Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening publics around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. Futures of the Architectural Exhibition records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseno y Arquitectura, Mexico City), Giovanna Borasi (Canadian Center for Architecture, Montreal), Ann Lui (Future Firm, Chicago), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoe Ryan (ICA, University of Pennsylvania, Philadelphia), Martino Stierli (Museum of Modern Art, New York), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.

Sigfried Giedion's small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of modernist housing ideology and as such is key to the broader understanding of the ambitions of the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization of construction processes and its impact on public housing at the beginning of the twentieth century. An important step in Giedion's rise as one of the foremost propagators of modern architecture, this manifesto is based on the argumentative power of visual comparisons, and is the only book the art historian both authored and designed. Along a facsimile edition in German, Giedion's Befreites Wohnen is presented here for the first time in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and a scholarly essay that anchors the work in the context of its time and suggests the book's relevance for contemporary architectural discourse.

In this low-priced special edition, the book brings together the work of the Los Angeles-based architectural practice Johnston Marklee since its foundation in 1998. The practice is known for its uniform conceptual approach to each project and is internationally recognized for its engagement with contemporary art practices while being deeply rooted in the history and practice of architecture. The book provides an insight into Johnston Marklee's design process and cooperation with experts from related fields. It draws its material from seven conversations and seven artists' interpretations of Johnston Marklee's buildings and projects. A comprehensive list of work illustrated with small photographs and diagrams concludes this monograph. .

The job description of the architect has fundamentally changed with the emergence of a globalized society, and it will continue to do so in the future. Already today, the demands of the job no longer correspond to the profile on which classical architectural training is based. In this context, the question that arises is no longer that of the building alone, but also that of a changed approach to building and new pathways within design itself. This is where Explorations comes in: internationally celebrated authors, all of whom are professors as well and hence directly involved in the processes they describe, address the principal topics of contemporary architectural research. Taking the works of their own design studios as examples (Eidgenoessische Technische Hochschule [ETH] Zurich [Swiss Federal Institute of Technology Zurich]: Marc Angelil, Fabio Gramazio/Matthias Kohler; Ecole Polytechnique Federale de Lausanne [EPFL, Swiss Federal Institute of Technology Lausanne]: Harry Gugger, Dieter Dietz), they offer concrete discussions of those topics and place them in the context of applied research and practice. Short and accessible essays on the most important architectural movements of the twentieth century clarify the relationship between the subjects discussed and canonical architectural research. Reto Geiser is an architect who studied at the Eidgenoessische Technische Hochschule (ETH) Zurich (Swiss Federal Institute of Technology Zurich) and Columbia University in New York. As the William Muschenheim Fellow and a lecturer in architecture and design, he spent the 2003-2004 academic year at the University of Michigan (USA). He is currently a doctoral candidate at the Institut gta (Institute for the History and Theory of Architecture) at the ETH Zurich. In addition to his academic work, Reto Geiser also works on projects at the shared frontiers of architecture, installation, and visual culture. In Basel, he is director of the series Standpunkte: Informelle Gesprache zur zeitgenoessischen ArchitekturKultur (Points of View: Informal Conversations on Contemporary Architecture/Culture). Geiser is currently curating the Swiss contribution to the XI Biennale of Architecture in Venice. The exhibition at the Swiss Pavilion of the 2008 Venice Architecture Biennale is merely intended as a springboard for further study of the subject.