Reinaldo Arenas was born to a poverty-stricken family in rural Cuba. By the time of his death in New York four decades later, he had become one of Cuba's most important poets, an outspoken critic of Castro's regime and one of the leading gay voices of the twentieth century. In Before Night Falls, Arenas tells of his odyssey from young rebel fighting for the Revolution, through his suppression as a writer, his disillusionment with Castro, his imprisonment and torture, to his eventual exile from Cuba to New York, where in 1987 he was diagnosed with AIDS. He committed suicide in 1990, ending a life of constant struggle against repression. In a farewell note, Arenas wrote: Due to my delicate state of health and to the terrible depression that causes me not to be able to continue writing and struggling for the freedom of Cuba, I am ending my life ... I do not want to convey to you a message of defeat, but of continued struggle and hope. Cuba will be free. I already am. (signed) Reinaldo Arenas

Reinaldo Arenas has been widely praised for his prodigious, explosive talent. A terrifying and beautiful novel, Old Rosa is composed of two stories that converge on a single charged point in the lives of a Cuban mother and son. In "Old Rosa," we meet Rosa as a young woman, tall, proud, shrewd, always in control. But her world begins to crumble when her oldest son runs off to join Castro's rebels and she finds her youngest son, her "brightest star," in bed with another boy. The second story, "The Brightest Star," finds this youngest son in one of Castro's camps for homosexuals, subjected to mind-numbing labor and unrelieved brutality. To survive, he writes'on paper bags and torn-off scraps of political posters, and in margins of stolen official documents. He writes to open a window of freedom, to preserve that dream of beauty and love, with such passion and soaring poetry that we can see the magnificent castles, the lush hanging gardens, the crystal palaces of his imagination"as they blossom and dissolve around the image of Old Rosa, their fateful confrontation, and the vision of her house in flames.

The shocking memoir by visionary Cuban writer Reinaldo Arenas "is a book above all about being free," said The New York Review of Books--sexually, politically, artistically. Arenas recounts a stunning odyssey from his poverty-stricken childhood in rural Cuba and his adolescence as a rebel fighting for Castro, through his supression as a writer, imprisonment as a homosexual, his flight from Cuba via the Mariel boat lift, and his subsequent life and the events leading to his death in New York. In what The Miami Herald calls his "deathbed ode to eroticism," Arenas breaks through the code of secrecy and silence that protects the privileged in a state where homosexuality is a political crime. Recorded in simple, straightforward prose, this is the true story of the Kafkaesque life and world re-created in the author's acclaimed novels.

His mother talks piously of the heaven that awaits the good, and disciplines him with an ox prod. His grandmother burns his precious crosses for kindling. His cousins meet to plot their grandfather's death. Yet in the hills surrounding his home, another reality exists, a place where his mother wears flowers in her hair, and his cousin Celestino, a poet who inscribes verse on the trunks of trees, understands his visions.

The first novel in Reinaldo Arenas's "secret history of Cuba," a quintet he called the Pentagonia, Singing from the Well is by turns explosively crude and breathtakingly lyrical. In the end, it is a stunning depiction of a childhood besieged by horror--and a moving defense of liberty and the imagination in a world of barbarity, persecution, and ignorance.

Reinaldo Arenas is the most highly acclaimed writer of Cuba's post-revolutionary generation. The Doorman, his first work set in the United States, breaks new ground with the extraordinary and tragic story of Juan, a young Cuban refugee who becomes a doorman at a luxury apartment building in Manhattan. Oddly alienated from the tenants, Juan finds himself being seduced by their pets-a bear, a rattlesnake, an orangutan, goldfish, cats, dogs-who speak to him, determined to recruit him to their cause: a revolt against humans and human society, and a mass flight to liberty. Fantastic, satirical, dizzyingly inventive, The Doorman is a bittersweet parable about freedom and community, told with a profound sense of humanity.

Critics worldwide have praised Reinaldo Arenas's writing. His extraordinary memoir, Before Night Falls, was named one of the fourteen "Best Books of 1993" by the editors of The New York Times Book Review and has now been made into a major motion picture.

The Color of Summer, Arenas's finest comic achievement, is also the fulfillment of his life's work, the Pentagonía, a five-volume cycle of novels he began writing in his early twenties. Although it is the penultimate installment in his "secret history of Cuba," it was, in fact, the last book Arenas wrote before his death in 1990. A Rabelaisian tale of survival by wits and wit, The Color of Summer is ultimately a powerful and passionate story about the triumph of the human spirit over the forces of political and sexual repression.

In this, the final volume in the series of five novels that constitute his "secret history of Cuba", Reinaldo Arenas paints a harrowing, and at times boldly entertaining, Kafka-esque picture of a dehumanized people living in a world where homosexuality is a crime punishable by death and a cockroach hunt makes for a national holiday. Narrated by a hate-filled government torturer who has become an agent for the "Bureau of Counterwhispering"," The Assault follows his travels through a blackly humorous shadowland as he winnow out whisperers, sexual deviants, and dissidents of every sort--until memory has been banished and spoken language has been nearly forgotten.

In this brilliant, apocalyptic vision of Castro's Cuba, we meet a young couple who leave the dreariness of Havana and spend six days at a small seaside retreat, where they hope to recapture the desire and carefree spirit that once united them. In a stunning juxtaposition of narrative voices, the wife recounts the grim reality of her marriage, the demands of motherhood, and her loss of freedom, innocence, and hope; while her husband, a disillusioned poet and disenchanted revolutionary, recalls his political struggles and laments the artistic and homosexual freedom that has been denied him. Rich in hallucination, myth and fantasy, Farewell to the Sea is a fierce and unforgettable work that speaks for the entire human condition.

Mona and Other Tales covers Reinaldo Arenas's entire career: his recently rediscovered debut (which got him a job at the Biblioteca Nacional in Havana), stories written in a political prison, and some of his last works, written in exile. Many of the stories have not previously appeared in English.

Here is the tender story of a boy who recognizes evil for the first time and decides to ignore it; the tale of a writer struggling between the demands of creativity and of fame; common people dealing with changes brought about by revolution and exile; a romp with a famous, dangerous woman in the Metropolitan Museum; an outrageous fantasy that picks up where Garcia Lorca's famous play The House of Bernardo Alba ends. Told with Arenas's famous wit and humanity, Mona makes a perfect introduction to this important writer.

Translated from the Spanish by Dolores Koch.