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This book explores the issues of power, authority and love with
current concerns in the Christian theological exploration of
feminism and feminist theology. It addresses its key themes in
three parts: (1) power deals with feminist critiques, (2) authority
unpacks feminist methodologies, and (3) love explores feminist
ethics. Covering issues such as embodiment, intersectionality,
liberation theologies, historiography, queer approaches to
hermeneutics, philosophy and more, it provides a multi-layered and
nuanced appreciation of this important area of theological thought
and practice. This volume will be vital reading for scholars of
feminist theology, queer theology, process theology, practical
theology, religion and gender.
This book explores the issues of power, authority and love with
current concerns in the Christian theological exploration of
feminism and feminist theology. It addresses its key themes in
three parts: (1) power deals with feminist critiques, (2) authority
unpacks feminist methodologies, and (3) love explores feminist
ethics. Covering issues such as embodiment, intersectionality,
liberation theologies, historiography, queer approaches to
hermeneutics, philosophy and more, it provides a multi-layered and
nuanced appreciation of this important area of theological thought
and practice. This volume will be vital reading for scholars of
feminist theology, queer theology, process theology, practical
theology, religion and gender.
This assemblage of feminist theologies represents a series of vital
entanglements. Chapters are written from different cultures,
geographies and discourses and brought together around themes as
specific and wide-ranging as immigration detention, hate crime,
discrimination, rites of marriage and partnership, and artistic and
religious imagination. The contributors variously echo, celebrate,
question and contradict each other. Despite the complexity and
allied as they are with liberation, decolonial, ecological, queer
and other theologies, these perspectives seek not only to confront
and resist the problems, oppressions, and omissions of hegemonic
theologies but also to realize better worlds.
How can contemporary art reimagine the body of the mother in
relation to a feminist Christian conception of the divine? And, at
the level of culture, what might be the implications of the
maternal body imaged as ordinary, multiple, generative and divine?
Following movements in her own visual art practice, and traversing
the discourses of feminist theory, contemporary art and philosophy
of religion, artist and scholar Rebekah Pryor considers philosopher
Luce Irigaray's key notions of sexuate difference, the sensible
transcendental and "love at work in thinking" on the way to
proposing alternate artistic and theological motifs of the maternal
body and the divine for our time. Five new motifs emerge,
challenging iconographic conventions and proposing an expanded
vision of the mother and the divine in feminist theology and
contemporary art.
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