|
Showing 1 - 15 of
15 matches in All Departments
The final volume of Rene Wellek's monumental history of modern
criticism is a comprehensive survey of the main currents of
twentieth-century criticism in Western Europe. In this volume, as
in the preceding books of the series, Wellek expounds and analyzes
the work of the most prominent critics, offering succinct
appraisals of his subjects both as individuals and as participants
in the broader movements of the century. Contents I. French
Criticism, 1900-1950 French "Classical" Criticism in the Twentieth
Century Retrospect: Alain, Remy de Gourmont The Nouvelle Revue
Francaise: Andre Gide, Jacques Riviere, Ramon Fernandez, Benjamin
Cremiuex, Albert Thibaudet Marcel Proust The Catholic Renaissance:
Charles Du Bos, Jacques Maritain and Henri Bremond, Paul Claudel
Dada and Surrealism The Geneva School: Marcel Raymond, Albert
Beguin, Georges Poulet Albert Camus Jean-Paul Sartre Paul Valery
Prospect II. Italian Criticism, 1900-1950 Benedetto Croce The
Followers of Croce: Luigi Russo, Francesco Flora, Mario Fubini,
Attilio Momigliano The Aestheticians: Giuseppe Antonio Borgese,
Alfredo Gargiulo Critics concerned with English and American
literature: Cesare Pavese, Mario Praz, Emilio Cecchi Italian
Marxism: Antonio Gramesci, Giacomo Debenedetti The Catholic
Renaissance: Carlo Bo The Close Readers: Renato Serra, Giuseppe De
Robertis, Cesare De Lollis, Eugenio Montale III. Spanish Criticism,
1900-1950 Americo Castro Miguel de Unamuno Marcelino Menendez y
Pelayo and Ramon Menendez Pidal Azorin Salvador de Madariaga Jorge
Guillen Damaso Alonso Jose Ortega y Gasset
Confrontations brings, together in one volume six essays by the
distinguished critic Rene Wellek. Five have been previously
published but are now practically unobtainable; one, "German and
English Romanticism: A Confrontation," is previously unpublished.
The books roam emphasis is on the spread of German philosophical
and critical ideas to England and the United States. The first
essay examines the differences between German and English
Romanticism. In the following essays, Professor Wellek examines the
Impact of German philosophy and literary theory on the Ideas of
Carlyle and De Quincey. In the final two essays, he considers
attitudes held by New England Transcendentalists, especially
Emerson, toward German philosophy. Originally published in 1965.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
Theory of Literature was originally published in 1949. It is not a
textbook introducing the young to the elements of literary
appreciation nor a survey of the techniques employed in scholarly
research. The authors have sought to unite "poetics" (or literary
theory) and "criticism" (evaluation of literature) with
"scholarship" ("research") and "literary history" (the "dynamics"
of literature, in contrast to the "statics" of theory and
criticism.
Confrontations brings, together in one volume six essays by the
distinguished critic Rene Wellek. Five have been previously
published but are now practically unobtainable; one, "German and
English Romanticism: A Confrontation," is previously unpublished.
The books roam emphasis is on the spread of German philosophical
and critical ideas to England and the United States. The first
essay examines the differences between German and English
Romanticism. In the following essays, Professor Wellek examines the
Impact of German philosophy and literary theory on the Ideas of
Carlyle and De Quincey. In the final two essays, he considers
attitudes held by New England Transcendentalists, especially
Emerson, toward German philosophy. Originally published in 1965.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
The value of this readable account lies in the perspective it gives
on the long process that established modern historical sense and
the understanding of literary change and development. Though not
primarily a history of English scholarship, careful attention has
been given the rediscovery of early literature, history of critical
thought, and the linguistic science in the eighteenth century.
Originally published in 1941. A UNC Press Enduring Edition - UNC
Press Enduring Editions use the latest in digital technology to
make available again books from our distinguished backlist that
were previously out of print. These editions are published
unaltered from the original, and are presented in affordable
paperback formats, bringing readers both historical and cultural
value.
Photographs By Karel Plicka, Josef Sudek And Jindrich Marco.
Photographs By Karel Plicka, Josef Sudek And Jindrich Marco.
Contributing Authors Include Philip Rahv, Murray Krieger, Irving
Howe, And Many Others.
Contributing Authors Include Philip Rahv, Murray Krieger, Irving
Howe, And Many Others.
With the erudition that has distinguished his lifelong study of
literary criticism, Wellek considers the trends, theories, and
quarrels of recent years. He continues to insist that
criticism--whether written by structuralists, phenomenologists,
Marxists, or the New Critics--makes judgments and also takes into
account "a common humanity that makes all art accessible to us." He
also considers the relationship between literature and linguistics
and the difficulty of constructing evolutionary models for literary
history.
Originally published in 1982.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the
latest in digital technology to make available again books from our
distinguished backlist that were previously out of print. These
editions are published unaltered from the original, and are
presented in affordable paperback formats, bringing readers both
historical and cultural value.
Provocative and penetrating, these essays attest to Mr. Wellek's
intense concern during the past two decades with the problems
besetting the disciplines of literary theory, criticism, and
history. Each essay accordingly sets as its goal the development of
a concept that will contribute to better understanding of the
literary work. Trenchant investigation of such significant critical
concepts as baroque, romanticism, and realism are complemented by
illuminating surveys of the current state of literary criticism and
related commentaries on contemporary literary theory and
scholarship. "Concepts of Criticism "constitutes a valuable
statement of Mr. Wellek's theoretical position. A number of the
essays are published for the first time and a bibliography of Mr.
Wellek's publications is included. Rene Wellek, author of "A
History of Modern Criticism, 1750-1950," is Sterling Professor of
Comparative Literature at Yale.
|
|