Nick Rezkel lost his PI license in a case that went sideways. Turned out catching the killer wasn't enough. Now he's on the Alaska Pipeline, working seven tens out in the minus 70 wind chill. Yet, there are compensations. Nick finds a new girlfriend with a quick tongue and a killer body. Life feels sweet despite his boss' threats to fire him. Then, everything gets serious. He finds a dead man, a heap of cocaine dissolving in his pooled blood. State troopers are convinced Nick stabbed the guy. Now, it's up to him to escape and clear his name

Identity politics is a lightning rod in American society. To both its progressive supporters and conservative critics, it is seen as defining the agenda of the Left. Both sides are wrong. Identity politics is not a leftist project. Instead it enables the neoliberal political economy that has caused historic levels of inequality and triggered repression and mass incarceration to deal with the social wreckage. Identity politics is a form of biological essentialism, impeding morality built upon universal humanism and politics built upon solidarity. Unlike the conservative assaults, this book avoids the trivial and silly pronouncements of identity politics (a term generally avoided in the work as loaded and pejorative). It challenges the following key elements of the Identity, Diversity, and Multiculturalism Program: Diversity as Justice-the most important struggle for justice today is increasing the representation throughout society of individuals from historically marginalized groups by ending discrimination on the grounds of race, gender, sexual orientation, and similar characteristics; Colorblindness as Racism-race-neutral solutions to the problems caused by racism are harmful to blacks; Race as Culture-members of different races, specifically blacks and whites in the United States, belong to different cultures; Culture as Virtue-cultures should be respected and celebrated. This book forcefully argues that none of these tenets is-or rather should be-a leftist commitment. For progressives already suspicious of those principles, this work offers a cogent set of responses to the unfounded accusations of racism, sexism, and so on that frequently restrict critical discussion of the topic. For progressives who accept the principles, it poses a challenge: How do you defend them from a leftist critique, one that does not deny the continuing significance of discrimination, rather than from the weaker attacks of the Right? For those on the Right, it represents a threat. The liberal focus on identity allows conservatives to define politics as largely a symbolic project. Once leftists return to their core commitments they will form a powerful movement for political and economic change.

Identity politics is a lightning rod in American society. To both its progressive supporters and conservative critics, it is seen as defining the agenda of the Left. Both sides are wrong. Identity politics is not a leftist project. Instead it enables the neoliberal political economy that has caused historic levels of inequality and triggered repression and mass incarceration to deal with the social wreckage. Identity politics is a form of biological essentialism, impeding morality built upon universal humanism and politics built upon solidarity. Unlike the conservative assaults, this book avoids the trivial and silly pronouncements of identity politics (a term generally avoided in the work as loaded and pejorative). It challenges the following key principles of the Identity, Diversity, and Multiculturalism Program: Diversity as Justice—the most important struggle for justice today is increasing the representation throughout society of individuals from historically marginalized groups by ending discrimination on the grounds of race, gender, sexual orientation, and similar characteristics; Colorblindness as Racism—race-neutral solutions to the problems caused by racism are harmful to blacks; Race as Culture—members of different races, specifically blacks and whites in the United States, belong to different cultures; Culture as Virtue—cultures should be respected and celebrated. This book forcefully argues that none of these tenets is—or rather should be—a leftist commitment. For progressives who accept the principles, it poses a challenge: How do you defend them from a leftist critique, one that does not deny the continuing significance of discrimination, rather than from the weaker attacks of conservatives? For those on the Right, this work represents a threat. Once leftists return to their core commitments they will form a powerful movement for political and economic change.

Rock Hudson stars in this suspenseful drama directed by John Frankenheimer. Having lost his purpose in life, middle-aged banker Arthur Hamilton (Hudson) is given the opportunity to take on a completely new life after receiving a phone call from his friend Charlie (Murray Hamilton), who he believed to be dead. After being approached by an organisation known only as 'The Company', Arthur is afforded the chance to fake his own death, change his appearance and create a new life. Grasping the opportunity, he adopts the identity of an artist named Tony Wilson, who owns a home in Malibu and has his own servant. But he comes to realise that his new transformation comes with unforeseen costs...

Altair-4 is a planet populated only by the scientist Morbeus (Walter Pidgeon), his daughter (Anne Francis) and a droid, Robby the Robot. Morbeus' obsession with discovering the secrets of the underground cities of Krel and its long-dead inhabitants have led him to kill his fellow explorers. However, his research is once again threatened with the arrival of another expedition, whose leader (Leslie Nielson) is not deterred by Morbeus' efforts to keep him away from either his adopted home or his daughter. This sci-fi reworking of Shakespeare's 'The Tempest' gained an Oscar nomination for its special effects and has since accrued cult status.

