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F - M (German, Hardcover): Wilhelm Kosch, Wolfgang Achnitz, Lutz Hagestedt, Mario Muller, Claus-Michael Ort, Reimund B Sdzuj F - M (German, Hardcover)
Wilhelm Kosch, Wolfgang Achnitz, Lutz Hagestedt, Mario Muller, Claus-Michael Ort, …
R8,818 Discovery Miles 88 180 Ships in 10 - 15 working days
Walsh - Wedegartner (German, Hardcover, 3rd 3. Aufl. ed.): Wilhelm Kosch, Wolfgang Achnitz, Lutz Hagestedt, Mario Muller,... Walsh - Wedegartner (German, Hardcover, 3rd 3. Aufl. ed.)
Wilhelm Kosch, Wolfgang Achnitz, Lutz Hagestedt, Mario Muller, Claus-Michael Ort, …
R8,828 Discovery Miles 88 280 Ships in 12 - 17 working days

The Deutsches Literatur-Lexikon is one of the best known, most comprehensive and most reliable reference works on German literature. Spanning the ages, the work encompasses writers from all eras, ranging from the Middle Ages to the present day. Volume 28 contains, among other, articles on Walther von der Vogelweide, Fred and Maxie Wander, Aby Warburg, Jakob Wassermann and Max Weber. In line with the encyclopedia's broad definition of the term literature, information is also included on numerous specialists in their fields, e.g. conductor Bruno Walter and footballer Fritz Walter.

Adiaphorie und Kunst (German, Hardcover, Reprint 2011 ed.): Reimund B Sdzuj Adiaphorie und Kunst (German, Hardcover, Reprint 2011 ed.)
Reimund B Sdzuj
R5,338 R4,639 Discovery Miles 46 390 Save R699 (13%) Ships in 10 - 15 working days

The book investigates theories dating from the 13th to the 18th century on the moral indifference of human action with a view to substantiating the hypothesis of a heterogeneous genealogy of the specifically modern concept of 'aesthetics'. Aesthetic discourse on art did not develop of its own self and in its own right but was essentially based on genuinely moral-theological concepts (or concepts evolving in the context of moral theology) relating to the eventuality of human action being adiaphoric in origin. Both in methodological terms and in conjunction with its subject, this study proposes an aetiology, rather than a pre-history, of aesthetic thinking.

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