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Winner of 2021 National Geographic Traveller Reader Award for 'Best
Food & Travel Book' Shortlisted for the Guild of Food Writers
First Book and Single Subject Book Awards 2021 Gourmand Cookbook
Award Winner 2020 In 2016 two locals, frustrated at the lack of
opportunities to eat the seafood landed in Ullapool, started a
seafood shack on the harbour of the North West Highlands town.
Serving up whatever their fishermen friends brought them every day,
Kirsty Scobie and Fenella Renwick's crowd funded project was an
instant success and a new book, to be published in November, brings
this to life. In their first book, Kirsty and Fenella tell the
story of Ullapool's Seafood Shack and bring together the recipes
for the fresh, vibrant, ballsy dishes that have made The Seafood
Shack such a Scottish treasure: from their famed Haddock &
Pesto Wrap and the super-luxe Lobster Mac & Cheese to
incredible super-local delicacies like Spiney Popcorn. The Seafood
Shack was born out of a conversation between Kirsty and Fenella out
at sea with their fishermen partners. Ullapool has around twelve
local boats fishing in the clear, icy waters of The Minch: five
prawn trawlers and seven inshore creel boats, with a further two
crabbing boats coming in each week and ten or so white fish boats
landing regularly. The vast majority of this huge variety of
seafood landing daily was then transferred straight onto the back
of a lorry, making it difficult to source it locally. Eager to keep
a little fresh seafood for their hometown, Kirsty and Fenella
opened up The Seafood Shack. The shack swiftly went onto win
recognition, winning the BBC Food & Farming Award for Best
Street food or Takeaway in 2017 and hosting visits from the likes
of Mary Berry and Albert Roux. Kirsty says: "Many tonnes of seafood
are caught in our Scottish seas and then transported straight out
of Ullapool. We wanted to play a part in keeping some of our
seafood local and so the Seafood Shack was born. What we really
love now is being behind the hatches, cooking away and chatting to
our customers as they devour a haddock wrap or peel open some fresh
buttery langoustines. The book tells this story and shares our
approach. What makes the Shack so wonderful to us is its relaxed
feel and we don't have to be stuck in a kitchen behind closed
doors, we can be involved in every aspect. The food we cook is
simple, quick but most importantly fresh and delicious." Punctuated
by the voices of local fishermen, the book celebrates the fishing
industry that has been the beating heart of Ullapool's village life
for 230 years. With both Fenella and Kirsty's partners actively
involved in fishing, The Seafood Shack also reflects the debate
around sustainable fishing. Fenella says: "The people behind our
seafood are a huge part of our story: from Josh's langoustines and
lobsters, Gary's hand-dived scallops and Stephen's white fish to
the team at our local smokehouse or Joe our oyster producer. These
amazing people have been a massive part of our success: at the end
of the day we're not amazing chefs, we're just two girls who love
to cook and having such fantastic and fresh produce is what makes
the Shack work." The Seafood Shack provides over 80 down to earth
recipes and tips for cooking white fish, smoked fish and shellfish.
Kirsty and Fenella's work on the book was recognised when they were
announced as winners of the Jane Grigson Trust Award for New
Writers earlier this year.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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