Reinaldo Arenas was born to a poverty-stricken family in rural Cuba. By the time of his death in New York four decades later, he had become one of Cuba's most important poets, an outspoken critic of Castro's regime and one of the leading gay voices of the twentieth century. In Before Night Falls, Arenas tells of his odyssey from young rebel fighting for the Revolution, through his suppression as a writer, his disillusionment with Castro, his imprisonment and torture, to his eventual exile from Cuba to New York, where in 1987 he was diagnosed with AIDS. He committed suicide in 1990, ending a life of constant struggle against repression. In a farewell note, Arenas wrote: Due to my delicate state of health and to the terrible depression that causes me not to be able to continue writing and struggling for the freedom of Cuba, I am ending my life ... I do not want to convey to you a message of defeat, but of continued struggle and hope. Cuba will be free. I already am. (signed) Reinaldo Arenas

Reinaldo Arenas has been widely praised for his prodigious, explosive talent. A terrifying and beautiful novel, Old Rosa is composed of two stories that converge on a single charged point in the lives of a Cuban mother and son. In "Old Rosa," we meet Rosa as a young woman, tall, proud, shrewd, always in control. But her world begins to crumble when her oldest son runs off to join Castro's rebels and she finds her youngest son, her "brightest star," in bed with another boy. The second story, "The Brightest Star," finds this youngest son in one of Castro's camps for homosexuals, subjected to mind-numbing labor and unrelieved brutality. To survive, he writes'on paper bags and torn-off scraps of political posters, and in margins of stolen official documents. He writes to open a window of freedom, to preserve that dream of beauty and love, with such passion and soaring poetry that we can see the magnificent castles, the lush hanging gardens, the crystal palaces of his imagination"as they blossom and dissolve around the image of Old Rosa, their fateful confrontation, and the vision of her house in flames.

Reinaldo Arenas is the most highly acclaimed writer of Cuba's post-revolutionary generation. The Doorman, his first work set in the United States, breaks new ground with the extraordinary and tragic story of Juan, a young Cuban refugee who becomes a doorman at a luxury apartment building in Manhattan. Oddly alienated from the tenants, Juan finds himself being seduced by their pets-a bear, a rattlesnake, an orangutan, goldfish, cats, dogs-who speak to him, determined to recruit him to their cause: a revolt against humans and human society, and a mass flight to liberty. Fantastic, satirical, dizzyingly inventive, The Doorman is a bittersweet parable about freedom and community, told with a profound sense of humanity.

Critics worldwide have praised Reinaldo Arenas's writing. His extraordinary memoir, Before Night Falls, was named one of the fourteen "Best Books of 1993" by the editors of The New York Times Book Review and has now been made into a major motion picture.

The Color of Summer, Arenas's finest comic achievement, is also the fulfillment of his life's work, the Pentagonía, a five-volume cycle of novels he began writing in his early twenties. Although it is the penultimate installment in his "secret history of Cuba," it was, in fact, the last book Arenas wrote before his death in 1990. A Rabelaisian tale of survival by wits and wit, The Color of Summer is ultimately a powerful and passionate story about the triumph of the human spirit over the forces of political and sexual repression.

In this, the final volume in the series of five novels that constitute his "secret history of Cuba", Reinaldo Arenas paints a harrowing, and at times boldly entertaining, Kafka-esque picture of a dehumanized people living in a world where homosexuality is a crime punishable by death and a cockroach hunt makes for a national holiday. Narrated by a hate-filled government torturer who has become an agent for the "Bureau of Counterwhispering"," The Assault follows his travels through a blackly humorous shadowland as he winnow out whisperers, sexual deviants, and dissidents of every sort--until memory has been banished and spoken language has been nearly forgotten.

His mother talks piously of the heaven that awaits the good, and disciplines him with an ox prod. His grandmother burns his precious crosses for kindling. His cousins meet to plot their grandfather's death. Yet in the hills surrounding his home, another reality exists, a place where his mother wears flowers in her hair, and his cousin Celestino, a poet who inscribes verse on the trunks of trees, understands his visions.

The first novel in Reinaldo Arenas's "secret history of Cuba," a quintet he called the Pentagonia, Singing from the Well is by turns explosively crude and breathtakingly lyrical. In the end, it is a stunning depiction of a childhood besieged by horror--and a moving defense of liberty and the imagination in a world of barbarity, persecution, and ignorance.

This shocking personal and political memoir from one of the most visionary writers to emerge from Castro's Cuba recounts Arenas' stunning odyssey--from his poverty-stricken childhood through his suppression as a writer and imprisonment as a homosexual to his flight to America and subsequent life and death in New York. A New York Times Best Book of 1993.

In this brilliant, apocalyptic vision of Castro's Cuba, we meet a young couple who leave the dreariness of Havana and spend six days at a small seaside retreat, where they hope to recapture the desire and carefree spirit that once united them. In a stunning juxtaposition of narrative voices, the wife recounts the grim reality of her marriage, the demands of motherhood, and her loss of freedom, innocence, and hope; while her husband, a disillusioned poet and disenchanted revolutionary, recalls his political struggles and laments the artistic and homosexual freedom that has been denied him. Rich in hallucination, myth and fantasy, Farewell to the Sea is a fierce and unforgettable work that speaks for the entire human condition.

"In "Autoepitaph," Reinaldo Arenas soars above death, conquers terror, and sees himself reflected in the face of his lover, the Cuban sea."--Flora Gonzalez Mandri, coeditor and cotranslator of "In the Vortex of the Cyclone: Selected Poems by Excilia Saldana" "A powerful tribute to Arenas, a poet who explores the meaning of our ethical standing in the world as well as the transient nature of our souls. In this collection, we journey with Arenas into his struggles and victories, accompanied by his voice, filled with fortitude and hope. The English translation pays tribute to the original Spanish text."--Marjorie Agosin, author of "Of Earth and Sea: A Chilean Memoir" Reinaldo Arenas (1943-1990) remains one of the most famous Cuban writers in exile. His work constitutes a monument of resistance literature, but much of the focus has been on his novels and his autobiography, "Before Night Falls," chosen as one of the ten best books of 1993 by the "New York Times." Because his poetic output has not been widely translated, "Autoepitaph" is the first and only career-spanning volume of Arenas's poetry in translation in any language.
This bilingual volume includes narrative poems, sonnets, excerpts from Arenas's prose poems, and previously unpublished works from his papers at Princeton University. Both the Spanish originals as well as English translations seamlessly capture the poet's sarcasm, humor, and powerful rhythms. Camelly Cruz-Martes provides an outline for Arenas's major poetic strategies, as well as context for the themes that unite his poems: resistance against colonialism, political and personal repression, existential alienation, and the desire for transcendence through art.

Mona and Other Tales covers Reinaldo Arenas's entire career: his recently rediscovered debut (which got him a job at the Biblioteca Nacional in Havana), stories written in a political prison, and some of his last works, written in exile. Many of the stories have not previously appeared in English.

Here is the tender story of a boy who recognizes evil for the first time and decides to ignore it; the tale of a writer struggling between the demands of creativity and of fame; common people dealing with changes brought about by revolution and exile; a romp with a famous, dangerous woman in the Metropolitan Museum; an outrageous fantasy that picks up where Garcia Lorca's famous play The House of Bernardo Alba ends. Told with Arenas's famous wit and humanity, Mona makes a perfect introduction to this important writer.

Translated from the Spanish by Dolores Koch.