Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who travelled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution—the first of its kind in the Middle East—led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament. The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. “The only difference between me and these people is the place of my birth," Baskerville declared, “and that is not a big difference.� In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution and rebuilding parliament in Tehran. To this day, Baskerville’s tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honour the American who gave his life for Iran. In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy—and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran—frequently demonised and misunderstood in the West. Indeed, Baskerville’s life and death represent a “road not taken� in Iran. Baskerville’s story, like his life, is at the centre of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?

Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history's most influential and enigmatic figures by examining Jesus within the context of the times in which he lived: the age of zealotry, an era awash in apocalyptic fervour. Balancing the Jesus of the Gospels against historical sources, Aslan describes a complex figure: a man of peace who exhorted his followers to arm themselves; an exorcist and faith healer who urged his disciples to keep his identity secret; and the seditious 'King of the Jews', whose promise of liberation from Rome went unfulfilled in his lifetime. Aslan explores why the early Church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary, and grapples with the riddle of how Jesus understood himself. Zealot provides a fresh perspective on one of the greatest stories ever told. The result is a thought-provoking, elegantly written biography with the pulse of a fast-paced novel, and a singularly brilliant portrait of a man, a time and the birth of a religion.

INTERNATIONAL BESTSELLER
A finalist for the "Guardian" First Book Award
In "No god but God, "internationally acclaimed scholar Reza Aslan explains Islam--the origins and evolution of the faith--in all its beauty and complexity." "This updated edition addresses the events of the past decade, analyzing how they have influenced Islam's position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam's evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women's movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, "No god but God" is an elegantly written account that explains this magnificent yet misunderstood faith.

#1 "NEW YORK TIMES" BESTSELLER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
"Good Housekeeping - Booklist - Publishers Weekly - Bookish"
From the internationally bestselling author of "No god but God" comes a fascinating, provocative, and meticulously researched biography that challenges long-held assumptions about the man we know as Jesus of Nazareth.
Two thousand years ago, an itinerant Jewish preacher and miracle worker walked across the Galilee, gathering followers to establish what he called the "Kingdom of God." The revolutionary movement he launched was so threatening to the established order that he was captured, tortured, and executed as a state criminal.
Within decades after his shameful death, his followers would call him God.
Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history's most influential and enigmatic characters by examining Jesus through the lens of the tumultuous era in which he lived: first-century Palestine, an age awash in apocalyptic fervor. Scores of Jewish prophets, preachers, and would-be messiahs wandered through the Holy Land, bearing messages from God. This was the age of zealotry--a fervent nationalism that made resistance to the Roman occupation a sacred duty incumbent on all Jews. And few figures better exemplified this principle than the charismatic Galilean who defied both the imperial authorities and their allies in the Jewish religious hierarchy.
Balancing the Jesus of the Gospels against the historical sources, Aslan describes a man full of conviction and passion, yet rife with contradiction; a man of peace who exhorted his followers to arm themselves with swords; an exorcist and faith healer who urged his disciples to keep his identity a secret; and ultimately the seditious "King of the Jews" whose promise of liberation from Rome went unfulfilled in his brief lifetime. Aslan explores the reasons why the early Christian church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary. And he grapples with the riddle of how Jesus understood himself, the mystery that is at the heart of all subsequent claims about his divinity.
" Zealot" yields a fresh perspective on one of the greatest stories ever told even as it affirms the radical and transformative nature of Jesus of Nazareth's life and mission. The result is a thought-provoking, elegantly written biography with the pulse of a fast-paced novel: a singularly brilliant portrait of a man, a time, and the birth of a religion.
Praise for "Zealot"
" "
"Riveting . . . Aslan synthesizes Scripture and scholarship to create an original account."--"The New Yorker"
"A lucid, intelligent page-turner.""--Los Angeles Times"
" "
"Fascinatingly and convincingly drawn . . . Aslan may come as close as one can to respecting those who revere Jesus as the peace-loving, turn-the-other-cheek, true son of God depicted in modern Christianity, even as he knocks down that image."--"The Seattle Times"
" Aslan's] literary talent is as essential to the effect of "Zealot" as are his scholarly and journalistic chops. . . . A vivid, persuasive portrait."--"Salon"
" "
"This tough-minded, deeply political book does full justice to the real Jesus, and honors him in the process."--"San Francisco Chronicle"

Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who traveled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution-the first of its kind in the Middle East-led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament. The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. "The only difference between me and these people is the place of my birth," Baskerville declared, "and that is not a big difference." In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution, and rebuilding parliament in Tehran. To this day, Baskerville's tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honor the American who gave his life for Iran. In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy-and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran-frequently demonized and misunderstood in the West. Indeed, Baskerville's life and death represent a "road not taken" in Iran. Baskerville's story, like his life, is at the center of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?

Two thousand years ago, an itinerant Jewish preacher walked across the Galilee, gathering followers to establish what he called the “Kingdom of God.” The revolutionary movement he launched was so threatening to the established order that he was executed as a state criminal. Within decades after his death, his followers would call him God.

Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history’s most enigmatic figures by examining Jesus through the lens of the tumultuous era in which he lived. Balancing the Jesus of the Gospels against the historical sources, Aslan describes a man full of conviction and passion, yet rife with contradiction. He explores the reasons the early Christian church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary. And he grapples with the riddle of how Jesus understood himself, the mystery that is at the heart of all subsequent claims about his divinity.

Zealot yields a fresh perspective on one of the greatest stories ever told even as it affirms the radical and transformative nature of Jesus’ life and mission.

THE NEW YORK TIMES BESTSELLER In God, Reza Aslan sheds new light on mankind's relationship with the divine and challenges our perspective on the history of faith and the birth of religion. From the origins of spiritual thought to the concept of an active, engaged, divine presence that underlies all creation, Aslan examines how the idea of god arose in human evolution, was gradually personalized, endowed with human traits and emotions, and eventually transformed into a single Divine Personality: the God known today by such names as Yahweh, Father, and Allah. Bold, wide-ranging and provocative, God challenges everything we thought we knew about the origins of religious belief, and with it our relationship with life and death, with the natural and spiritual worlds, and our understanding of the very essence of human existence.

A fascinating, accessible introduction to Islam from the author of the #1 "New York Times "bestseller "Zealot"
INTERNATIONAL BESTSELLER - A finalist for the "Guardian" First Book Award
In "No god but God, "internationally acclaimed scholar Reza Aslan explains Islam--the origins and evolution of the faith--in all its beauty and complexity." "This updated edition addresses the events of the past decade, analyzing how they have influenced Islam's position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam's evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women's movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, "No god but God" is an elegantly written account that explains this magnificent yet misunderstood faith.

The countries that stretch along the broad horizons of the Middle East from Morocco to Iran, from Turkey to Pakistan boast different cultures, different languages, and different religions. Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region. Acting with Words Without Borders, which fosters international exchange through translation and publication of the world s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama many of them presented in English for the first time features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon. By shifting America s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet & Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly). Includes the writings of Kahlil Gibran, Tawfiq al-Hakim, Nazim Hikmet, Ismat Chughtai, Muhammad Iqbal, Faiz Ahmed Faiz, Forugh Farrokhzad, Ahmet Hamdi Tanpinar, Ya ar Kemal, Ghassan Kanafani, Mahmoud Darwish, Adonis, Ahmad Shamloo, Naguib Mahfouz, Orhan Pamuk, and more."

This book outlines a new strategy that applies the organizing principles of progressive internationalism-national strength, free enterprise, liberal democracy, U.S. leadership for collective security-to the new challenge of defeating Islamist extremism. That plan, as set forth in detail in this book, revolves around five progressive imperatives for national security: * First, we must marshal all of America's manifold strengths, starting with our military power but going well beyond it, for the struggle ahead. * Second, we must rebuild America's alliances, because democratic solidarity is one of our greatest strategic assets. * Third, we must champion liberal democracy in deed, not just in rhetoric, because a freer world is a safer world. * Fourth, we must renew U.S. leadership in the international economy and rise to the challenge of global competition. * Fifth, we must summon from the American people a new spirit of national unity and service. In sum, the progressive strategy detailed in this book takes advantage of all of our country's strengths, not just the big stick of military power. It seeks to unite, not polarize and divide, our people. It links the defense of liberty abroad with a new determination to press progressive reforms at home. It calls on all Americans-not just our men and women in uniform-to share the burden of prevailing in what is likely to be a long, arduous and costly struggle. Published in cooperation with the Progressive Policy Institute

At a time when the United States was involved in two wars against Islamic nations, American-born artist Sandow Birk wanted to understand the Qur'an as it is, and always has been intended: a universal message to humankind. But to do so, he first needed to comprehend what Islam's holiest book meant to an American living in the twenty-first century. Indeed, how has the Qur'an related to us, as Americans, in this life, in this time? In an attempt to answer his own question, Birk embarked on the most ambitious work of his career. Following in the grand traditions of ancient Arabic and Islamic artists, he began hand-transcribing the entire Qur'an as was done in centuries past-abiding by the traditional prescriptions as to the colors of ink, the formatting of the pages, the size of margins and illuminations of page headings and medallions marking verses and passages. He then took each sura and set it against a backdrop from everyday American life, one that reflected his renowned "skate-surf" ascetic. Even before the first images of what became known as the American Qur'an began appearing in public, in 2009, veteran art critics were concerned about its reception. While Birk wasn't illustrating the Qur'an itself, the pairing of Islam's holiest text with scenes from contemporary American life seemed adventuresome, given the climate of the times. The project, however, was not only welcomed by the Muslim community but also celebrated as an "ambitious and valuable undertaking" (New York Times). At the same time, many saw it as taking part in an ancient tradition, one that, according to Yale University professor Zareena Grewal, "eschewed the irony and satire that have become the knee-jerk impulse of so many Western artists." Now appearing in full for the first time ever, this lavishly designed volume-containing all 114 suras-melds the past with the present, East with the West like nothing before it. The result, hailed by Reza Aslan as "a great favor, not only to Muslims, but also to Americans," is one of the most original art books to appear in decades.