Interrogates the development of the world's first international courts of humanitarian justice and the subsequent "liberation" of nearly two hundred thousand Africans in the nineteenth century. In 1807, Britain and the United States passed legislation limiting and ultimately prohibiting the transoceanic slave trade. As world powers negotiated anti-slave-trade treaties thereafter, British, Portuguese, Spanish, Brazilian,French, and US authorities seized ships suspected of illegal slave trading, raided slave barracoons, and detained newly landed slaves. The judicial processes in a network of the world's first international courts of humanitarian justice not only resulted in the "liberation" of nearly two hundred thousand people but also generated an extensive archive of documents. Liberated Africans and the Abolition of the Slave Trade, 1807-1896 makes use of theserecords to illuminate the fates of former slaves, many of whom were released from bondage only to be conscripted into extended periods of indentured servitude. Essays in this collection explore a range of topics relatedto those often referred to as "Liberated Africans"-a designation that, the authors show, should be met with skepticism. Contributors share an emphasis on the human consequences for Africans of the abolitionist legislation. The collection is deeply comparative, looking at conditions in British colonies such as Sierra Leone, the Gambia, and the Cape Colony as well as slave-plantation economies such as Brazil, Cuba, and Mauritius. A groundbreaking intervention in the study of slavery, abolition, and emancipation, this volume will be welcomed by scholars, students, and all who care about the global legacy of slavery.

This open access textbook introduces the emerging field of Development Engineering and its constituent theories, methods, and applications. It is both a teaching text for students and a resource for researchers and practitioners engaged in the design and scaling of technologies for low-resource communities. The scope is broad, ranging from the development of mobile applications for low-literacy users to hardware and software solutions for providing electricity and water in remote settings. It is also highly interdisciplinary, drawing on methods and theory from the social sciences as well as engineering and the natural sciences. The opening section reviews the history of "technology-for-development" research, and presents a framework that formalizes this body of work and begins its transformation into an academic discipline. It identifies common challenges in development and explains the book's iterative approach of "innovation, implementation, evaluation, adaptation." Each of the next six thematic sections focuses on a different sector: energy and environment; market performance; education and labor; water, sanitation and health; digital governance; and connectivity. These thematic sections contain case studies from landmark research that directly integrates engineering innovation with technically rigorous methods from the social sciences. Each case study describes the design, evaluation, and/or scaling of a technology in the field and follows a single form, with common elements and discussion questions, to create continuity and pedagogical consistency. Together, they highlight successful solutions to development challenges, while also analyzing the rarely discussed failures. The book concludes by reiterating the core principles of development engineering illustrated in the case studies, highlighting common challenges that engineers and scientists will face in designing technology interventions that sustainably accelerate economic development. Development Engineering provides, for the first time, a coherent intellectual framework for attacking the challenges of poverty and global climate change through the design of better technologies. It offers the rigorous discipline needed to channel the energy of a new generation of scientists and engineers toward advancing social justice and improved living conditions in low-resource communities around the world.

Sci-fi action spin-off of 'The Six Million Dollar Man' 1970s TV series. Steve Austin (Lee Majors), the Six Million Dollar Man and Bionic Woman Jaime Sommers (Lindsay Wagner), whose bodies were rebuilt after they had near fatal accidents, are joined by Kate Mason, a New Bionic Woman, played by Sandra Bullock, while Richard Anderson reprises his role as Austin and Sommers' government supervisor, Oscar Goldman. Their goal is to defeat the evil cyborg who wants to wreak havoc in the world.

In a future when Earth is a toxic, abandoned world and humanity has spread into the outer solar system to survive, the tightly controlled use of time travel holds the key to maintaining a fragile existence among the other planets and their moons. James Griffin-Mars is a chronman - a convicted criminal recruited for his unique psychological makeup to undertake the most dangerous job there is: missions into Earth's past to recover resources and treasure without altering the timeline. Most chronmen never reach old age, and James is reaching his breaking point. On his final mission, James meets scientist Elise Kim, who is fated to die during the destruction of an oceanic rig. Against his training and common sense, James brings her back to the future with him, saving her life, but turning them both into fugitives. Remaining free means losing themselves in the wild and poisonous wastes of Earth, and discovering what hope may yet remain for humanity's home world. File Under: Science Fiction