Based on the international bestseller, THE RELUCTANT FUNDAMENTALIST is both a gripping thriller and a fascinating look at the post-9/11 world. Riz Ahmed, Kate Hudson, Kiefer Sutherland and Liev Schreiber lead a powerful cast in the story of a young man caught in the middle of an unfolding international crisis.

When an American academic in Pakistan is kidnapped by anti-American radicals, the CIA thinks popular young Pakistani professor Changez is involved. But as Changez tells his remarkable story about his life in the US - including his rising career on Wall Street and passionate relationship with a beautiful New York artist - to an American foreign correspondent, the truth becomes harder to pin down.

Acclaimed director Mira Nair's adaptation of Mohsin Hamid's novel is a tense tale of hidden agendas and best intentions gone wrong.

All ten episodes from the first season of the Emmy Award-nominated historical drama series focusing on the life and romances of the young King Henry VIII (Jonathan Rhys Meyers). Set in Renaissance Britain during the early part of Henry's reign, the series portrays the passionate and irascible king, his Spanish Queen Catherine (Maria Doyle Kennedy), his ministers Sir Thomas More (Jeremy Northam) and Cardinal Wolsey (Sam Neil), and a host of would-be mistresses and wives. As bold and passionate about his country as he is about his women, Henry's obsession with ensuring his legacy leads to the beheading of both friends and foes, the waging of wars and a challenge to the Catholic Church - events that forever changed the face of the British Empire. Episodes comprise: 'In Cold Blood', 'Simply Henry', 'Wolsey, Wolsey, Wolsey!', 'His Majesty, the King', 'Arise, My Lord', 'True Love', 'Message to the Emperor', 'Truth and Justice', 'Look to God First' and 'The Death of Wolsey'.

A smoldering tale of romance and revenge set in the world of the New York Times best seller Dawn of the Arcana! Ajin boys who show signs of special abilities are conscripted to serve in the imperial palace as beast-servants—status symbols and shields for their royal masters, to be kept or discarded on a whim. When they were children, Rangetsu’s twin brother Sogetsu was ripped from her arms and sent to the palace to attend Prince Tenyou as a beast-servant, where he quickly fell victim to bloody dynastic intrigues. Now in a world that promises only bitterness, Rangetsu’s one hope at avenging her brother is to disguise herself as a man and find a way into the palace!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A smoldering tale of romance and revenge set in the world of the New York Times best seller Dawn of the Arcana! Ajin boys who show signs of special abilities are conscripted to serve in the imperial palace as beast-servants-status symbols and shields for their royal masters, to be kept or discarded on a whim. When they were children, Rangetsu's twin brother Sogetsu was ripped from her arms and sent to the palace to attend Prince Tenyou as a beast-servant, where he quickly fell victim to bloody dynastic intrigues. Now in a world that promises only bitterness, Rangetsu's one hope at avenging her brother is to disguise herself as a man and find a way into the palace! Sogetsu may have been released from the emperor's cruelty, but he's not yet completely free of his ordeal. In order to survive the experiments he suffered through, Sogetsu's mind splintered into many personalities...and only one of them made it out of the inner palace. Now he is racked with guilt over being the wrong Sogetsu, and the agony of feeling unworthy of being rescued is pushing him into unexpected action!

“Vinieron por su marido. Las camionetas llegaron con estruendo, los ocupantes bajaron entre gritos, sus nietos jugaban en la calle, ambos corrieron asustados. Eran las siete y media de la tarde. Los siguieron al menos seis hombres. Otros quedaron afuera, de guardia. En el rústico patio interior, María Ordóñez sólo pudo abrazar a los pequeños. La única habitación con puerta que había en el interior de la casa era la de abajo. Los invasores la derribaron. Pero no había nadie detrás. Se apoderaron de una laptop, una tablet, una cámara, dos celulares: las herramientas de trabajo del reportero. Él dormía en la planta superior. El cansancio de dos días de trabajo duro no permitió que el ruido alertara a Moisés Sánchez. Probablemente despertó al sentir los golpes, o acaso apenas cuando lo arrastraban fuera. Abrazar a los niños, fuerte: hasta eso alcanzó el poder de María. Con sus nietos miró cómo se llevaban al abuelo�. The Truth Can't be Killed "They came for her husband. The trucks arrived with a crash, the occupants came down screaming, their grandchildren played in the street, both ran scared. It was seven thirty in the afternoon. They were followed by at least six men. Others stayed outside, on duty. In the rustic interior courtyard, María Ordóñez could only hug the little ones. The only room with a door inside the house was the one below. The invaders tore her down. But there was no one behind. They seized a laptop, a tablet, a camera, two cell phones: the reporter's work tools. He slept on the top floor. The fatigue of two days of hard work did not allow the noise to alert Moisés Sánchez. He probably woke up when he felt the blows, or perhaps just when they dragged him out. Embrace children, strong: until that reached the power of Mary. With his grandchildren he watched how they took the grandfather.