This book explores the issues of power, authority and love with current concerns in the Christian theological exploration of feminism and feminist theology. It addresses its key themes in three parts: (1) power deals with feminist critiques, (2) authority unpacks feminist methodologies, and (3) love explores feminist ethics. Covering issues such as embodiment, intersectionality, liberation theologies, historiography, queer approaches to hermeneutics, philosophy and more, it provides a multi-layered and nuanced appreciation of this important area of theological thought and practice. This volume will be vital reading for scholars of feminist theology, queer theology, process theology, practical theology, religion and gender.

This book explores the issues of power, authority and love with current concerns in the Christian theological exploration of feminism and feminist theology. It addresses its key themes in three parts: (1) power deals with feminist critiques, (2) authority unpacks feminist methodologies, and (3) love explores feminist ethics. Covering issues such as embodiment, intersectionality, liberation theologies, historiography, queer approaches to hermeneutics, philosophy and more, it provides a multi-layered and nuanced appreciation of this important area of theological thought and practice. This volume will be vital reading for scholars of feminist theology, queer theology, process theology, practical theology, religion and gender.

How can contemporary art reimagine the body of the mother in relation to a feminist Christian conception of the divine? And, at the level of culture, what might be the implications of the maternal body imaged as ordinary, multiple, generative and divine? Following movements in her own visual art practice, and traversing the discourses of feminist theory, contemporary art and philosophy of religion, artist and scholar Rebekah Pryor considers philosopher Luce Irigaray's key notions of sexuate difference, the sensible transcendental and "love at work in thinking" on the way to proposing alternate artistic and theological motifs of the maternal body and the divine for our time. Five new motifs emerge, challenging iconographic conventions and proposing an expanded vision of the mother and the divine in feminist theology and contemporary art.

This assemblage of feminist theologies represents a series of vital entanglements. Chapters are written from different cultures, geographies and discourses and brought together around themes as specific and wide-ranging as immigration detention, hate crime, discrimination, rites of marriage and partnership, and artistic and religious imagination. The contributors variously echo, celebrate, question and contradict each other. Despite the complexity and allied as they are with liberation, decolonial, ecological, queer and other theologies, these perspectives seek not only to confront and resist the problems, oppressions, and omissions of hegemonic theologies but also to realize better worlds.