Richard Chigley Lynch's latest discography completes his trio of reference works published by Greenwood Press. These review commercially available albums of show music, providing the researcher with the information given on album covers. This volume's 657 entries list some 6500 song titles and cover the years from 1874 (Die Fledermaus) to 1988 (Goya). Compiler Lynch has included every significant recording with the exception of some albums with uncredited vocals or those of well-represented scores with obscure vocalists. All commercially recorded tv musicals including some produced for younger viewers are contained here with--where available--the date of the recording. Studio cast albums are limited to those sung in English and performed in New York City and include English recordings of American shows. In addition to tv and studio cast recordings 14 other categories of recordings are listed under descriptive headings, including Archival Recreation, Concert Recording, Demo Recording, Failed Musical, Film Score, Ice Revue, Musical for Records, Night Club Revue, Original Concept Album, Pre-Broadway Recording, Puppet Show, Radio Production, Television Production, and Television Special. Following an introduction, the lengthy discography section arranges show titles alphabetically and lists the date of the show's first performance as well as the date of the first New York production of foreign shows. Also included here are original record label, number and information on reissues, and whether the recording is in mono or stereo or is available as a compact disc (CD). Major composer, lyricist, and musical conductor are credited and cast members who sing on the recording are listed alphabetically. Each entry also lists all songs included on the album in the order they are performed on the record followed, when available, by the name of the performer(s). Entries conclude with additional composers and lyricists who also contributed to the score and an occasional note of interest to the researcher. A separate television chronology includes the network that aired the musical, while the studio cast chronology indicates the musicals for records included. The movie chronology identifies the studio which originally presented the film. An index to performers lists each alphabetically followed by the titles of all albums on which the artist sings. The technical index alphabetically lists composers, lyricists, and musical directors with the show album titles following. This impeccable reference along with Lynch's Broadway on Record (Greenwood Press, 1987) and Movie Musicals on Record (Greenwood Press, 1989) are necessary additions to college and university libraries as well as to the reference collections of larger public libraries.

Is there a recording of the songs from "Smile"? How many scores by Sondheim have been recorded in the past ten years? Answers to these and other such questions can be found in this unique volume. All shows are listed alphabetically, and essential information is included for each song, as well as other recordings of the same score and who recorded them. There are performer, composer, lyricist, and musical director indexes, making this a user-friendly reference. This volume, along with the author's previous discographies (Greenwood 1987, 1989, 1990), provides a definitive reference source for recorded musicals--from Broadway, Hollywood, television, or merely hoping-to-be-produced--up to 1995. The work is useful not only to scholars and students but also to the collector of musical show recordings.

Show recordings are listed by title in alphabetical order. Each song is listed in the order it was recorded on the album or CD, and the performer of the song is given. The recording is identified by composer, lyricist, and musical director, as well as the date of original production and date of this particular recording. There is a chronology of all shows included in this volume, and there are two indexes: one by performer and one by composer, lyricist, and musical director.

This discography provides a listing of the songs and singers on 459 original cast albums for New York musicals from 1931 to 1986. . . . [It] is a creditable . [It] is a creditable compilation that will be of interest to both upecialists and general collections. Reference Books Bulletin The most up-to-date and comprehensive discography available, it provides full information on 459 show albums ranging from the 1931 recording of The Band Wagon to current productions recorded in 1986. Some 4,000 song titles are listed. Entries are arranged alphabetically by show title. Production information includes opening date of the show and name of the theatre; revivals which produced new recordings; composer, lyricist, and conductor credits; cast members who sing on the recording; and songs included on the album. Multiple recordings of the same show are arranged chronologically. Complete discographic data is supplied--record label and number, both the original and the most recent reissue, type of recording (monaural and/or stereophonic), and availability as compact disc. An index of performers identifies the albums on which each person appears. Composers, lyricists, and musical directors are listed in a seperate index.

This discography provides a comprehensive listing of the songs from motion picture musicals, and the singers who performed them on commercially available albums. Covering the period from The Jazz Singer in 1927 to Three Amigos in 1987, and including 666 albums and 6,500 song titles, the book is a companion volume to Lynch's Broadway on Record (Greenwood Press, 1987), arranged in a similar format. While the scope is primarily American, albums of some foreign films that became popular in this country have been included. The entries are listed alphabetically by film title with the name of the company that produced it and the year it was first released. Remakes of musicial films are listed chronologically, and the original label and number are given, as well as information on the most recent reissue. This thoroughly researched reference offers easy access to a wealth of information on the subject of recorded songs from motion picture musicals and assists the user in identifying many little-known facts, such as the names of the title-song singers, names of singers who dubbed the voices of the stars, and additional composers and lyricists where there were several contributors to the film's score. Also provided is a complete guide to recording availability and type, and major composer, lyricists, and musical conductor credits are given, with an alphabetical list of cast members who sing on the recording. An exhaustive source for students and scholars of film history, film music, and popular culture, this book will be a valuable addition to all university and public libraries.