'The equivalent of London's brand-new Elizabeth line . . . vast, shiny and very, very deep' - The Times, 'Best Summer Reads' 'Utterly unique . . . A masterpiece' - The Daily Mail 'Stunning . . . Brilliantly original' - The Guardian London is built from concrete, steel and the creative urge. Old technology gives way to the new. Progress is inevitable - but is it more fragile than its inhabitants realise? A strange anomaly is uncovered in the new top-secret Crossrail extension being built under Buckingham Palace. It is an archeological puzzle, one that may transform our understanding of history - and the origins of London itself. And if our modern world falls, we may have to turn to the technology of the past in order to save our future.

This wordless collection of strips by renowned artist/designer Rian Hughes reveals the lighter side of our obsession with social rankings. When everyone has a number, everyone knows their place. Lower numbers are better, higher numbers are less important, and that's just the way it is. But what if that number could change? You might try to buck the system and assert your individuality... or you might end up with a big fat zero. Big questions are explored and unexpected answers found in the first solo comics collection from award-winning designer & illustrator Rian Hughes. His whimsical, witty, and insightful strips will make you both smile and consider. Where do you stand in the pecking order? Is your number up?

'Utterly unique . . . A masterpiece' The Daily Mail 'Stunning . . . Brilliantly original' The Guardian London is built from concrete, steel and the creative urge. Old technology gives way to the new. Progress is inevitable - but is it more fragile than its inhabitants realize? A strange anomaly is uncovered in the new top-secret Crossrail extension being built under Buckingham Palace. It is an archaeological puzzle, one that may transform our understanding of history - and the origins of London itself. And if our modern world falls, we may have to turn to the technology of the past in order to save our future.

Foss's groundbreaking and distinctive science fiction art revolutionized paperback covers in the 1970s and 80s. Dramatically raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science fiction art and cinema. Featuring work for books by Isaac Asimov, E. E. 'Doc' Smith, Arthur C. Clarke, A. E. Van Vogt and Philip K. Dick, and film design for Ridley Scott and Stanley Kubrick, this volume brings together many rare and classic images that have never been seen or reprinted before. The first comprehensive retrospective of Chris Foss' sf career. Chris Foss' name has become pre-eminent among sf artists...He is in love with the monstrous, with angular momentum, with inertia-free projectiles and irresistable objects. A" - Brian Aldiss [Foss'] creations are real machines, not just an artist's dreams. They combine the two elements so essential to science fiction: realism and a sense of wonder...A medieval goldsmith of future eons.A" - Alejandro Jodorowsky. Rian Hughes is an award-winning graphic designer, illustrator, font designer and comics artist, noted for his work on 2000AD, and Dan Dare. His illustration work is highly distinctive, wearing its design influences on its sleeve. Clients include Virgin Airways, Penguin Books, DC Comics (for whom he has designed numerous logos), Eurostar the BBC and a range of magazines and newspapers. He is the editor and designer of several books including "Lifestyle Illustration of the 60s" and the recently released "Cult-ure". "One of the most successful and prolific designer/illustrators of the past 20 years" - Roger Sabin, Eye magazine

'The equivalent of London's brand-new Elizabeth line . . . vast, shiny and very, very deep' - The Times, 'Best Summer Reads' 'Utterly unique . . . A masterpiece' - The Daily Mail 'Stunning . . . Brilliantly original' - The Guardian London is built from concrete, steel and the creative urge. Old technology gives way to the new. Progress is inevitable - but is it more fragile than its inhabitants realise? A strange anomaly is uncovered in the new top-secret Crossrail extension being built under Buckingham Palace. It is an archeological puzzle, one that may transform our understanding of history - and the origins of London itself. And if our modern world falls, we may have to turn to the technology of the past in order to save our future.