The Rushdie affair, September 11 2001 and 7/7 pushed British Muslims into the forefront of increasingly fraught debate about multiculturalism. Stereotyping images have proliferated, reducing a heterogeneous minority group to a series of media soundbites. This book examines contemporary literary representations of Muslims by British writers of South Asian Muslim descent - including Salman Rushdie, Hanif Kureishi, Monica Ali and Nadeem Aslam - to explore the contribution they make to urgent questions about multicultural politics and the place of Muslims within Britain. By focusing on class, and its intersection with faith, 'race' and gender in identity- and community-formation, it challenges the dichotomy of secular freedom versus religious oppression that constrains thinking about British Muslims, and offers a more nuanced perspective on multicultural debates and controversies. Writing British Muslims will appeal to academics and postgraduate and final-year undergraduate students in the fields of postcolonial studies, English studies and cultural studies. -- .

This invaluable sourcebook intervenes in contemporary debates about Britain's heritage by illuminating the remarkable, yet still overlooked, impact that South Asians had on shaping the nature of British culture, politics and national identity during the period 1870-1950. The first anthology of primary material interdisciplinary devoted to the study of the history of the South Asian presence in Britain over the period, it selects a wide range of official and non-official archival sources. It identifies four key areas of South Asian impact - minority rights, war, culture and reception, and representation. Highlighting the current relevance of South Asian engagement, it projects contemporary national concerns back into the past and offers alternative ways of conceiving of the making of modern Britain. -- .

Fiction by writers of Muslim background forms one of the most diverse, vibrant and high-profile corpora of work being produced today - from the trail-blazing writing of Salman Rushdie and Hanif Kureishi, which challenged political and racial orthodoxies in the 1980s, to that of a new generation including Mohsin Hamid, Nadeem Aslam and Kamila Shamsie. This collection reflects the variety of those fictions. Experts in English, South Asian, and postcolonial literatures address the nature of Muslim identity: its response to political realignments since the 1980s, its tensions between religious and secular models of citizenship, and its manifestation of these tensions as conflict between generations. In considering the perceptions of Muslims, contributors also explore the roles of immigration, class, gender, and national identity, as well as the impact of 9/11. This volume includes essays on contemporary fiction by writers of Muslim origin and non-Muslims writing about Muslims. It aims to push beyond the habitual populist 'framing' of Muslims as strangers or interlopers whose ways and beliefs are at odds with those of modernity, exposing the hide-bound, conservative assumptions that underpin such perspectives. While returning to themes that are of particular significance to diasporic Muslim cultures, such as secularism, modernity, multiculturalism and citizenship, the essays reveal that 'Muslim writing' grapples with the same big questions as serve to exercise all writers and intellectuals at the present time: How does one reconcile the impulses of the individual with the requirements of community? How can one 'belong' in the modern world? What is the role of art in making sense of chaotic contemporary experience?

Fiction by writers of Muslim background forms one of the most diverse, vibrant and high-profile corpora of work being produced today - from the trail-blazing writing of Salman Rushdie and Hanif Kureishi, which challenged political and racial orthodoxies in the 1980s, to that of a new generation including Mohsin Hamid, Nadeem Aslam and Kamila Shamsie. This collection reflects the variety of those fictions. Experts in English, South Asian, and postcolonial literatures address the nature of Muslim identity: its response to political realignments since the 1980s, its tensions between religious and secular models of citizenship, and its manifestation of these tensions as conflict between generations. In considering the perceptions of Muslims, contributors also explore the roles of immigration, class, gender, and national identity, as well as the impact of 9/11.

This volume includes essays on contemporary fiction by writers of Muslim origin and non-Muslims writing about Muslims. It aims to push beyond the habitual populist 'framing' of Muslims as strangers or interlopers whose ways and beliefs are at odds with those of modernity, exposing the hide-bound, conservative assumptions that underpin such perspectives. While returning to themes that are of particular significance to diasporic Muslim cultures, such as secularism, modernity, multiculturalism and citizenship, the essays reveal that 'Muslim writing' grapples with the same big questions as serve to exercise all writers and intellectuals at the present time: How does one reconcile the impulses of the individual with the requirements of community? How can one 'belong' in the modern world? What is the role of art in making sense of chaotic contemporary experience?

This title offers an alternative view of imperial history, exploring the pioneering ways in which South Asians within Britain engaged in radical discourse and political activism. This volume offers an alternative way of conceiving the history of Britain by excavating and exploring the numerous ways in which South Asians in Britain engaged in radical discourse and political activism from 1870 to 1950, before their more permanent migration and settlement. This book focuses on a tumultuous period of resistance against the backdrop of high imperialism under the reign of Victoria in the 1870s, through the turmoil of two World Wars and Partition in 1947. As well as addressing resistances against empire and hierarchies of race, the authors investigate how South Asians in Britain mobilized to campaign for women's suffrage (the Indian princess Sophia Duleep Singh), for example, or for an international socialism (the Communist MP Shapurji Saklatvala), thereby contributing to and complicating notions of freedom, equality and justice. This volume reframes these pioneers as social and political agents and activists and shows how Britain's contemporary multicultural society is rooted in their mobilization for equality of citizenship.

This volume offers an alternative way of conceiving the history of Britain by excavating and exploring the numerous ways in which South Asians in Britain engaged in radical discourse and political activism from 1858 to 1947, before their more permanent migration and settlement. The book focuses on a tumultuous period of resistance against the backdrop of high imperialism under the reign of Victoria, through the turmoil of two World Wars and Partition in 1947. As well as addressing resistances against empire and hierarchies of race, the authors investigate how South Asians in Britain mobilized to campaign for women's suffrage (the Indian princess Sophia Duleep Singh), for example, or for an international socialism (the Communist MP Shapurji Saklatvala), thereby contributing to and complicating notions of freedom, equality and justice. This volume reframes these pioneers as social and political agents and activists and shows how Britain's contemporary multicultural society is rooted in their mobilization for equality of citizenship.

The Rushdie affair, September 11 2001 and 7/7 pushed British Muslims into the forefront of increasingly fraught debate about multiculturalism. Stereotyping images have proliferated, reducing a heterogeneous minority group to a series of media soundbites. This book examines contemporary literary representations of Muslims by British writers of South Asian Muslim descent - including Salman Rushdie, Hanif Kureishi, Monica Ali and Nadeem Aslam - to explore the contribution they make to urgent questions about multicultural politics and the place of Muslims within Britain. By focusing on class, and its intersection with faith, 'race' and gender in identity- and community-formation, it challenges the dichotomy of secular freedom versus religious oppression that constrains thinking about British Muslims, and offers a more nuanced perspective on multicultural debates and controversies. -- .

This sourcebook offers alternative ways of conceiving of the making of modern Britain. It intervenes in contemporary debates about Britain's heritage by illuminating the remarkable, yet still overlooked, impact that South Asians had on shaping the nature of British culture, politics and national identity during the period 1870-1950. The first anthology of primary material interdisciplinary study of the history of the South Asian presence in Britain over the period, it selects a wide range of official and non-official archival sources. and identifies four key areas of South Asian impact - minority rights, war, culture and reception, and representation. The current relevance of South Asian engagement is underscored, projecting contemporary national concerns back into the past. -- .