* The first book on group radical openness, this book introduces the concept and guide's practitioners in implementing it into their own practice. * There is a growing interest in how overcontrol underpins a range of mental health difficulties, making the book especially timely * Presents a new program that can be run in person or online and full of exercises and handouts that can be integrated into any setting in which group members may be distant from others

* The first book on group radical openness, this book introduces the concept and guide's practitioners in implementing it into their own practice. * There is a growing interest in how overcontrol underpins a range of mental health difficulties, making the book especially timely * Presents a new program that can be run in person or online and full of exercises and handouts that can be integrated into any setting in which group members may be distant from others

This book constitutes the refereed proceedings of the 14th Pacific Rim Conference on Artificial Intelligence, PRICAI 2016, held in Phuket, Thailand, in August 2016. The 53 regular papers and 15 short papers presented in this volume were carefully reviewed and selected from 161 submissions. Pricai covers a wide range of topics such as AI foundations; applications of AI; semantic web; information retrieval; constraint satisfaction; multimodal interaction; knowledge representation; social networks; ad-hoc networks; algorithms; software architecture; machine learning; and smart modeling and simulation.

This 1996 book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provenance broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema. Individual chapters also offer fresh insights into key aspects of the Edwardian stage such as a definition of the theatre of the time, gender play and role reversal in the Edwardian music hall, as well as issues related to politics and the suffrage movement.

This 1996 book presents Edwardian entertainment and the Edwardian entertainment industry as parts of a vital, turbulent era whose preoccupations and paranoias echo those of our own day. Responding to recent shifts of attitude towards the Edwardians and their world, the essays in this collection take as their provenance broad patterns of theatrical production and consumption, focusing upon the economics of theatre management, the creation of new audiences, the politics of playgoing, and the meteoric rise of popular forms of mass entertainment, including musical comedy, variety theatre, and the cinema. Individual chapters also offer fresh insights into key aspects of the Edwardian stage such as a definition of the theatre of the time, gender play and role reversal in the Edwardian music hall, as well as issues related to politics and the suffrage movement.

This book examines all major aspects of theater practice and dramatic literature of the Victorian period. Michael Booth's comprehensive survey explores the social and cultural context of the theater including theater management, the audience, architecture and production methods, acting and the job of the actor, as well as the drama itself. Within this framework, Booth discusses such topics as the effect on theater of population growth and the spread of the railway system, the typical organization of a Victorian theater company, the contribution to theater of several important actor-managers, the use of stage machinery and lighting instruments, and the stock company and rehearsal system. The volume also includes a chapter on sources, numerous previously unpublished illustrations, and a chronology. The result is a lively and informative account of the diversity, energy, and color of the Victorian stage, the whole period comprising one of the most fascinating and vigorous eras in the history of the English theater.

In Dancing with your Dragon," Shaeri Richards leads you on a simple yet profound journey toward self-worth and unconditional love. Filled with playfulness, wisdom, and compassion, this book offers a plethora of practical ways to get to know yourself more completely, and to fully accept whatever you find hidden inside. The many stories, metaphors, and simple practices in this book are designed to help expand your awareness, while opening your heart to the deeper layers or your being. If you embrace what Dancing with your Dragon has to offer, you will learn the art of loving yourself even when you don t.