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In this timely book, renowned criminologist and activist Renny
Golden sheds light on the women behind bars and the 350,000
children they leave behind. In exposing the fastest growing prison
population-a direct result of Reagan's War on Drugs-Golden sets up
new framework for thinking about how to address the situation of
mothers in prison, the risks and needs of their children and the
implications of current judicial policies.
In this timely book, renowned criminologist and activist Renny
Golden sheds light on the women behind bars and the 350,000
children they leave behind. In exposing the fastest growing prison
population-a direct result of Reagan's War on Drugs-Golden sets up
new framework for thinking about how to address the situation of
mothers in prison, the risks and needs of their children and the
implications of current judicial policies.
In narrative poems that take us back to New Mexico during the
nineteenth century, Renny Golden resurrects the spirits of native
people and of those who came West. To read these poems is to hear
the voices of Padre Martinez and Bishop Lamy, Geronimo and General
Crook, Billy the Kid and Sister Blandina. "Blood Desert is history
that breaks into song, and readers are drawn into a chorus of
voices that have gone unheard--women, indigenous peoples and more.
What marvelous poetry, what powerful stories! Readers will not be
able to put this book down."--Demetria Martinez, author of Mother
Tongue and Confessions of a Berlitz-Tape Chicana. "From the end of
Spanish colonial rule in 1821, to the United States invasion of
1846, to the surrender of Geronimo, these poems provide a lyrical
alternative history that enlightens the reader."--Roxanne
Dunbar-Ortiz, author of Roots of Resistance: A History of Land
Tenure in New Mexico.
The Music of Her Rivers pays homage to the rivers that taught the
poet--the Rio Grande and the Chicago and Illinois Rivers.
Sharp-eyed and empathetic, Golden serves as a witness, documenting
place, history, and people, especially those left voiceless due to
violence or discrimination--from the refugee border crossers of the
Rio Grande to the Irish immigrants and former slaves struggling to
build lives in Chicago in the late nineteenth and early twentieth
centuries. Each poem captures the enduring challenges of Native
peoples, laborers, naturalists, and immigrants through its haunting
and consuming verse. Throughout the collection the nuanced
representation of the landscape allows the rivers to become
witnesses and actors themselves.
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