Richard Brautigan was a literary idol of the 1960s and 1970s whose comic genius and iconoclastic vision of American life caught the imagination of young people everywhere. He came of age during the Haight-Ashbury period and has been called "the last of the Beats." His early books became required reading for the hip generation, and on its publication "Trout Fishing in America" became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise.
This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan's work as a student in California.

Revenge of the Lawn is Richard Brautigan in miniature and contains no fewer than 62 ultra-short stories set mainly in Tacoma, Washington (where the author grew up) and in the flower-powered San Francisco of the late fifties and early sixties. In their compacted form, which ranges from the murderously short 'The Scarlatti Tilt' to one-page wonders like the sexually poignant poetry of 'An Unlimited Supply of 35 Millimetre Film', Brautigan's stories take us into a world where his fleeting glimpses of everyday strangeness leave stories and characters resonating in our heads long after they're gone.

A heartbroken American writer starts a story about an ice-cold sombrero that falls inexplicably from the sky and lands in the centre of a small Southwest town. Devastated by the departure of his gorgeous Japanese girlfriend, he cannot concentrate on his writing and in frustration he throws away his beginning. But as the man searches through his apartment for strands of his lost love's hair, the discarded story in the wastepaper basket - through some kind of elaborate origami - carries on without him. Arguments over the sombrero begin, one thing leads to another and before long all hell breaks loose in the normally sleepy town. Brautigan's fertile imagination twists and pulls at the ensuing chaos to come up with a tender, moving, surreal and incredibly funny tale that is told by a writer at the very peak of his creative powers.

IDEATH is a place where the sun shines a different colour every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of a new generation.

Three unforgettable Brautigan masterpieces reissued in a one-volume omnibus edition.

REVENGE OF THE LAWN: Originally published in 1971, these bizarre flashes of insight and humor cover everything from "A High Building in Singapore" to the "Perfect California Day." This is Brautigan's only collection of stories and includes "The Lost Chapters of TROUT FISHING IN AMERICA."

THE ABORTION: AN HISTORICAL ROMANCE 1966: A public library in California where none of the books have ever been published is full of romantic possibilities. But when the librarian and his girlfriend must travel to Tijuana, they have a series of strange encounters in Brautigan's 1971 novel.

SO THE WIND WON'T BLOW IT ALL AWAY: It is 1979, and a man is recalling the events of his twelfth summer, when he bought bullets for his gun instead of a hamburger. Written just before his death, and published in 1982, this novel foreshadowed Brautigan's suicide.

A Brautigan omnibus, reissued in paperback in celebration of its twentieth anniversary, this one-volume edition includes three contemporary classics that embody the spirit of the 1960s.

In a small Pacific Northwest town we meet a young man who has shot dead his best friend with a gun. The novel deals with the repercussions of this tragedy: the anguish, regret, despair and bittersweet romance. Typical of Brautigan's singular style, So the Wind Won't Blow It All Away is a beautifully written, brooding novel. Its autobiographical prose is a fitting epitaph to this complex, contradictory and often misunderstood writer.

Richard Brautigan's last novel, published in the U.S. for the first time

Richard Brautigan was an original--brilliant and wickedly funny, his books resonated with the sixties, making him an overnight counterculture hero. Taken in its entirety, his body of work reveals an artistry that outreaches the literary fads that so quickly swept him up.

Dark, funny, and exquisitely haunting, his final book-length fiction explores the fragile, mysterious shadowland surrounding death. Told with classic Brautigan wit, poetic style, and mordant irony, An Unfortunate Woman assumes the form of a peripatetic journal chronicling the protagonist's travels and oblique ruminations on the suicide of one woman, and a close friend's death from cancer.

After Richard Brautigan committed suicide, his only child, Ianthe Brautigan, found among his possessions the manuscript of An Unfortunate Woman. It had been completed over a year earlier, but was still unpublished at the time of his death. Finding it was too painful to face her father's presence page after page, she put the manuscript aside.

Years later, having completed a memoir about her father's life and death, Ianthe Brautigan reread An Unfortunate Woman, and finally, clear-eyed, she saw that it was her father's work at its best and had to be published.

An Unfortunate Woman, An Unforgettable Journey was the final book written by Richard Brautigan before his death in 1984 and lay unpublished for sixteen years. Originally written in the 160 pages of a loose-leaf notebook, the narrator of the book is trying to come to terms with the death of a friend by going on a personal odyssey which zigzags through time and landscapes, from Oakland to Hawaii, and the wilds of Montana. An Unfortunate Woman, An Unforgettable Journey walks a fine line between fiction and memoir, between dark introspection and a lust for life, and in the last pages in particular, marks a gut-wrenching, intense, and ultimately tragic exit from fiction and life itself for the troubled author.

Richard Brautigan was a literary idol of the 1960s and 1970s whose comic genius and iconoclastic vision of American life caught the imagination of young people everywhere. He came of age during the Haight-Ashbury period and has been called "the last of the Beats." His early books became required reading for the hip generation, and on its publication "Trout Fishing in America" became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise.
This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan's work as a student in California.

Magic Child, a fifteen-year old Indian girl, wanders into the wrong whorehouse. She is looking for the right men to kill the monster. The monster that lives in the ice caves under the basement of Miss Hawkline's yellow house. Richard Brautigan takes the reader on a heroic, magical adventure through Eastern Oregon. The Hawkline Monster confirms his place as one of the twentieth century's most exciting writers.

When you hire C.Card, you have scraped the bottom of the private eye barrel. And when Card is hired to steal a body from the morgue, he needs to stop dreaming, find bullets for his gun and get there before someone else does. Not since Trout Fishing in America has Brautigan so successfully combined his wild sense of humour with his famous poetic imagination. In this parody of the hard-boiled crime novel, the adventures of seedy, not-too-bright C.Card are a delight to both the mind and the heart.

A reclusive young man works in a San Francisco library for unpublishable books. Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until a trip to Tijuana changes them in ways neither of them had ever expected.

On the eve of his departure from Eugene, Oregon, to San Francisco and worldly success, a twenty-one-year-old unpublished writer named Richard Brautigan gave these funny, buoyant stories and poems as a gift to Edna Webster, the beloved mother of both his best friend and his first "real" girlfriend. "When I am rich and famous, Edna," he told her, "this will be your social security.' The stories and poems show Brautigan as hopelessly lovestruck, cheerily goofy, and at his most disarmingly innocent. We see not only a young man and young artist about to bloom, but also the whole literary sensibility of the 1960s counterculture about to spread its wings and fly.