The 1950s and 60s were times of extraordinary social and political change across North America that re-drew the boundaries between traditional and progressive, conservative and liberal. Nowhere is this more apparent than in the history of Catholic nuns. During these two decades, nuns boldly experimented with their role in the church, removing their habits, rejecting the cloister, and fighting for social justice. The media quickly took to their cause and dubbed them 'the new nuns,' modern exemplars of liberated but sexually contained womanhood. With Visual Habits, Rebecca Sullivan brings this unexamined history of nuns to the fore, revisiting the intersection of three distinct movements - the Second Vatican Council, the second wave of feminism, and the sexual revolution - to explore the pivotal role nuns played in revamping cultural expectations of femininity and feminism. From The Nun's Story to The Flying Nun to The Singing Nun, nuns were a major presence in the mainstream media. Charting their evolving representation in film and television, popular music, magazines, and girls' literature, Sullivan discusses these images in the context of the period's seemingly unlimited potential for social change. In the process, she delivers a rich cultural analysis of a topic too long ignored.

Becoming Biosubjects examines the ways in which the Canadian government, media, courts, and everyday Canadians are making sense of the challenges being posed by biotechnologies. The authors argue that the human body is now being understood as something that is fluid and without fixed meaning. This has significant implications both for how we understand ourselves and how we see our relationships with other forms of life.

Focusing on four major issues, the authors examine the ways in which genetic technologies are shaping criminal justice practices, how policies on reproductive technologies have shifted in response to biotechnologies, the debates surrounding the patenting of higher life forms, and the Canadian (and global) response to bioterrorism. Regulatory strategies in government and the courts are continually evolving and are affected by changing public perceptions of scientific knowledge. The legal and cultural shifts outlined in Becoming Biosubjects call into question what it means to be a Canadian, a citizen, and a human being.

What does Canadian popular culture say about the construction and negotiation of Canadian national identity? This third volume of How Canadians Communicate describes the negotiation of popular culture across terrains where national identity is built by producers and audiences, government and industry, history and geography, ethnicities and citizenships. Canada does indeed have a popular culture distinct from other nations. How Canadians Communicate III gathers the country's most inquisitive experts on Canadian popular culture to prove its thesis.

A swoony LGBTQ+ summer romance, perfect for fans of Becky Albertalli.

Seventeen-year-old Emma is dreading spending the summer with her mom, who's never accepted that Emma's gay. But when she arrives, she discovers her mom has remarried in secret - and while she heads off on a cruise with her new husband, she's sending Emma to summer camp.

Camp Mapplewood is Emma's nightmare. But when she tries to escape, she's caught by one of the counsellors: Vivian. They're drawn to one another, and grow closer. But the end of the summer looms. When they have to return to their normal lives, can they find a way to stay together?