A swoony LGBTQ+ summer romance, perfect for fans of Becky Albertalli.

Seventeen-year-old Emma is dreading spending the summer with her mom, who's never accepted that Emma's gay. But when she arrives, she discovers her mom has remarried in secret - and while she heads off on a cruise with her new husband, she's sending Emma to summer camp.

Camp Mapplewood is Emma's nightmare. But when she tries to escape, she's caught by one of the counsellors: Vivian. They're drawn to one another, and grow closer. But the end of the summer looms. When they have to return to their normal lives, can they find a way to stay together?

Throughout her career, Natalie Wood teetered precariously on the edge of greatness. Trained in the classical Hollywood studio style, but best mentored by Method directors, Wood was the ideal actress for roles depicting shifting perceptions of American womanhood. Nonetheless, while many of her films are considered classics of mid-twentieth century American cinema, she is less remembered for her acting than she is for her mysterious and tragic death. Rebecca Sullivan's lucid and engaging study of Natalie Wood's career sheds new light on her enormous, albeit uneven, contributions to American cinema. This persuasive text argues for renewed appreciation of Natalie Wood by situating her enigmatic performances in the context of a transforming star industry and revolutionary, post-war sexual politics.

The 1950s and 60s were times of extraordinary social and political change across North America that re-drew the boundaries between traditional and progressive, conservative and liberal. Nowhere is this more apparent than in the history of Catholic nuns. During these two decades, nuns boldly experimented with their role in the church, removing their habits, rejecting the cloister, and fighting for social justice. The media quickly took to their cause and dubbed them 'the new nuns,' modern exemplars of liberated but sexually contained womanhood. With Visual Habits, Rebecca Sullivan brings this unexamined history of nuns to the fore, revisiting the intersection of three distinct movements - the Second Vatican Council, the second wave of feminism, and the sexual revolution - to explore the pivotal role nuns played in revamping cultural expectations of femininity and feminism. From The Nun's Story to The Flying Nun to The Singing Nun, nuns were a major presence in the mainstream media. Charting their evolving representation in film and television, popular music, magazines, and girls' literature, Sullivan discusses these images in the context of the period's seemingly unlimited potential for social change. In the process, she delivers a rich cultural analysis of a topic too long ignored.