoir about family, empathy and the stories we tell about ourselves and others Gifts come in many guises. One summer, Rebecca Solnit was given three boxes of ripening apricots, fruit from a neglected tree that her mother, gradually succumbing to memory loss, could no longer tend to. In this courageous, heartbreaking memoir, Solnit draws from this unexpected inheritance, weaving her own story into fairy tales and the lives of others. Encompassing the Marquis de Sade and Mary Shelley, explorers and monsters, a library of water in Iceland, and the depths of the Grand Canyon, The Faraway Nearby is a meditation on family, empathy, and the art of storytelling from a writer of limitless talent and imagination.

A landmark, incendiary collection from one of the leading essayists working today. Inspiring everyone from radical activists to Beyoncé Knowles, Rebecca Solnit's essay 'Men Explain Things to Me' has become a touchstone of the feminist movement and established her as one of the leading thinkers of our time. Here it is collected along with the best of Solnit's feminist writings. From French sex scandals to the nuclear family, rape culture to mansplaining, Virginia Woolf to colonialism, these essays are a fierce and incisive exploration of the issues that a patriarchal culture will not necessarily acknowledge as 'issues' at all. With grace, wit and energy, and in the most exquisite and inviting of prose, Rebecca Solnit proves herself a vital leading figure of the feminist movement and a radical, humane thinker. 'Solnit is a compelling writer with a glorious turn of phrase' Evening Standard

An ardent steward of the land, fearless traveller and unrivalled observer of nature and culture, Barry Lopez died after a long illness on Christmas Day in 2020. The previous summer, a wildfire had consumed much of what was dear to him in his home and the community around it - a tragic reminder of the climate change of which he'd long warned. At once a cri de Coeur and a memoir of both pain and wonder, this remarkable collection of essays adds indelibly to Lopez's legacy, and includes previously unpublished works, some written in the months before his death. They unspool memories, both personal and political, among them tender, sometimes painful stories of his childhood in New York and California, reports from expeditions to study animals and sea life, recollections of travels to Antarctica and other extraordinary places on earth, and mediations on finding oneself amid vast, dramatic landscapes. He reflects on those who taught him, including Indigenous elders and scientific mentors who sharpened his eye for the natural world. We witness poignant returns from his travels to the sanctuary of his Oregon backyard and in prose of searing candour, he reckons with the cycle of life, including own and - as he has done throughout his career - with the dangers the earth and its people are facing. With an introduction by Rebecca Solnit that speaks to Lopez's keen attention to the world, including its spiritual dimensions, Embrace Fearlessly the Burning World opens our minds and sounds to the important of being wholly present to the beauty and complexity of life.

A reissue of the profound and meandering modern classic about the historical, political and philosophical paths traced by walkers. What does it mean to be out walking in the world? From pilgrimages to protest marches, mountaineering to meandering, this modern classic weaves together numerous histories to trace a range of possibilities for this most basic act. Touching on the philosophers of Ancient Greece, the Romantic poets, Jane Austen's Elizabeth Bennett, Andre Breton's Nadja, and more, Rebecca Solnit considers what forms of pleasure and freedom walkers have sought at different times. Profound and provocative, Wanderlust invites us to look afresh at the rich, varied, often radical interplay of the body, the imagination, and the world when walking. "Radical, humane, witty, sometimes wonderfully dandyish, at other times, impassioned and serious" - Alain de Botton

'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Expansive and thought-provoking' Independent Outside my work the thing I care most about is gardening - George Orwell Inspired by her encounter with the surviving roses that Orwell is said to have planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War; from his prescient critique of Stalin to his analysis of the relationship between lies and authoritarianism, Solnit finds a more hopeful Orwell, whose love of nature pulses through his work and actions. And in her dialogue with the author, she makes fascinating forays into colonial legacies in the flower garden, discovers photographer Tina Modotti's roses, reveals Stalin's obsession with growing lemons in impossibly cold conditions, and exposes the brutal rose industry in Colombia. A fresh reading of a towering figure of the 20th century which finds solace and solutions for the political and environmental challenges we face today, Orwell's Roses is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times

In this investigation into loss, losing and being lost, Rebecca Solnit explores the challenges of living with uncertainty. A Field Guide to Getting Lost takes in subjects as eclectic as memory and mapmaking, Hitchcock movies and Renaissance painting. Beautifully written, this book combines memoir, history and philosophy, shedding glittering new light on the way we live now.

