A deep dive into the life and work of sculptor Louise Nevelson recontextualizes her art in light of social movements, travel, and her experiences in dance and theater   Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in The World Outside: Louise Nevelson at Midcentury. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades.   Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture. A pioneering examination of Nevelson’s printmaking experiences at Tamarind Lithography Workshop reveals how the artist created alternative modes of viewing through unconventional methods and materials. The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.   Distributed for the Amon Carter Museum of American Art Exhibition Schedule Amon Carter Museum of American Art, Fort Worth, TX (August 27, 2023–January 7, 2024) Colby College Museum of Art, Waterville, ME (February 6–June 9, 2024)

A New American Sculpture, 1914-1945 is the first publication to situate the individual contributions of Gaston Lachaise, Robert Laurent, Elie Nadelman, and William Zorach into a compelling constellation of artists with shared aesthetic and social concerns. Although each European-born, American artist cultivated his own distinct style, their creative priorities were all deeply rooted in quiet composition, synthetic approaches to anatomy, and architectural unity of curves and volume. At a time when abstract forms were popular, Lachaise, Laurent, Nadelman, and Zorach were all ultimately in favor of maintaining the integrity of the human body to explore modernist styles. This handsome book underscores their unrelenting search for a novel American visual tradition at the intersection of modernism, historic visual culture, and contemporary popular imagery. Distributed for the Portland Museum of Art Exhibition Schedule: Portland Museum of Art (05/26/17-09/08/17) Memphis Brooks Museum of Art, Memphis, Tennessee (10/14/17-01/07/18) Amon Carter Museum of American Art (02/17/18-05/13/18)

Set in the small-town, pre-civil rights South, The Hawk and the Sun is the story of one day in the life of Dandelion, a physically impaired man who is the sole black resident in the town of Tilden. Years before, the birth of a mixed-race child to a white prostitute had precipitated an outpouring of hatred against Tilden's black citizens, all of whom but Dandelion had been driven from town. In this atmosphere of smoldering self-righteousness, Dandelion survives on handouts and what little he can earn from odd jobs. Finally, the town turns against him as well. Seen hurrying from the house of the neurotic Miss Ella as her screams fill the air of an August morning, Dandelion is apprehended and falsely accused of rape. Before the day's end, he is tortured and lynched. In his rendering of Dandelion, of those who murdered him, of those who looked the other way, and of the lone white man who stood futilely against the mob, Byron Herbert Reece brings his readers face to face with the horrifying spectacle of collective fear and racism.