In 1981, Rebecca Solnit rented a studio apartment in San Francisco, her home for the next twenty-five years. There she began the process of forging a voice in a society that preferred women to be silent. Liberated by West Coast activism, growing gay pride and punk rock, she broke through oppression and over time transformed into a writer and activist who speaks for the marginalised - galvanised to use her own voice for change. Recollections of My Non-Existence is the landmark memoir from a voice of a generation, and a rally cry for generations to come.

Londoners Reni Eddo-Lodge and Emma Watson are collaborating with author Rebecca Solnit and geographer Joshua Jelly-Schapiro to reimagine London's classic tube map. The new public history project 'City of London Women' will redraw Transport for London's classic underground map by naming each stop after a woman, non-binary person or a group. By consulting with artists, historians, community organizers and others through an open call, the project aims to identify remarkable female or non-binary Londoners who have had an impact on the city's history in some way. It will allocate them to each of the stations depicted on the London tube map according to their connections to a local area. Some of these people might be household names, others might be unsung heroes or figures from London's hidden histories. The names might be drawn from arts, civil society, business, politics, sport and so on. Attractively produced and packaged as a large poster map, this will be an ideal gift item that will find a place in museums and art stores as well as bookshops across London and beyond.

In her comic, scathing essay "Men Explain Things to Me," Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.
She ends on a serious note-- because the ultimate problem is the silencing of women who have something to say, including those saying things like, "He's trying to kill me "
This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf 's embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

At a time when political, environmental and social gloom can seem overpowering, this remarkable book offers a lucid, affirmative and well-argued case for hope. This exquisite work traces a history of activism and social change over the past five decades - from the fall of the Berlin Wall to the worldwide marches against the war in Iraq. Hope in the Dark is a paean to optimism in the uncertainty of the twenty-first century. Tracing the footsteps of the last century's thinkers - including Woolf, Gandhi, Borges, Benjamin and Havel - Solnit conjures a timeless vision of cause and effect that will light our way through the dark, and lead us to profound and effective political engagement.

An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"-New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. Not Too Late is the book for anyone who is despondent, anxious, or unsure about climate change and seeking answers. As the contributors to this volume make clear, the future will be decided by whether we act in the present-and we must act to counter institutional inertia, fossil fuel interests, and political obduracy. These dispatches from the climate movement around the world feature the voices of organizers like Guam-based lawyer and writer Julian Aguon; climate scientists like Dr. Jacquelyn Gill and Dr. Edward Carr; poets like Marshall Islands activist Kathy Jetnil-Kijner; and longtime organizers like The Tyranny of Oil author Antonia Juhasz and Emergent Strategy author adrienne maree brown. Guided by Rebecca Solnit's typical clear-eyed wisdom and enriched by illustrations, Not Too Late leads readers from discouragement to possibilities, from climate despair to climate hope. Contributors include Julian Aguon, Jade Begay, adrienne maree brown, Edward Carr, Renato Redantor Constantino, Joelle Gergis, Jacquelyn Gill, Mary Annaise Heglar, Mary Ann Hitt, Roshi Joan Halifax, Nikayla Jefferson, Antonia Juhasz, Kathy Jetnil Kijiner, Fenton Lutunatabua & Joseph `Sikulu, Yotam Marom, Denali Nalamalapu, Leah Stokes, Farhana Sultana, and Gloria Walton.

In times of crisis, when institutions of power are laid bare, people turn to one another. Pandemic Solidarity collects firsthand experiences from around the world of people creating their own narratives of solidarity and mutual aid in the time of the global crisis of Covid-19. The world's media was quick to weave a narrative of selfish individualism, full of empty supermarket shelves and con-men. However, if you scratch the surface, you find a different story of community and self-sacrifice. Looking at eighteen countries and regions, including India, Rojava, Taiwan, South Africa, Iraq and North America, the personal accounts in the book weave together to create a larger picture, revealing a universality of experience - a housewife in Istanbul supports her neighbour in the same way as a teacher in Argentina, a punk in Portland, and a disability activist in South Korea does. Moving beyond the present, these stories reveal what an alternative society could look like, and reflect the skills and relationships we already have to create that society, challenging institutions of power that have already shown their fragility.

"This is a reminder of hope and possibility, of kindness and compassion, and--perhaps most salient--imagination and liberty. Through the imaginations of our childhoods, can we find our true selves liberated in adulthood?" --Chelsea Handler In her debut children's book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page. In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes. Rebecca Solnit is the author of more than twenty books including Men Explain Things to Me, Call Them by Their True Names, Hope in the Dark, and The Mother of All Questions. Arthur Rackham (1867-1939) was a prominent British illustrator of many classic children's books from The Fairy Tales of the Brothers Grimm to Sleeping Beauty. His watercolor silhouettes were featured in the original edition of Cinderella.

Following on from the success of Men Explain Things to Me comes a new collection of essays in which Rebecca Solnit opens up a feminism for all of us: one that doesn't stigmatize women's lives, whether they include spouses and children or not; that brings empathy to the silences in men's lives as well as the silencing of women's lives; celebrates the ways feminism has shifted in recent years to reclaim rape jokes, revise canons, and rethink our everyday lives.

An energizing case for hope about the climate, from Rebecca Solnit ("the voice of the resistance"-New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment. Not Too Late is the book for anyone who is despondent, defeatist, or unsure about climate change and seeking answers. As the contributors to this volume make clear, the future will be decided by whether we act in the present-and we must act to counter institutional inertia, fossil fuel interests, and political obduracy. These dispatches from the climate movement around the world feature the voices of organizers like Guam-based lawyer and writer Julian Aguon; climate scientists like Dr. Jacquelyn Gill and Dr. Edward Carr; poets like Marshall Islands activist Kathy Jetnil-Kijner; and longtime organizers like The Tyranny of Oil author Antonia Juhasz. Guided by Rebecca Solnit's typical clear-eyed wisdom and enriched by photographs and quotes, Not Too Late leads readers from discouragement to possibilities, from climate despair to climate hope.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography "An exhilarating romp through Orwell's life and times and also through the life and times of roses." -Margaret Atwood "A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker." -Claire Messud, Harper's "Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way." -Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world "In the spring of 1936, a writer planted roses." So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions-from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

"The freshest, deepest, most optimistic account of human nature I've come across in years."
-Bill McKibben
The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. "A Paradise Built in Hell" is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of what society could become-one that is less authoritarian and fearful, more collaborative and local.

Who gets to shape the narrative of our times? The current moment is a battle over that foundational power. Women, people of colour and non-straight people are telling other versions, and white men in particular are fighting to preserve their own centrality. In this outstanding collection of essays by one of the most prescient and insightful commentators today, Solnit appraises the voices that are emerging, why they matter and the obstacles they face in making themselves heard.

Beginning with the election of Donald Trump ("The Loneliest Man in the World") and expanding back and forth into American history, surveillance, violence against the individual, the denormalizing of misogyny and the rehumanizing of public space. The ultimate focus of the book is climate and feminist activism, bringing Solnit's trademark deep analysis to bear on a range of contemporary crises. And again, and spectacularly, she shows us how to hope.

Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ("Wanderlust"), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ("River of Shadows"), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. "A Field Guide to Getting Lost" draws on emblematic moments and relationships in Solnitas own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery. BACKCOVER: aA meditation on the pleasures and terrors of getting losta
a"The New Yorker"
aThis indispensable California writeras most personal book yet.a
a"San Francisco Chronicle"
aAn intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism . . . a book to set you wandering down strangely fruitful trails of thought.a
a"Los Angeles Times"

In times of crisis, when institutions of power are laid bare, people turn to one another. Pandemic Solidarity collects firsthand experiences from around the world of people creating their own narratives of solidarity and mutual aid in the time of the global crisis of Covid-19. The world’s media was quick to weave a narrative of selfish individualism, full of empty supermarket shelves and con-men. However, if you scratch the surface, you find a different story of community and self-sacrifice. Looking at eighteen countries and regions, including India, Rojava, Taiwan, South Africa, Iraq and North America, the personal accounts in the book weave together to create a larger picture, revealing a universality of experience - a housewife in Istanbul supports her neighbour in the same way as a teacher in Argentina, a punk in Portland, and a disability activist in South Korea does. Moving beyond the present, these stories reveal what an alternative society could look like, and reflect the skills and relationships we already have to create that society, challenging institutions of power that have already shown their fragility.